dhulst r a (141 resultados)

Condición: Gut. 129 S. Text + ca. 40 S. Abb. in s/w GR-8°, Softcover. Kleinere Gebrauchsspuren, innen sauber und ordentlich V63 Sprache: Niederländisch Gewicht in Gramm: 436.

brossura. Condición: buone condizioni. Français. Broché., Ill. bn: 128 planches, Ill. colori: --, Peso: 1140 gr.

The catalogue contains many reproductions of paintings and drawings, several of them in colour. /// Paperback, XXIV+388 pp., 8° (17 x 24 cm), cover worn, top edge have traces of dust, condition: good Book Language/s: French.

Softcover. Condición: Sehr gut. R.-A. d'Hulst u. H. Vey. Antoon van Dyck. Ausstellung, Antwerpen 1960. 170 S., 1 Bl., u. 80 ganzs. Die beiden ergänzenden Listen beiliegend. - Stempelexlibris Joseph Clemens Prinz von Bayern.

Paperback. Condición: VG. 1st Edition. FLEMISH TEXT. Book is in very good condition with minor signs of wear and/or age. Very minor tear to edge of rear cover.

Softcover/Paperback. Condición: Gut. 388 pages. Still Good. Cover worn. Inside clean. Sprache: Deutsch Gewicht in Gramm: 1100.

375 Seiten mit zahlreichen, zum Teil farbigen Abbildungen. Gutes Exemplar mit nur leichten Gebrauchsspuren. Textsauber und aus einem Nichtraucherhaushalt. // Original hardcover in a dust jacket in a jewlery slipcase. Clean book in good condition. Book from a non smoking environment. Sprache: Englisch Großformat, Original-Leinenband mit Schutzumschlag in einem Schmuckschuber.

softcover. Condición: Very good copy. Profusely illustrated Ilustrador. 1st. 8vo, 388 pp.

Rilegato. Condición: in ottime condizioni. sovraccoperta. Lingua inglese. Senza data. Illustrazioni a colori. Figure in nero. Tela editoriale. Sopraccoperta. Formato in.4 (24x31 cm). Pagg. 136. Ottimo stato.

Antwerpen, Koninklijk Museum voor Schone Kunsten / Gemeentekrediet 1993 Softcover, 309pp., 24.5x30cm., talrijke ills. in kleur en z/w., in zeer goede staat. (omslag met lichte gebruikssporen). ISBN 9050661157.

Gebonden, bordeaux linnen hardcover met goudopdruk, originele uitgeversomslag met flappen in kleur, 30.7x23.7 cm., 136 pp., rijkelijk geillustreerd in kleur en in z/w. ISBN 9020926098. Uitgegeven door de Kredietbank n.a.v. haar 60-jarig bestaan. 1300 g.

1e dr. - (Kunst in België ; V). - Losbladig in houten map.

softcover , 24 x 16cm., 388pp., illustratie in z/w en kleur. text in DEUTSCH Tentoonstelling 29 juni - 30 september 1977. 0 g.

Paperback. Condición: Good. Dutch.

Paperback. Condición: Very Good. Met afzondelijk katern met de Inleiding vertaald in het Frans, Engels en Duits. Dutch.

Originele uitgeversomslag, softcover, originele uitgeversomslag in kleur, 17x24 cm. , 160 pp. + 109 z/w illustraties. Met aparte inleiding vertaald in het Frans / Engels / Duits. Uitgegeven ter gelegenheid van de tentoonstelling 17 juni - 17 september 1978 naar aanleiding van de 300ste verjaardag van het overlijden van de grootmeester op 18 oktober 1978. Me 1010 g.

hardcover. Condición: Very Good.

Condición: Used: Good. Occasion - Bon Etat - Dessins du XVe au XVIIIe siècle dans les collections privées de Belgique (1983) - Grand Format.

Couverture souple. Condición: Très bon. in-4°, 311 pages, nombreuses illustrations.

Soft cover. Condición: Very Good. Octavo, softcover, VG in orange pictorial wraps. This exhibition celebrated the 400th anniversary of Peter Paul Rubens's birth with 109 paintings and 64 drawings from 'foreign' museums and private collections organized by the City of Antwerp, the Ministry for Dutch Culture and the Royal Museum of Fine Arts. 387 pp. Photos of Rubens' works in color and b & w. Foreword by Backer-Van Ocken, Intro. by Detieghe, Explanatory notes by Gepts, D'Hulst, Baudouin, Chronology of Rubens life at beginning of book. Book.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Text in English. 375 pp. Scratches and a small tear on the dust jacket. Jacob Jordaens (1593-1678), together with Rubens and Van Dyck, was one of the great Flemish Baroque masters of the seventeenth century. But unlike Rubens and Van Dyck, Jordaens was not a court painter, nor was he a member of the aristocracy or intellectual élite. His entire working life was spent in Antwerp where, as a respected member of the bourgeoisie, he was a popular and successful artist, his commissions ranging from altarpieces to tapestry design, and from portraits to allegorical ceiling-pieces. Although he did not travel to Italy, as did many of his contemporaries, Jordaens's work reflects the influence of Caravaggio, Veronese, Bassano and other Italian artists. However, without doubt, Jordaens's chief inspiration was his fellow-countryman Rubens, in whose footsteps he followed closely, striving to emulate his compositions and technique. With the death of Rubens in 1640 and Van Dyck in 1641, Jordaens's popularity reached its peak. Yet, ironically. with the resulting rise in commissions, the quality of his work began to decline, and towards the end of his career an increasing amount of work was executed by his studio, under his direction. Jordaens's affiliation with Rubens has led to false attributions and confusion between the two artists, In addition, the developing role of Jordaens's studio has clouded any assessment of the true quality of Jordaens's work, Carrying on the tradition of the standard reference by Max Rooses (1908) and the monographs by P. Buschmann Jr (1905) and Van Puyvelde (1953), Professor d'Hulst analyses critically Jordaens's output, including the large number of works which have recently come to light. He also clarifies which are authentic and defines the high standard of Jordaens's artistic ability. This monograph includes a fully documented account of the artist's life and the stylistic and thematic development of his work as a painter and a draughtsman. It is illustrated throughout in chronological order, with the exception of portraits which have been allocated their own chapter. The volume concludes with an index of collections, subjects and a general index.

Soft cover. Condición: Very Good. No Jacket. xlviii, 196 pages + 128 planches. 25.5 cm. Couverture illustrée en carton souple. Illustré 128 planches hors-texte (dessins en noir et blanc) + section "Filigranes" (dessins n/b). Liste des abréviations. Liste des dessinateurs. Registres de collectionneurs. Catalogue d'une exposition qui s'est tenue, en 1972, à Londres (Victoria Albert Museum), Paris (Institut Néerlandais), Berne (Musée des Beaux-Arts) et Bruxelles (Bibliothèque Albert 1er). Couverture un peu frottée. Autrement livre frais, solide et propre, très bon.

Edité en 1993. 309 pages. Cartonnage avec jaquette. Bon état.

Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. Very Heavy, extra postage may be required outside South Africa. jacket is torn and creased. light marks. internally clean. presentable and soundly bound. fairly good copy.[SK]. Our orders are shipped using tracked courier delivery services.

Soft cover. Condición: Good. 8vo in wraps. 494 pp. G+. Edge wear to wraps. Corners bumped. Interior is pristine. No writing or markings of any kind. Photos are of the actual book you will receive. Ships wrapped in bubble wrap and packed securely in a box.

Soft cover. Condición: Good. 8vo in wraps. 494 pp. Edge wear and tear to wraps. Spine slanted. Text block bumped. Text and illustrations are clean. Photos are of the actual book you will receive. Ships wrapped in bubble wrap and packed securely in a box.

Broschiert. Condición: Gut. 1. Auflage. 160 Seiten und 109 Abbildungen. Buch gut erhalten, Einband leicht berieben mit kleinen Randläsuren. Buchecken leicht angestoßen. Sprache: Niederländisch Gewicht in Gramm: 740.

Paperback. Condición: Very Good. 7 x 9 in. Heavy paper covers. Exhibition catalogue with lavish B&W photos. Text in English. Condition is VERY GOOD ; edges worn, covers rubbed. Binding tight and text unmarked. Art. Stax.

Paperback. Condición: G/NO DUSTJACKET. Black & White Illustrations Ilustrador. Antwerpen: Uitgeverij Ontwikkeling. G/NO DUSTJACKET. 1956. Paperback. in Dutch . 8vo., 119, lxiv pp., cover rubbed, pencilled notes .

Soft cover. Condición: Good. Soft cover which comes with a wooden wrap / cover. Tears to head and foot of spine. Some loss to base of spine of wooden cover and a corner. Colour illustrations. One corner bumped.