Publicado por Pinacoteca do Estado de São Paulo, São Paulo, 2014
Librería: Caixa Baixa, Florianopolis, SC, Brasil
Encuadernación de tapa blanda. Condición: Como Nuevo. Edição Facsimilar do catálogo da mostra Projeto Construtivo Brasileiro na Arte. 356 páginas. Acompanha uma pequena separata com textos de Aracy Amaral, Ivo Mesquita e Claudio Filus.
Publicado por Édition Galerie Press, 1966
Librería: The Idea of the Book, Portland, OR, Estados Unidos de America
Original o primera edición
Soft cover. Condición: Very Good. 1st Edition. First edition of 1,000 of which this is no. 33. Saddle-stapled 4to in wrappers printed in black throughout on thin coated stock. 8 + 4 pp. Text in German. Issue no. 3 in the 'serielle manifeste' series featuring a concrete poetry manifesto by Augusto de Campos, Décio Pignatari, and Haroldo de Campos. Includes a supporting essay by Renate Kübler on Max Bense's relationship to the Brazilians and their intelligence of language. Also includes a cover illustration by Max Bill and five pages of trade advertisements. One of twelve issues in this series published monthly in 1966 with each issue featuring a different artist including Max Bense, Eugen Gomringer, Claus Bremer, Pierre Garnier, and Franz Mon among others. Rubbing to covers including a small area of black marks at left middle margin of front cover and age toning throughout. Very good.
Softcover. Condición: Gut. 8 Seiten. Original-Kartoniert. - (Serielle Manifeste, III) - Erschien in einer limitierten und nummerierten Auflage von 1000 Exemplaren. - 8 pp. Original paperback. - (Serielle Manifeste, III) - Published in a limited and numbered edition of 1000 copies.
Publicado por Faculdade de Filosofia, Ciências e Letras de Assis, 1963
Librería: Biblioteca de Babel, São Paulo, SP, Brasil
Original o primera edición
Soft cover. Condición: Very Good. 1st Edition. 23x15cm, 666p. With the most important names of Brazilian literary scene. [corr].
Publicado por UIA-Artes de México, 1999
Librería: Datura, Ciudad de México, CDMX, México
Original o primera edición
Encuadernación de tapa blanda. Condición: Muy bien. 1ª Edición. Una amplia antología del Movimiento de Poesía Concreta, profusamente ilustrada. Incluye: Poesía; Ensayos y manifiestos; Transcreaciones. 21.5 x 26 cms. 307 págs.
Publicado por Duas Cidades, São Paulo, 1975
Librería: Biblioteca de Babel, São Paulo, SP, Brasil
Soft cover. Condición: Good. 2nd Edition. In Portuguese. 2a. edição em parte original, contém dois textos não presentes na 1a. edição de 1965. Capa com leves desgastes. Manifestos do concretismo. [esq 3 3].
Publicado por Editora Brasiliense, Sao Paulo, 1987
Librería: William Allen Word & Image, London, Reino Unido
Condición: Good +. 155 x 225 mm. 205pp. Printed black and white in wraps printed black and pink. Handling and rubbing to covers, ding to top right and bottom right corners of recto.
Publicado por Kingsland Prospect Press Ltd., London, 1964
Librería: William Allen Word & Image, London, Reino Unido
Paperback. Condición: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).
Publicado por Codigo, Salvador, Bahia, Brazil, 1980
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Condición: Very good +. Erthos Albino de Souza (ed.), 'Codigo 4', Salvador, Bahia, 1980. 245 x 220 mm. 40pp unpaginated, invisible bound printed black and orange on cream, printed black on white stock. Front cover by Regina Silveira with Codigo emblem top left, back cover by Julio Plaza. Contributors include: Aldo Fortes, Alice Ruiz, Augusto de Campos, Antonio Riserio, Caetano Veloso, Decio Pignatari, Duda Machado, Haroldo de Campos, Ines Oseki-Depre, Jose Lino Grunewald, Nelson Ascher, Paulo Leminski, Pedro Xisto, Pericles Cavalcante, Regis Bonvicino, Vinicius Dantas, translation and note on Allen Ginsberg poem by Duda Machado and Regis Bonvicino, E.E. Cummings translated also by Machado, translation of Yoko Ono poems by Monica Costa. Edited by Erthos Albino de Souza in Salvador, Brazil, 'Codigo' can be considered as a significant South American concrete poetry periodical. It was also one of the most long-standing, remaining in circulation from the late 1970s until 1990. Though not widely known the quality and importance of this periodical is apparent from its contributors and content. Codigo, as a Noigandres-based periodical can be seen as a natural progression from the earlier Noigandres and Invenção publications. In total 12 issues were published. All of issues feature the circular 'Codigo' logo designed by Augusto de Campos on cover or inside cover. Text in Portuguese. Condition: wear to spine, including 20mm closed tear(no paper missing), slight wear to edges of covers and minor toning to the edges of some pages. Very good+.
Publicado por Sao Paulo, 2008
Librería: William Allen Word & Image, London, Reino Unido
Condición: Fine. Lenora de Barros, João Bandeira (org), Poesia Concreta: o projecto verbicovisual, Artemeios, Sao Paulo, 2008. 300 x 233 mm. Book, 256 pp. Printed in colour, glue bound in colour printed wraps. A comprehensive reference book on the Brasilian concrete poetry project. Texts in English and Portugese, include Texts: Plano Piloto para Poesia Concreta; Haroldo de Campos: A obra está aberta, Poesia e Modernidade; Augusto de Campos: Poesia Concreta, Pós-Música: Ouviar as pedras; Décio Pignatari: Nova Poesia: Concreta, Por um Design Brasileiro; José Lino Grunewald: Reto, Direto e Concreto; Carlos Adriano: A Promeira entrevista de Ronaldo Azeredo; + Gonzalo Aguilar, Antonio Riserio, Kenneth Goldsmith, Carlos Avila, Livio Tragtenberg. Includes CD on concrete poetry and music. Sealed copy. Condition: Fine Heavy item, extra postage required.
Publicado por Indiana University Press, 1970
Librería: The Idea of the Book, Portland, OR, Estados Unidos de America
Soft cover. Condición: Very Good. Softcover 4to in illustrated wrappers with pages printed in black and white, several plates in color, and one tipped in foldout. 312 pp. To which is added an 8 x 8" three-panel pamphlet printed in black on recto and verso. A comprehensive global survey of concrete poetry edited by the inimitable Mary Ellen Solt. With contributions by Edgardo Antonio Vigo, Augusto and Haroldo de Campos, Edgard Braga, Décio Pignatari, Pedro Xisto, Claus Bremer, Max Bense, Paul de Vree, Hansjörg Mayer, Franz Mon, Ferdinand Kriwet, Ernst Jandl, Diter Rot (Dieter Roth), Ladislav Novák, Öyvind Fahlström, Pierre and Ilse Garnier, Henri Chopin, Julien Blaine, Jean-François Bory, Arrigo Lora-Totino, Adriano Spatola, E. M. de Melo e Castro, Salette Tavares, Ian Hamilton Finlay, Dom Sylvester Houédard (dsh), John Furnival, Robert Lax, and Emmett Williams among several others. Includes an expansive introduction by Mary Ellen Solt, manifestos and statements about concrete poetry by various artists, and short biographies of each contributing artist. Also includes a laid in program of the exhibition held at Indiana University in February 1970 titled 'expose: concrete poetry.' Cover panel illustrated with a concrete poem by Aram Saroyan, and inside panels with an essay on the topic of concrete poetry, a list of contributors organized by country, the exhibition calendar with talk, lectures, and performances, and exhibition credits. Trace amounts of rubbing and wear to covers, including a small black ink mark at left front cover margin, three faint stains at right front cover margin, scattered foxing at top of text block and fore edge, trace amounts of age toning to pages, and a small erasure abrasion at upper right corner of front end paper. Very good. Program with trace amounts of age toning and a faint vertical fold line at middle. Very good.
Publicado por Cultrix, 2006
ISBN 10: 8531600014 ISBN 13: 9788531600012
Librería: LibreriaElcosteño, Ciudad de Buenos Aires, BA, Argentina
Tapa Blanda. Condición: Bien. IMAGENES: En caso que no exista imagen de tapa. no dude en solicitarla. Ejemplar Usado, puede (o no) contener signos de uso como firma, anotaciones o subrayados, consultenos para mayor informacion del estado.
Librería: LibreriaElcosteño, Ciudad de Buenos Aires, BA, Argentina
Tapa Blanda. Condición: Bien. IMAGENES: En caso que no exista imagen de tapa. no dude en solicitarla. Ejemplar Usado, puede (o no) contener signos de uso como firma, anotaciones o subrayados, consultenos para mayor informacion del estado.
Librería: LibreriaElcosteño, Ciudad de Buenos Aires, BA, Argentina
Tapa Blanda. Condición: Bien. IMAGENES: En caso que no exista imagen de tapa. no dude en solicitarla. Ejemplar Usado, puede (o no) contener signos de uso como firma, anotaciones o subrayados, consultenos para mayor informacion del estado.
Publicado por 196
Librería: LibreriaElcosteño, Ciudad de Buenos Aires, BA, Argentina
Tapa Blanda. Condición: Bien. IMAGENES: En caso que no exista imagen de tapa. no dude en solicitarla. Ejemplar Usado, puede (o no) contener signos de uso como firma, anotaciones o subrayados, consultenos para mayor informacion del estado.
Publicado por Correio Paulistano, 1960
Librería: Caixa Baixa, Florianopolis, SC, Brasil
Sin Encuadernar. Condición: Aceptable. 2 páginas Invenção publicadas pelo Correio Paulistano. Mais tarde a página daria origem a revista de mesmo nome. Páginas escurecidas. Uma delas possui um desenho à caneta. A outra apresenta desgastes nas dobraduras.
Publicado por Nomuque, São Paulo, 1975
Librería: Caixa Baixa, Florianopolis, SC, Brasil
Encuadernación de tapa blanda. Condición: Muy Bien. Wears to front covers and general handling marks. Staple rust mark.
Publicado por UIA, 1999
ISBN 10: 9688593567 ISBN 13: 9789688593561
Librería: Iridium_Books, DH, SE, España
Condición: Muy Bueno / Very Good.
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Usado desde EUR 302,00
Encuentre también Tapa blanda
Sin Encuadernar. Condición: Bien. 24 X 34 cm (envelope + sacola de plástico transparente) Caderno: 15,5 X 21,5 cm. Offset, tipografia, serigrafia e carimbo Trabalhos acondicionados em envelope. Em diversos formatos: serigrafia, tipografia. 1000 exemplares.
Publicado por Edições Invenção,, Sao Paulo, 1965
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Condición: very good. First Edition (Rebound in hard covers). 155 x 238 mm. printed black and deep red on white stock. First edition. Original 1965 first edition rebound inside hard covers. Covers still in tact within the binding, spotting to the original covers and some tears and repairs to top edge of front cover. That spotting has continued to the first two pages of the rebound section. Small rubber stamp on first page of previous owner. Overall very good only. Good reference copy of the 1965 edition. Condition: interally very good +/near fine.
Publicado por Serviço de Propaganda e Expansão Comercial da Embaixada do Brasil, Lisboa, 1962
Librería: The Idea of the Book, Portland, OR, Estados Unidos de America
Original o primera edición
First edition. Softcover 8vo in die cut wrappers printed in yellow and green. Endpapers printed in black on light gray paper, and text printed in black on white paper. 32 + 2 pp. Text in Portuguese. Catalogue issued on the occasion of this 1962 concrete poetry exhibition introducing several Brazilian concrete poets to Portugal and the rest of Europe. Illustrated throughout with works by Augusto de Campos, Décio Pignatari, Haroldo de Campos, José Lino Grünewald, Manuel Bandeira, Marcelo Moura, Pedro, Xisto, Ronaldo Azeredo, and Wladimir Dias Pino. Includes a two-page introduction by the Noigandres Augusto de Campos, Décio Pignatari, and Haroldo de Campos unfolding the foundational principles of concrete poetry and poema/processo. Very good with light foxing to covers, an area of darkening along lower cover margin and front endpaper on account of the die cut cover, trace amounts of age toning to pages, and oxidation to staples.
Publicado por Sao Paulo, Edicoes invencao, 1965
Librería: Libreria Giorgio Maffei, Torino, Italia
Brossura. prima edizione. pp.190. 23x16 cm molto buone (bruniture e ingiallimenti sulla copertina, nessuna mancanza, interno perfetto).
Publicado por Ediciones Invencao, 1965
Librería: Libros del Ayer ABA/ILAB, Santiago, Chile
Original o primera edición
Encuadernación de tapa blanda. Condición: Bien. 1ª Edición. Sao Paulo, Ediciones Invencao: 1965. Rústica, 190 páginas, 23 x 16 cm. 1era edición. Libro en portugués.
Publicado por Massao ohno editora,, 1962
Librería: Libros del Ayer ABA/ILAB, Santiago, Chile
Encuadernación de tapa blanda. Condición: Bien. "Sao Paulo, Massao ohno editora, 1962. Rústica, 23 x 16 cms, pp. 204. En 1952, en São Paulo, se forma el grupo Noigandres integrado por Haroldo de Campos, Décio Pignatari, Augusto de Campos y otros. Con este grupo se inicia el movimiento de la poesía concreta. Este número corresponde al último de los 5 publicados.".
Publicado por Edições Invenção,, Sao Paulo, 1965
Librería: William Allen Word & Image, London, Reino Unido
Condición: Very Good. 155 x 238 mm. printed black and white in black and red printed wraps. First edition. Condition: binding in tact but most of spine has disappeared, 10mm closed clear to recto cover. Tanning and spotting, no internal tears.
Publicado por Massao Ohno Editora, Sao Paulo, 1962
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Condición: very good +. First Edition. Augusto de Campos, Decio Pignatari, Haroldo de Campos, Jose Lino Grunewald, Ronaldo Azeredo, noigrandres 5: do verso a poesia concreeta 1949 - 1962, Massao Ohno Editora, Sao Paulo, 1962. 230 x 160mm, 206 pp. Softcovers in glossy rose red and blue wraps, pages printed in black with some printed black, red, green, purple and yellow on white paper. Text in Portugese. Includes a foldout sheet printed in black, tipped into back cover, folded three times. Fifth and final issue of the Brazilian avant-garde publication on the Noigandres and its five members, Augusto de Campos, Decio Pignatari, Haroldo de Campos, Jose Lino Grunewald, Ronaldo Azeredo. Published on the occassion of the Noigandres tenth anniversary, this issue is illustrated with visual and concrete poems showcasing the intention of poema/processo. The cover design features a reprodiction of a painting by Alfredo Volpi, and the issue includes an 8 page foldout by Decio Pignatari next to the last page. Inscribed and signed by Jose Lino Grunewald on the first page, dated 1965. Condition: 1cm closed tear to large foldout page at end of the book, general edgewear to covers, some indentation to front cover, spotting due to the moisture in the Brazilian climate mainly to end pages and edge of book. Overall very good/very good +.
Publicado por Produzido na Kraft, Communicacao S/C Ltda, Sao Paulo, 1988
Librería: William Allen Word & Image, London, Reino Unido
Condición: Near Fine. 445 x 310 mm, 144 pp., edition of 1500. Large format publication containing full page artist contributions (some printed b&w, some printed colour). Printed red hardback covers with grey and white endpapers that feature a repeated 'globe-like' design. Artists featured include: Paulo Leminski, Leon Ferrari, Duda Machado, Walter Silveira, Augusto de Campos, Edgard Braga, Regis Bonvicino, Alice Ruiz, Jose Lino Grunewald, Decio Pignatari, Helio Oiticica, Jose Agrippino de Paula, Haroldo de Campos, Pedro Xisto, Waly Salamao, Luiz Antonio de Figueiredo et al. Condition: Some foxing and ownership signature to early pages and occasional spotting within but the majority of pages are in near fine condition.