cubbs joanne (55 resultados)

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

Hardcover. Condición: Good. torn/chipped dj, some shelfwear/edgewear, may have remainder mark or previous owner's name, still NICE! Oversized.

hardcover. Condición: As New. Very nice book. Edge of DJ has light wear.

Paperback. Condición: Very Good. 1st. vii, 26 pages, colour illustrations; 31 x 31 cm. Catalogue of an exhibition held March 3 to May 12, 1991 at the John Michael Kohler Arts Center. Firm binding, clean inside copy. Moderate shelfwear to wraps, age toning. *** Christian art and symbolism in the work of outsider artists Simon Sparrow, Norbert Kox, and Mary Le Ravin. Art brut. Large, square-format catalogue. Size: 4to.

Wraps. Condición: Fine. First edition. 4to, 47 pp., color and b/w plates and illus.

Soft cover. Condición: Good. No Jacket. Simon Sparrow, Norbert Kox and Mary Le Ravin Ilustrador. Red titles on black soft covers, 28 staple bound pages with color illustrations. Some light edge wear to cover. Published on the occasion of an exhibit in 1991. Large, square format (12' by 12").

Hardcover. Condición: Fine.

Soft cover. Condición: Fine. 1st Edition. 4to - over 9¾ - 12" tall. 1st ed. Small quarto. Illustrated wraps. (140 )pp, color plates. SIGNED by artist Ken Little on the verso of the front cover.

Presumed first edition (no direct statement provided). 175 pages. Hardcover: H 31.25cm x L 25.75xm. Dust jacket rubbed; some bumping and slight scuffs at edges; front flap is not price-clipped. Purple boards; spine heel bumped. Interior pages are bright and clean. Binding is firm. "Foreword" by Michael E. Shapiro; "Remembering the road: T. Marshall Hahn and the High Museum of Art" by Lynne E. Spriggs; "New geography: mapping meaning in self-taught art from the South" by Joanne Cubbs; "From the Sahara of the Bozart to The shoe that rode the howling tornado: collecting folk art in the South" by Lynda Roscoe Hartigan; "Catalogue" by Susan Mitchell Crawley; "Checklist of the T. Marshall Hahn Collection; "Artists' Biographies" by Susan Mitchell Crawley; "Index of Artists." The Hahn Collection. comprises more than 140 paintings, works on paper, and sculptures by more than thirty artists and includes artwork by Ned Catledge, Thornton Dial, Sr., Sam Doyle, Howard Finster, William Hawkins, Mattie Lou O'Kelley, Elijah Pierce, Nellie Mae Rowe, Bill Traylor, Raymond Coins, Henry Darger, Minnie Evans, Lonnie Holley, Sister Gertrude Morgan, John W. Perates, Martin Ramirez, Herbert Singleton, and Joseph E. Yoakum. Published in conjunction with an exhibition organized by and held at the High Museum of Art in Atlanta, Georgia from June 23 to September 2, 2001. Please note that this book has an approximate shipping weight of 4 pounds (1.81 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 1578063639.

Softbound. Condición: As New. Yellow, color illustrated wraps. 48 pp., many color and bw plates.

Hardcover. Condición: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Boards betray fading and nicks and other signs of wear and imperfection commensurate with age. Binding is tight and structurally sound. Pages unmarked. Sealed in plastic for shipping. Secure packaging for safe delivery.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition. A fine copy in a fine DJ, protected by a removable mylar cover. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #62.

Hardcover. Condición: Used - Good. During 1996 and 1997 T. Marshall Hahn donated a substantial portion of his collection of contemporary folk art to the High Museum of Art in Atlanta. His gift was the first major collection of self-taught art primarily from the South to be given to a general interest American museum. This book is published in conjunction with the first public exhibition of the Hahn Collection. The collection comprises more than 140 paintings, works on paper, and sculptures-the creations of more than thirty artists. Especially strong in works by African Americans from the South, it includes work by Ned Catledge, Thornton Dial, Sr., Sam Doyle, Howard Finster, William Hawkins, Mattie Lou O'Kelley, Elijah Pierce, Nellie Mae Rowe, Bill Traylor, Raymond Coins, Henry Darger, Minnie Evans, Lonnie Holley, Sister Gertrude Morgan, John W. Perates, Martin Ramirez, Herbert Singleton, and Joseph E. Yoakum. 'Let It Shine,' a full-color catalog of the exhibition, features works by these artists as well as an interview with Marshall Hahn conducted by Lynne Spriggs, curator of folk art at the museum. An essay by Joanne Cubbs explores conceptual and aesthetic themes common to southern folk art and the place of the Hahn Collection in this field. An essay by Lynda Hartigan, chief curator of the Smithsonian American Art Museum, presents an overview of the development of a marketplace for southern folk art, a history which remains largely undocumented. The broad range of art and artists showcased in this spectacular volume reveals why the Hahn Collection is one of the most notable in the world. Distributed for the High Museum of Art A sumptuous catalog of self-taught art from one of America's major collections Book has minor shelf wear.

Dust jacket shows handling wear. Book near fine.

Hardcover without dustjacket as issued, 162 pages, very good condition, tiny crimps to upper right corners of covers and a couple pages; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. F/F/1st ed. Book and Jacket are in As New condition. Jacket has been covered with a mylar sleeve. 172 pages, filled with impressive folk art in full color on just about every page. Three essays on the collection by Marshall and Lynne E. Spriggs, High Museum of Art's Curator of Folk Art, Joanne Cubbs, the museum's first curator of folk art, and Lynd Roscoe Hartigan, Chief Curator at the Smithsonian American Art Museum. Forword by Michael E. Shapiro, director of the High Museum of Art.

Soft cover. Condición: Very Good. 1st Edition. Published for Josephus Farmer exhibition, November 1 - December, 17, 1982, Milwaukee Art History Gallery, Milwaukee, WI. Clean and tightly bound in stapled wraps. Light shelf wear, the contents remain fine.

First edition 140 illustrations including 120 in full color. This was a donation to the High Museum of Art in Atlanta. This gift was a first major collection of self-taught art primarily from the South to be given to a general interest American museum. Much of that collection or at least a selection can be enjoyed in the book, in full color or full page with deep informative text about the author and their work. Fine and bright brown boards with gilt titles in like dustjacket with crisp bright text throughout.

Hardcover. Condición: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery.

Wraps. Condición: VG+. Foreword by John E. Ollman; Catalogue Essay by Joanne Cubbs; Color Plates; Exhibition Check List; Chronology; Selected Exhibitions; Bibliograpgy. ; 19 Color ; 8vo 8" - 9" tall; 54 pp.

Hardcover. Condición: New. 'Von Bruenchenhein belongs among the great American outsider artists.' -Roberta Smith, The New York Times King of Lesser Lands traces the fugitive career of Eugene Von Bruenchenhein (1910-83), a prolific creator of a diverse range of distinctive images and sculptural objects, who produced his art in private over a period of about 50 years at his home in Milwaukee, Wisconsin. His large and unusual body of work was not discovered until after he died. In 1939, at the age of 29, Von Bruenchenhein met Evelyn Kalka. She became his wife and muse. Evelyn, who was nicknamed 'Marie,' served as his model and the subject of thousands of erotic photo-portraits, which he shot and printed himself. For these images, which emulated girlie-magazine pinups with an offbeat air, Von Bruenchenhein designed and created his own background sets and costumes for Marie. Around the mid-1950s, the artist began to make abstract paintings using his fingers or sticks, combs, leaves and other makeshift utensils to push oil paint around the surfaces of Masonite boards or cardboard taken from packing boxes at the bakery where he worked. Von Bruenchenhein's abstract explosions of vibrant color evoke the forms of strange plants or fantasy creatures and architectural structures. Later, Von Bruenchenhein used clay to produce home-fired crowns and vases, and also created mysterious sculptures resembling towers or thrones with chicken and turkey bones. During his lifetime, only his closest family members and friends knew anything about his artistic pursuits. In 1983, after the artist's death, one of his friends called the attention of the Milwaukee Art Museum to Von Bruenchenhein's extraordinary oeuvre. On the occasion of a 2010 survey of his work at the American Folk Art Museum in New York, Roberta Smith wrote in The New York Times: 'Von Bruenchenhein belongs among the great American outsider artists whose work came to light or resurfaced in the last three decades of the 20th century.' Smith placed Von Bruenchenhein's unusual art in the company of that of Henry Darger, Martin RamIrez, Bill Traylor, James Castle and Morton Bartlett.

31 x 24 cm. 175 S. OPappband mit illustriertem Umschlag. Umschlag am unteren Rückenrand etwas berieben. Gutes bis sehr gutes Exemplar. Katalog erschien anlässlich der ersten Ausstellung der Hahn-Sammlung im High Museum of Art in Atlanta vom 23. Juni bis 2. September 2001. 140 Abbildungen, 120 davon in Farbe. Text in englischer Sprache. Sprache: englisch.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Condición: new.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. First Edition. Near Fine condition in Near Fine dust jacket.An 'as new' copy of the hardcover first edition in jacket - still in original shrinkwrap - never opened.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Original hardcover in jacket, first edition, contains 45 illustrations, most in color, with much in historical and biographical details. Some mild reading wear to book, jacket has some rubbing and light wear but looks very nice in protective mylar sleeve.

Hardcover with dustjacket, 72 pages, very good condition, clean and crisp; owner's name; no other internal marks. Foreign shipping may be extra.

Hardcover. Condición: near fine/near fine. First edition. Quarto. 12 1/2" x 12". 216pp. A very nice copy in dust jacket.