Librería: Book & Tackle, Port Orford, OR, Estados Unidos de America
Original o primera edición
EUR 17,74
Cantidad disponible: 1 disponibles
Añadir al carritoFirst edition. 4to, bound in flexible boards, in the publisher's original poster dust jacket. "This insightful book explores the theme of disappearance in the 1970s performance art of Bas Jan Ader, Chris Burden, and Jack Goldstein.,In 1971, Chris Burden disappeared for three days without a trace. This book, also entitled Disappearing, examines the theme of disappearance in the works of Burden and his contemporaries, Bas Jan Ader and Jack Goldstein, in 1970s Southern California. Loosely affiliated, these three artists shared an interest in themes of disappearance and self-effacement. In 1972, Goldstein buried himself alive during a performance, while during Ader's tragic last work, In search of the miraculous (1975), the artist vanished crossing the Atlantic. Responding to cultural pressures like the Vietnam War and the nascent field of feminist art, the artists used "disappearing" as a response to the masculine anxiety of the 1970s. This book reveals a fascinating intersection between major figures at a critical turning point for Californian art." - From the publisher. Fine and still sealed in the publisher's shrinkwrap.
Idioma: Inglés
Publicado por Independent Curators International New York, NY, 2004
ISBN 10: 0916365689 ISBN 13: 9780916365684
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
EUR 17,74
Cantidad disponible: 1 disponibles
Añadir al carrito136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.
Publicado por Skidmore College, Saratoga Springs, NY, 1974
Librería: Cat's Cradle Books, Archdale, NC, Estados Unidos de America
EUR 17,74
Cantidad disponible: 1 disponibles
Añadir al carritoSoft Cover. Condición: Good with no dust jacket. Square, tight binding. Clean but age-darkened pages. Wraps lightly soiled with age-darkening. ; Contents: Boyers, "The Family Novel"; Sedgwick, "Goffman's Anti-Psychiatry"; Karlen, "Four Poems"; Neruda, "Oliverio Girondo"; Girondo, "Two Poems"; Wheatcroft, "Yorkshire Fir"; Burden, "Poem for Eric Barker"; Molesworth, "Saturday Afternoons"; Moore, "Two Poems"; Ballowe, "C's Song"; Pinsker, "Penelope's Reply"; Kavolis, "Paradigms of Order: Nature, The Factory, Art"; Matthews, "Questionnaire for T. M. Connolly. ; Lasch, "The Suppression of Clandestine Marriage in England."; 8.5" (21.5 cm) tall; 109 pages.
Idioma: Inglés
Publicado por Whitney Museum of American Art New York, NY, 1989
ISBN 10: 0874270677 ISBN 13: 9780874270679
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
EUR 22,18
Cantidad disponible: 1 disponibles
Añadir al carrito216 pp.; 26.6 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 8, 1989 - February 18, 1990, with public projects held November 22 - December 31, 1989. Texts by Marvin Heiferman, Lisa Phillips, and John G. Hanhardt. SArtists include Vito Acconci, Dennis Adams, Laurie Anderson, John Baldessari, William Beckley, Gretchen Bender, Wallace Berman, Ashley Bickerton, Dara Birnbaum, Nayland Blake, Barbara Bloom, Troy Brauntuch, Chris Burden, Nancy Burson, David Kramlich, Peter Campus, Sarah Charlesworth, John Clem Clarke, Clegg and Guttmann, Chuck Close, Bruce Conner, Robert Cumming, Fluxus Collective, George Brecht, Alison Knowles, Robert Watts, George Maciunas, Jack Goldstein, Dan Graham, Gran Fury, Hans Haacke, Robert Heinecken, Jenny Holzer, Larry Johnson, Edward Kienholz, Carole Ann Klonarides, Silvia Kolbowski, Jeff Koons, Joseph Kosuth, Barbara Kruger, Annette Lemieux, Les Levine, Sherrie Levine, Roy Lichtenstein, Robert Longo, Frank Majore, Allan McCollum, Matt Mullican, Peter Nagy, Bruce Nauman, Nam June Paik, Richard Prince, Robert Rauschenberg, David Robbins, James Rosenquist, Edward Ruscha, David Salle, Richard Serra, Cindy Sherman, Laurie Simmons, Lorna Simpson, Alexis Smith, Mark Tansey, Bill Viola, Andy Warhol, Oliver Wasow, William Wegman, Tom Wesselmann, and Krzysztof Wodiczko. Includes image world chronology, selected bibliography, films and videotapes in the exhibition, and an exhibition checklist. Very Good / Fine. Light rubbing of cover edges and yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Publicado por Steamshovel Press, St. Louis, 1995
Librería: Oddball Books, Burbank, CA, Estados Unidos de America
Original o primera edición
EUR 13,27
Cantidad disponible: 1 disponibles
Añadir al carritoMagazine. Condición: Fine. First Ediiton. Artiles include - PARANOLD/PARANOIA: MEDIA BUZZWORDS TO SILENCE THE POLITICALLY INCORRECT BY ALAN CANTWELL, THE ONLY HONEST JUDGE - AN INTERVIEW WITH JOHN JUDGE, A PROPHET IN HER OWN COMPOUND: THE MILLENNIAL ANGST OF ELIZABETH CLARE PROPHET, SECRETARY TO THE GODS BY CHRIS ROTH, JFK REDUX RETURNS NEXT ISSUE MADE MANIFESTO BY ROY LISKER, SAUCER SECTION: THE KECKSBERG UFO MYSTERY: AN INTERVIEW WITH STAN GORDON BY G. J. KRUPEY, VIRTUALLY REALITY: OKLAHOMA CITY, TURN RIGHT BY JIM KEITH, THE CONSPIRACY CONSPIRACY BY JACK BURDEN, CARIES, CABAL AND CORRESPONDENCE, BOOK REVIEWS.
Publicado por The Science Fiction Foundation, Dagenham, Essex, 1982
Librería: Raymond Tait, Beccles, SUFFO, Reino Unido
Original o primera edición
EUR 17,81
Cantidad disponible: 1 disponibles
Añadir al carritoOriginal Wraps. Condición: Very Good. First Edition. Contains an editorial by Pringle, a special Philip K. Dick section wth articles by Aldiss, Nicholls, Strick, Wingrove and Burden. The Profession of Science Fiction 30: The Way it Was by Williamson, Pamela Sargent by Elliot, SF in China by Yunji, letters from Goddard, Clute, Jenkins and Schlobin and the reviews include The Transmigration of Timothy Archer by Dick, Friday by Heinlein, The Man Who had No Idea and Burn This by Thomas M. Disch and The Sword of the Lictor by Gene Wolfe. There is a trace of a price in pencil on the first page and the spine has some fading but otherwise clean and unamrked. Postage charge will be reduced by £1.50 when the order is processed.
Publicado por California Institute of the Arts Valencia, CA, 1991
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
EUR 110,90
Cantidad disponible: 1 disponibles
Añadir al carrito36 pp.; 21.5 x 17.9 cm.; staple bound; black-and-white; edition size 200; unsigned and unnumbered; offset-printed; November 15, 1991 issue of the arts and letters periodical Hand Turkey. Edited by Daniel Babcock, Jackie Borsanyi, Anthony Burden, Michael Cohen, Anne Collier, Deezy Dawson, Kerri Dupont, Glen Eden Einbinder, Dave Greene, Linda Hubsman, Matthew Hutchinson, Rafe Mandel, Abel McHone, Cynde Miller, William Nelson, Shailesh Patel, Clancy Pearson, Jimmy Raskin, Blake Rayne, Lane Relyea, Jack Renner, Dana Valentino, Ann Walton-Teter, Paul Wein, and Elizabeth Wiatr. Contents include : "Dedication;" "Hand Turkey is," by The Editors; "Yvonne Rainer's Privilege," reviewed by Elizabeth Wiatr; "Untitled," reviewed by Dave Hughes; "3 Vintage 'Love Unlimited' Albums," reviewed by William Nelson; "Preface from Dictionary of color names," by Lily; "Column," by Michael Webster; "Doctor Perineum #2," by William Nelson; "Cock'n w/ Grease," by Abel McHome; "Poesy," by Bridg-et; "Driving tips: Especially for her," by Anne Collier; "Diagnostic Illuminations," by Clancy Pearson; "Dan's Thang," by Daniel Babcock; "Mother Love," by Jackie Borsanyi; "Stolen Memory Number Two (1971)," by Glen Eden Einbinder; "Submissions;" "Personal;" "Contest" and "Outgoing Mail," by Lane Relyea. Publication design by Anne Collier, Rafe Madel, (Abel McHone), Clancy Pearson, Lane Reylea.Cover art by Rafe Mandel. Good. 2.2 cm. gentle crease to top right corner of recto with light bumping of pages. Rubbing and a raised area parallel to spine on recto. Rubbing of cover edges. Additional 14.8 cm. dog-ear to verso with rubbing to verso. Contents clean and unmarked.
Publicado por The Fine Arts Building New York, NY, 1975
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
EUR 665,42
Cantidad disponible: 1 disponibles
Añadir al carrito[45] pp.; 21.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 29 - December 20, 1975. Organized and with an essay by Jeffrey Deitch. The pages in the catalogue were prepared by the artists themselves or according to instructions given to Deitch by the artists. Pages of deceased artists designed by Deitch. There is no page for On Kawara. Artists include Vito Acconci, Laurie Anderson, Eleanor Antin, John Jack Baylin, Lynda Benglis, Terry Berkowitz, Joseph Beuys, Christian Boltanski, Jonathan Borofsky, Chris Burden, Scott Burton, Colette, Chris D'Arcangelo, Fernando de Filippi, Agnes Denes, Howard Fried, Gilbert & George, Peter Gordon, Guerrilla Art Action Group, Douglas Huebler, Ray Johnson, On Kawara, Nancy Kitchel, Bruce Kurtz, Les Levine, Anna Link, Marc Miller, Dennis Oppenheim, Adrian Piper, Marcia Resnick, Salvo, Joanne Seltzer, Willoughby Sharp, Alan Sondheim, Alan Sonfist, Eve Sonneman, Andy Warhol, William Wegman, Roger Welch, and Hannah Wilke. "Aside from the John Weber Gallery Invitational, a group show he curated in the summer of 1975, Lives was Jeffrey Deitch's first curatorial project. The theme of Lives was artists who deal with peoples' lives (including their own) as the subject and/or medium of their work. In more simplified terms (the subtitle of the exhibition): artists who use life as their medium. Much of the most exciting new art in the mid-1970s was performative. Lives was one of the first exhibitions to bring together the new generation of artists who fused life and art with artists like Joseph Beuys and Andy Warhol who inspired this new direction. The exhibition took place in an abandoned office building on the corner of Franklin and Hudson Streets in New York City. All of the artists were invited to create pages for the xeroxed catalogue which is now a collectors item. The following excerpt from the catalogue text amplifies the theme of the show: For the "Post-Conceptual" artists in the Lives exhibition, the most fertile area of art activity has become the investigation of the artist and his environment, and as an extension, the study of people in general in their confrontation with the creative decision-making process. The forces in peoples' lives that cause art to be created, and the questions about the relationship between art and life have always been of great importance to artists, but now they have a special meaning in terms of the esthetic progression beyond Formalism and the Formalist bias of the Minimal and Conceptual movements. The most interesting recent work refers not to the object itself, but to the forces that shape creative activity. As Dennis Oppenheim sings in the song that accompanies the spastic dance of his self-portrait marionette in the Lives show, "It ain't what you make, it's what makes you do it!" -- from Jeffrey Deitch Curatorial Projects website. Includes Piper's "Six Conditions on Art Production." Good. Moderate dust soiling and yellow soiling across covers. 12.6 cm. soiling (coffee) to bottom left area of recto. 10 cm. gentle fold to bottom right corner of recto. 1.5 cm. light dust soiling to bottom right corner of bottom right corner of title page. Yellow, green, and black soiling to verso. Soiling of text block edge with light dust soiling to top left corner of verso of pages. Contents otherwise clean and unmarked.