boltanski christian (825 resultados)

Paperback. Condición: Good. Satisfaction 100% guaranteed.

Paperback. Condición: Good. Stapled gallery catalogue Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: NEW. Estado de la sobrecubierta: NEW. First Edition.

120 pp.; 29.7 x 21 cm.; glue bound; black-and-white & color; edition size 5500; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Chicago, April 23 - June 1988. Traveled to Museum of Contemporary Art, Los Angeles, July 12 - October 2, 1988; New Museum of Contemporary Art, New York, December 9 - February 12, 1989; Vancouver Art Gallery, Vancouver, Canada, March 15 - May 15, 1989; University Art Museum, Berkeley, CA, July 19 - September 17, 1989 Power Plant, Toronto, November 24 - January 7, 1990. Texts by Gumpert and Jacob. Includes artists' project, printed on velum, bound within book titled "Detective." Biography, exhibition history, bibliography. Fair. Soiling to covers. Pages 73 - 76 are substantially damaged with 5 x 5 cm. tear repaired with scotch tape. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

paperback. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages. paperback.

Paperback. Condición: Very Good. Text and images unmarked. Previous owner name written on the FFEP. The wrapper shows some very light handling. 4to. 160pp.

Softcover missing dustjacket, 160 pages; otherwise very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. Condición: Very Good+. A very clean and bright copy. Careful packing and fast, efficient shipping including delivery confirmation. Please note: International and Domestic Priority orders for this item will require additional shipping.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Paperback. The Winter 1996 issue of Aperture magazine, No. 142, titled "France: New Visions" and presenting a selection of images by twenty-one contemporary French photographers, with: installations by Sophie Calle and Christian Boltanski; photography by Jeanloup Sieff, Marc Le Mene, Dolores Marat, Mi-Hyun Kim, Sarah Moon, Bernard Faucon, Caroline Feyt, Raymond Depardon, Xavier Emmanuelli, Jean-Francois Joly, Marie-Paule Negre, Nadia Benchallal, Jean-Claude Coutausse, Christine Spengler, Marc Pataut, Lise Sarfati, Pierre et Gilles, Jean-François Lepage, Keiichi Tahara, and Joan Fontcuberta; interviews with Robert Delpire, Marcel Ophuls, and Pierre Bonhomme; poetry by Robert Desnos, Blaise Cendrars, Tristan Tzara, and Raymond Queneau; texts by Jean Baudrillard and Annie Ernaux; Annette Messager exhibition reviewed by Donald Kuspit; and much more. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine with a hint of shelf wear and a touch of rubbing to the fore corners. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

120 pp.; 29.7 x 21 cm.; glue bound; black-and-white & color; edition size 5500; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Chicago, April 23 - June 1988. Traveled to Museum of Contemporary Art, Los Angeles, July 12 - October 2, 1988; New Museum of Contemporary Art, New York, December 9 - February 12, 1989; Vancouver Art Gallery, Vancouver, Canada, March 15 - May 15, 1989; University Art Museum, Berkeley, CA, July 19 - September 17, 1989 Power Plant, Toronto, November 24 - January 7, 1990. Texts by Gumpert and Jacob. Includes artists' project, printed on velum, bound within book titled "Detective." Biography, exhibition history, bibliography. Very Good / Fine. Light bumping of corners and fading at spine, otherwise as new. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. 239 pages, [16] pages of plates, illustrations (some colour); 21 cm. First published under title: Vie possible de Christian Boltanski. Translated from the French by Marc Lowenthal. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "Christian Boltanski's votive installations, archives and objects, revolving around the fragile polarities of memory and amnesia, identity and anonymity, have made him one of the world's most renowned contemporary artists. And yet, despite the centrality of biography and testimony to his work, Boltanski's own story is little known and has never been fully told. Published on the occasion of the artist's sixty-fifth birthday, The Possible Life of Christian Boltanski, written in the form of a book-length interview (which the artist likens to a 'psychoanalysis' or 'confession') with the art historian Catherine Grenier, is Boltanski's oral autobiography. In it, he recounts his unusual wartime childhood ('my mother hid my father under the floorboards. He stayed there for a year and a half, between two floors in the house. He'd come out from time to time--I'm living proof of that!'), his career, friendships and marriage, successes and regrets, his approaches to art and teaching, how he created various installations, his relations with dealers and the public, and other matters that illuminate as never before his complex, enigmatic works. Boltanski is refreshingly phlegmatic about the realities of the world (art and otherwise), and he relates his remarkable stories--some enormously amusing, others tragic--with a matter-of-factness and self-deprecating humor that highlight his capacity for humane responsiveness. As both the self-portrait of a major contemporary artist and a frank, fascinating memoir, this is a document of capital importance." - Publisher. *** CONTENTS: Foreword, by Luc Sante; 1. Childhood; 2. Becoming an Artist; 3. Making a Splash; 4. Personal Mythologies; 5. Idea that Means a Lot to Me; 6. Shaking Things Up; 7. Beautiful Photographs; 8. Miracle of Success; 9. All Saints; 10. Between the Trivial and the Dramatic; 11. Artist's Life; 12. Artistic Affinities; 13. Dark Years; 14. Before Dying; 15. Life of Works; 16. Tell the Truth?; 17. Catalogue Raisonne. Size: 8vo. Collectible.

Paperback. Condición: Good. Art in America October 1989 with pieces by or about Nochlin, Linda; Boltanski, Christian; Marmer, Nancy; Phillips, christopher; Calle, Sophie; Pincus, Robert; Lipstadt, Helene and others. 256 pages, paper with stiff cover. Color and black and white reprodudctions. Bumped corner, good condition.

Soft cover. Condición: Very Good.

Trade Paperback. Condición: Near Fine. An Exhibition Catalogue for a show held at the Museum of Contemporary Art, Chicago from April 19th to June 23rd, 1988. Folio - between 12 in. - 15 in. 119pp., including the bibliography. Illustrated throughout with b/w and color reproductions. A tight copy with just a touch of wear in Near Fine condition.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Fine copy in hardcover with fine jacket.

First edition. Softcover. Exhibition catalog for a show that ran April 23 through June 19, 1988 in Chicago, IL and then traveled to five other locations for additional dates. Features a preface and acknowledgments by Lynn Gumpert and Mary Jane Jacob, an introduction by Mary Jane Jacob and an essay by Gumpert. Includes numerous black and white images along with an exhibition history and an illustrated bibliography by Patricia J.S. Harris and Catherine Gudis. A clean near fine copy in French style wrappers and with a 4 page text insert.

First edition. Softcover. 199 pages. Exhibition catalog for a show that ran May 30 through September 7, 1997. Text in English and Italian. Features contributions by Danilo Eccher, Paolo Fabbri, Boltanski, and Daniel Soutif. Includes some color and numerous black and white illustrations, list of 100 statements, list of previous exhibitions, and a bibliography. A tight very near fine copy in wrappers.

Paperback. Condición: Very Good.

Paperback. Condición: Used-Very Good. Pap. Slight shelf-wear, else bright and clean.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. Cloth, 192 pages, illustrations (some colour), facsimiles, portraits; 27 cm. English Edition. Near fine. Gently browsed, clean copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "Christian Boltanski, born in Paris in 1944 and one of France's best-known artists of the postwar generation, has developed a highly personal and often disconcerting oeuvre that challenges basic assumptions of what constitutes an artwork. Using media as diverse as newspaper clippings, used clothes, amateur snapshots, and flickering shadows, Boltanski forges an original universe in which he is frequently the central protagonist. One of Boltanski's favorite themes is his own life story, both actual and reinvented, which he evokes through startling collections of photographs and objects. In other pieces, he assembles seemingly mundane elements to address some of the most fundamental and disturbing contradictions of twentieth century life. In a beautifully written and erudite essay, art historian Lynn Gumpert analyzes and provides a context for these haunting works that have the unsettling ability to be merry and morbid at the same time. With over 150 black-and-white and 50 colour illustrations that span the entire range of Boltanski's production, materials, and influences, this insightful monograph - the first to be published in English - is essential reading for collectors, art historians, students, and anyone interested in contemporary art. / Lynn Gumpert is an art historian, critic, and independent curator based in New York and Paris. She contributes frequently to art periodicals and is the author of numerous exhibition catalogues of contemporary art." - Publisher. *** CONTENTS: I. The Impossible Life of Christian Boltanski; II. The Early Work; III. Images Modeles to Compositions; IV. Lessons of Darkness; V. The Disappearing Act of C.B. Size: 4to. Collectible.

Soft cover. Condición: Fine. 1st Edition. Museum of Contemporary Art, Chicago, 1988. Large softcover. 1st edition, 119 pp. In stiff wraps with french flaps. Fine condition. Edition of 5500.

Softcover, 120 pages, very good condition, a few tiny spots to covers, no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Very Good. 1st Edition. First Edition in Very Good Condition. Catalog of works/objects from Christian Boltanski from the Valentin Museum in Munich. Pages clean and bright, spine straight and tight. Covers undamaged.

Magazine. First edition. Good magazine with moderate rubbing to the covers, a price sticker to the front, and a moisture ripple to the last 20 pages or so; the interior is otherwise clean and bright. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The May 1980 issue of Photo magazine (No. 152) entirely devoted to amateur celebrity photographers including: Christian Boltanski, Robert Rauschenberg, David Hockney, Jerry Lewis, Magritte, Serge Gainsbourg, Hemingway, Brancusi, Diane Keaton, Francoise Sagan, Francois Mitterrand, Napoleon III, Caroline Kennedy, Ursula Andress, Rimbaud, and others. Perfect-bound; 178 pages; color and b&w illustrations throughout; 8.5 x 10.75 inches. Text in French.

Soft Cover. Condición: Very good. No jacket. Edges of cover are very lightly rubbed. Inside is clean, bright, and unmarked.

Paperback. 71p. in wraps, slightly stained and creased at foot of spine else very good condition. Text in German. Catalog from the Valentin-Karlstadt Museum of an exhibition of donated works by the French artist Boltanski.