barbara schellewald (54 resultados)

Softcover. Condición: As New. Originalverpackt. The dynamic of revealing/hiding characterizes both pre-modern pictorial practices and a peculiarity of pre-modern pictorial concepts, which derive from the tension between presence and withdrawal. For the first time, this volume presents interdisciplinary contributions from the field of pre-modernity with regard to the dynamics of unveiling/concealing, which are decisive for various pictorial phenomena, and thus presents different approaches that make the topic fruitful as a central moment for for pictorial practices in their immediate social, religious, and historical contexts as well as for the conceptual-historical relevance of unveiling/concealing, which ultimately decides what is or can be an image in the respective cultural context.

Condición: Very good.

Paperback. Condición: New. Qto., 328 pages, colour illustrated. A New copy.

Pappband. Condición: Sehr gut. de Ilustrador. Atlas - Bonner Beiträge zur Kunstgeschichte, Neue Folge, Band 1. Aus dem Inhalt: Kristina Domanski: Verwirrung der Geschlechter - zum Rollentausch als Bildthema im 15. Jahrhundert; Anne-Marie Bonnet: Die andere Venus - Bilder der Liebesgöttin von Albrecht Dürer, Hans Baldung, Grien, Lucas Cranach und Albrecht Altdorfer; Andreas Tönnesmann: Pariser Witwensitze - Zur architektonischen Repräsentation von Frauen in der Frühen Neuzeit etc. 264 S., ca. 80 s/w Abb. 17 x 24,5 cm. Sehr gutes, sauberes Exemplar. Sprache: de Size: 4°.

Pappband, Schutzumschlag, gr-8°, 176 S., zahlreiche Abbildungen; -leicht berieben, sehr gutes Exemplar. isbn 3879092273.

Condición: New.

Paperback. Condición: new. Paperback. The dynamic of revealing/hiding characterizes both pre-modern pictorial practices and a peculiarity of pre-modern pictorial concepts, which derive from the tension between presence and withdrawal. For the first time, this volume presents interdisciplinary contributions from the field of pre-modernity with regard to the dynamics of unveiling/concealing, which are decisive for various pictorial phenomena, and thus presents different approaches that make the topic fruitful as a central moment for pre-modernity: for pictorial practices in their immediate social, religious, and historical contexts as well as for the conceptual-historical relevance of unveiling/concealing, which ultimately decides what is or can be an image in the respective cultural context. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: As New. Unread book in perfect condition.

Gr.-8°, OPb. VI, 264 S., Ill. ATLAS; Bd. 1. - Einband minimal berieben; ansonsten sehr gut erhalten. ISBN: 3412103047 Sprache: Deutsch Gewicht in Gramm: 800.

Condición: New. 2021. Paperback. . . . . .

Condición: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New.

Condición: New. In.

Hardback. Condición: New. According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.

Buch. Condición: Neu. Neuware -According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances.The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience.By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.Walter de Gruyter, Genthiner Straße 13, 10785 Berlin 324 pp. Englisch.

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.

Paperback. Condición: new. Paperback. The dynamic of revealing/hiding characterizes both pre-modern pictorial practices and a peculiarity of pre-modern pictorial concepts, which derive from the tension between presence and withdrawal. For the first time, this volume presents interdisciplinary contributions from the field of pre-modernity with regard to the dynamics of unveiling/concealing, which are decisive for various pictorial phenomena, and thus presents different approaches that make the topic fruitful as a central moment for pre-modernity: for pictorial practices in their immediate social, religious, and historical contexts as well as for the conceptual-historical relevance of unveiling/concealing, which ultimately decides what is or can be an image in the respective cultural context. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condición: New. According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.

Lexikon 8°. 327 S., zahlr. farb. Abb.; Farb. OKt mit Rücken- u. Deckeltitel, Fadenh.; 1131 gr. Ein sehr gutes Exemplar. 1350 Gramm.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: New.

Condición: New.

312 S. mit 224 s/w- u. 41 farb. Abb. auf Taf. Kart. *neuwertig*. Die Kulturen des europäischen Mittelalters wurden ganz entscheidend durch das Zusammenwirken von Texten und Bildern geprägt. Ein breites Spektrum an aktuellen Forschungsansätzen unterschiedlicher mediävistischer Disziplinen zum Thema bildet dieser Band ab. Die Beiträge befassen sich mit abendländischen und osteuropäischen Denkmälern von der Spätantike bis zum ausgehenden Mittelalter und nehmen dabei auch interkulturelle Phänomene der Migration und der Rezeption von Bildern und Texten in den Blick. In konkreten Fallstudien werden der Facettenreichtum von Bild-Text-Relationen erhellt sowie bisherige Untersuchungsmethoden und Interpretationsmodelle kritisch diskutiert. Darüber hinaus werden laufende Digitalisierungsprojekte zur wissenschaftlichen Erschließung von Bildern und Texten vorgestellt.

Condición: As New. Unread book in perfect condition.

Condición: New.

hardcover. Condición: New. 1st.

Hardback. Condición: New.

24 x 17. 420 Seiten. Mit zahlreichen Abbildungen. OPb. Sehr guter Zustand. Gewicht über 1 kg. Sprache: Deutsch Gewicht in Gramm: 1200.

Condición: As New. Unread book in perfect condition.

Taschenbuch. Condición: Sehr gut. Gebraucht - Sehr gut sg - ungelesenes mängelexemplar, gestempelt, mit leichten lagerspuren - Schwer einzuordnen und als 'naiv' abgestempelt - die Kunstgeschichte tat und tut sich schwer mit den Werken der großen Autodidakten: Viel zu oft werden Künstler wie Henri Rousseau, André Bauchant, Morris Hirshfield, Bill Traylor, Alfred Wallis oder Séraphine Louis unter dem Gesichtspunkt eines gleichsam exotischen Primitivismus isoliert. Publikation und Ausstellung im Museum Folkwang, das bereits bei seiner Gründung als weltweit erstes Museum der modernen Kunst gewidmet war, umgeben deren energiegeladene Werke stattdessen mit Schlüsselbildern der Moderne. Nicht von ungefähr übten viele Autodidakten mit ihren Bildern und Skulpturen einen großen Zauber auf heute etablierte Künstler aus und wurden oft von ihnen protegiert. Auch Zeitgenossen wie etwa Miroslav Tichý haben aus dieser Perspektive Anteil an der Kunstentwicklung und sind nicht mehr nur deren Gegenüber. Ausstellung/Exhibition: Museum Folkwang, Essen 2.10.2015-10.1.2016.