anthony newcomb (32 resultados)

Hardciover. Condición: New. Black cloth binding, 412pp. Photos on request. Size: 8vo - over 7¾" - 9¾" tall.

Condición: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Condición: Good. Estado de la sobrecubierta: Very Good. Ex0library copy. Volume I only. No library pocket. Firm hinges. music.

Original Wraps. Condición: Very Good+. Original softcover journal in very good condition: moderate edge wear, otherwise excellent. 218 pages plus advertisements. Article topics: Benedicamus Domino: the Unwritten Tradition; Bologna Q 18: some reflections on content and context; Rossini and the development of the mid-century lyric form; bebop and the recording industry: the 1942 AFM recording ban reconsidered; reviews, and more. Size: 8vo - over 7¾ - 9¾" tall. Journal.

Softcover. Condición: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light shelf wear. Contents: Newcomb, The ballata and the "free" madrigal in the second half of the sixteenth century. McDonald, Jeux de Nombres: automated rhythm in The Rite of Spring. Carter, The Rake's Progress and Stravinsky's return: the composer's evolving approach to setting text. Reviews, index to volume 63. 9.25" tall; 313 pages.

Hardcover. Condición: As New. First Edition. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Fine-looking festschrift to Reinhold Brinkmann, bound in black cloth, with gilt lettering to cover and spine, and with contributions by the two editors and by Martin Warner, Scott Burnham, Henri Zerner, Hermann Danuser, Horst Bredekamp, David Lewin and others. xviii [1], 3-412 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Condición: New.

Soft cover. Condición: Fine. No Jacket. 1st Edition. First American edition, 1984. 7 3/4" x 5 1/4", 376 pages. The New Grove composer biographies have been selected from the dictionary to bring the finest of the biographies to a wider audience. Each has been expanded and updated for book publication and contains a comprehensive work-list, index, and fully revised bibliography, in addition to the definitive view of the subject's life and works. The riches of the Italian baroque continue to be discovered by music lovers. From the operas of Monteverdi to the concertos of Vivaldi, through the operas of Cavalli and Alessandro Scarlatti, the serene string music of Corelli, this repertory has been increasingly played and recorded. This volume presents authoritative biographical essays and musical assessments of the six greatest composers of this period, written by a team of leading scholars, including Denis Arnold, Thomas Walker, and Donald Grout. Soft covers, fine.

Hardcover. Condición: Used-Very Good. 4to. Cloth, no dj. Cream cloth with gilt lettering. 220 numbered pp. Volume II only. Minor shelf wear; spine scuffed and toned. Corners of boards lightly bumped. Else fine. A sound copy with crisp, clean internals.

Paperback. Condición: Very Good. Unmarked. Some edge wear. Articles include "The Origin and Early History of Proportion Signs" by Anna Maria Busse Berger, "Illibata Dei Virgo Nutrix and Josquin's Roman Style" by Richard Sherr, "The Repertory of the Cappella Giulia in the 1560s" by Jeffrey J. Dean, "The Authorship of the Motet" Ich Lasse Dich Nicht by Daniel R. Melamed, and more. Musical Notations. pp403-598. Measures 6.25x9.5 inches.

Hardback. Condición: New. Illustrated. For most music historians, the modernism of the twentieth century was until recently the only appearance of the "modern" in music. The widely perceived recent decline of musical modernism makes it now possible to see the modernism of the twentieth century as a chapter in a much longer story, the story of musical modernity. The principal purpose of the present book is to encourage a debate over musical modernity; a debate that would consider the question whether, and to what extent, an examination of the history of European art music may enrich our picture of modernity and whether our understanding of music's development may be transformed by insights into the nature of modernity provided by other historical disciplines. This book had its origin in a conference that took place at the Music Department of Harvard University on November 9-11, 2001 to honor Professor Reinhold Brinkmann.

Soft cover. Condición: Very Good. 150 pages. Illustrated. Richard D Leppert "Concert in a house" / Graham Sadler "Rameau's harpsichord transcriptions" / Frederick Crane "On performing the 'Lo estampies'" / Anthony Newcomb "Il moda di far la fantasia" / Frederick Neumann "Once more: the 'french overture style'" / Neal Zaslaw "The Compleat Orchestral Musician" / John Rutledge "How did the viola da gamba sound?" / Howard Schott "Interpreting style" / Cary Karp "Restoration, conservation, repair and maintenance" / Eric Van Tassel "English church music c1600-1700" / Madeau stewart "Underneath the Archives" / Nicholas Anderson "Performing style in Bach Cantatas" / Howard Schott "Paris revisited - the 1978 Paris Harpsichord Forum"(M12).

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. VINTAGESTAN BOOKS Title: The New Grove. Italian Baroque Masters. Author: Denis Arnold, Anthony Newcomb, Thomas Walker, Michael Talbot, Donald J. Grout, Joel Sheveloff. Publisher: Macmillan. London Year Published: 1984 Edition: Original. Dimensions: 20cm x 13cm Binding type: Hardcover. ISBN: 0393016900 Notes: SKU: VSS / 231 / G / 5220 / 3960 / BW Condition Dust Jacket Condition: Good. Rubbing, creasing, handling marks, marks. Book condition: Good. Very light foxing to text block edge, handling marks, marks. Binding: Intact. Pages: 376 pages.

Condición: New. Editor(s): Berger, Karol; Newcomb, Anthony. Series: Harvard Publications in Music. Num Pages: 400 pages, 13 halftones, 28 line drawings & 54 musical examples. BIC Classification: AVGC. Category: (P) Professional & Vocational. Dimension: 238 x 158 x 32. Weight in Grams: 806. . 2005. Hardcover. . . . .

Condición: New. pp. xviii + 412 Illus.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Good. Number Seven in "The Princeton Studies in Music" series. Text block in both volumes is tight with no loose or dog-eared pages and with no markings or underlinings. Dust jackets are now protected in clear mylar wrappers, but both show major sunning down the spines and to part of the back panels and some wear along the tops and bottoms. Bubble wrapped, boxed, and shipped with USPS Tracking (USA only). NOTE: Because of the weight of both volumes, they are not available for shipping outside the US without prior financial arrangements. Proceeds from the sale of these books benefit WDAV, a 24 hour classical music public radio station in Davidson, NC; streaming online.

Condición: New. Editor(s): Berger, Karol; Newcomb, Anthony. Series: Harvard Publications in Music. Num Pages: 400 pages, 13 halftones, 28 line drawings & 54 musical examples. BIC Classification: AVGC. Category: (P) Professional & Vocational. Dimension: 238 x 158 x 32. Weight in Grams: 806. . 2005. Hardcover. . . . . Books ship from the US and Ireland.

paperback. Condición: new.

Hardcover. Condición: Brand New. 412 pages. 9.50x5.50x1.25 inches. In Stock.

Condición: New. pp. xviii + 412.

Condición: good. A former library book with all the expected stamps, stickers and markings. Excellent condition for a former library book. Some shelf, storage or usage wear present. The binding is tight and all pages are present. The pages appear unmarked. Pictures available upon request. Individually inspected by Scott. Thanks for supporting an independent bookseller!

Condición: good. A former library book with all the expected stamps, stickers and markings. Excellent condition for a former library book. Some shelf, storage or usage wear present. The binding is tight and all pages are present. The pages appear unmarked. Pictures available upon request. Individually inspected by Scott. Thanks for supporting an independent bookseller!

hardcover. Condición: Good. Vol. II Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

2 vols. (x,303; vi, 220p.), music, dj, quarto format. Contents: v. 1, Test. v. 2, Musical examples. (The Princeton studies in music, 7).

Condición: Very good. light shelfwear. 0 Text in Italian. 90 p.

Condición: Very Good.

Buch. Condición: Neu. Neuware - For most music historians, the modernism of the twentieth century was until recently the only appearance of the 'modern' in music. The widely perceived recent decline of musical modernism makes it now possible to see the modernism of the twentieth century as a chapter in a much longer story, the story of musical modernity. The principal purpose of the present book is to encourage a debate over musical modernity; a debate that would consider the question whether, and to what extent, an examination of the history of European art music may enrich our picture of modernity and whether our understanding of music's development may be transformed by insights into the nature of modernity provided by other historical disciplines. This book had its origin in a conference that took place at the Music Department of Harvard University on November 9-11, 2001 to honor Professor Reinhold Brinkmann.

Hardback. Condición: New. Illustrated. For most music historians, the modernism of the twentieth century was until recently the only appearance of the "modern" in music. The widely perceived recent decline of musical modernism makes it now possible to see the modernism of the twentieth century as a chapter in a much longer story, the story of musical modernity. The principal purpose of the present book is to encourage a debate over musical modernity; a debate that would consider the question whether, and to what extent, an examination of the history of European art music may enrich our picture of modernity and whether our understanding of music's development may be transformed by insights into the nature of modernity provided by other historical disciplines. This book had its origin in a conference that took place at the Music Department of Harvard University on November 9-11, 2001 to honor Professor Reinhold Brinkmann.

Condición: Muy Bueno. Muchnik Editores, Barcelona, 1988, 158pp, fecha ant. propietario, por lo demás muy buen estado//// Nota de la librería: Si no se especifica en la descripción anterior, los libros no tienen subrayados, anotaciones, firmas o defectos reseñables. ATENCIÓN: EL ENVÍO GRATUITO ES ORDINARIO SIN NÚMERO DE SEGUIMIENTO, y puede sufrir retrasos de varios días. Le dejarán un aviso en el buzón PARA LA RECOGIDA EN OFICINA. PRIORITARIO/CERTIFICADO CON ENTREGA A DOMICILIO POR SOLO 2,90 euros. VLR3069.

Hardcover. Condición: Very Good. Volume I only. Missing Volume II. Princeton, New Jersey: Princeton University Press, 1980. Volume I: Text. Hardcover. 8 x 10 ½ â. 303 pp. Very good in a very good dust jacket. The dust jacket is protected in mylar. The interior appears unmarked. The binding is solid.