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Publicado por N.p., N.p., 1968
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage borderless reference photograph from the set of the 1968 film, showing actress Joanna Shimkus enjoying a cigarette while a crew member irons out a crease in the back of her dress. Based on Tennessee Williams' 1963 stage play "The Milk Train Don't Stop Here Anymore." A lonely, terminally ill woman has an romantic encounter with a mysterious poet, who may in fact be the Angel of Death. Shot on location in Sardinia, Italy. 7.25 x 9.5 inches. Near Fine.
Publicado por Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1964
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage borderless reference photograph of actress Sue Lyons and playwright Tennessee Williams sharing a script on the set of the 1964 film. Mimeo snipe to the verso. From the archive of film historian and author Joel Finler. Based on Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards, winning one. Set and shot on location in Mismaloya and Puerto Vallarta, Mexico, the latter of which became a popular tourist destination after the film's release. 8 x 10 inches. Near Fine.
Publicado por Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1964
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Two vintage borderless reference photographs, one double weight, of director John Huston and playwright Tennessee Williams on location of the 1964 film. One photo with a National FIlm Archive stamp on verso and one with a Sunday Telegraph stamp on the verso. Based on Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards, winning one. Set and shot on location in Mismaloya and Puerto Vallarta, Mexico, the latter of which became a popular tourist destination after the film's release. 9 x 11 inches and 8 x 10 inches. Very Good plus to Near Fine.
Publicado por Various studios, Various cities, 1964
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Collection of 49 vintage still photographs from various film adaptations of Tennessee Williams plays. All stills are black and white and US issue unless otherwise noted. Included are: A STREETCAR NAMED DESIRE (1951, Elia Kazan) 1 press photograph of Marlon Brando and Kim Hunter, with TCF stamp and press annotations on the verso. THE ROSE TATTOO (1955, Daniel Mann). 14 US studio photographs THE LONG, HOT SUMMER (1958, Martin Ritt) Collection of 8 British front of house cards. Front-of-house cards are the equivalent of US lobby cards, but the same size as US color stills, and typically have images that do not appear on US lobby cards and stills. 8 x 10 inches. Very minor wear at the extremities, about Near Fine overall. A film based on several literary sources, including William Faulkner's "The Hamlet," Faulkner short stories "Barn Burning" and "Spotted Horses," as well as Tennessee Williams' "Cat on a Hot Tin Roof." SUDDENLY LAST SUMMER (1959, Joseph L. Mankiewicz) 1 press photograph of Elizabeth Taylor and Montgomery Clift, with press annotations on the verso. 6 British front of house cards, with the rating of "X" then in use in Great Britain. SUMMER AND SMOKE (1961, Peter Glenville) 12 studio still photographs, 2 with press annotations on the verso (and 1 on the recto at the margin). SWEET BIRD OF YOUTH (1962, Richard Brooks). 1 still photograph of Paul Newman and Geraldine Page, with a mimeo ditto-style snipe describing the scene, printed on the verso. NIGHT OF THE IGUANA (1964, John Huston) 1 still photograph of Richard Burton, grabbing a long blade.