Tipo de artículo
Condición
Encuadernación
Más atributos
Ubicación del vendedor
Valoración de los vendedores
Publicado por Buenos Aires, 1961
Librería: Chaco 4ever Books, Montevideo, MO, Uruguay
Revista / Publicación
Encuadernación de tapa dura. Condición: Muy bien. Folio. #1 Nov 1961 - #29 Jul 1966 (Complete set).Bound in two vol 3/4 blue calf marbled boards. Heir to a previous cultural company, the magazine "Hoy en la Cultura" was born in November 1961 and since then, it publishes 29 issues over five years until its definitive closure in July 1966. Pedro Orgambide is with Raúl Larra and David Viñas, the promoter of the new venture, thought from the editorial that opens its number 1 as a meeting place for "the diverse progressive currents of thought and art in Argentina" ("Editorial, 1961), the magazine accommodates to the cultural controversy, at the same time that it feels position regarding both the national and world political events, as well as the cultural guidelines set by the Argentine governments that took place during the 1960s. In abstraction from its defined political orientation, we can affirm that Hoy en la cultura is a vigilant thermometer of our cultural temperature; alert, agile, controversial, is already, without a doubt, an important document of our incessant will to integrate the profile of a community. Provenzano 292. Tarcus p55.
Publicado por Buenos Aires, 1961
Librería: Chaco 4ever Books, Montevideo, MO, Uruguay
Revista / Publicación
Encuadernación de tapa blanda. Condición: Muy bien. Folio, #1 Nov 1961- #29 Jul 1966 (Complete set). Wrappers. Heir to a previous cultural company, the magazine "Hoy en la Cultura" was born in November 1961 and since then, it publishes 29 issues over five years until its definitive closure in July 1966. Pedro Orgambide is with Raúl Larra and David Viñas, the promoter of the new venture, thought from the editorial that opens its number 1 as a meeting place for "the diverse progressive currents of thought and art in Argentina" ("Editorial, 1961), the magazine accommodates to the cultural controversy, at the same time that it feels position regarding both the national and world political events, as well as the cultural guidelines set by the Argentine governments that took place during the 1960s. In abstraction from its defined political orientation, we can affirm that Hoy en la cultura is a vigilant thermometer of our cultural temperature; alert, agile, controversial, is already, without a doubt, an important document of our incessant will to integrate the profile of a community. Provenzano 292. Tarcus p55.