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Publicado por William H. Scheide, 2014
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Paperback. Condición: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.
Publicado por Princeton University Library, 2014
ISBN 10: 1457850893ISBN 13: 9781457850899
Librería: Frost Pocket Farm - IOBA, Fleetville, PA, Estados Unidos de America
Miembro de asociación: IOBA
Libro
Paperback. Condición: New. Original covers, illustrated. Includes laid-in card, "With the Compliments of the Scheide Family." New: tight, clean, paper crisp, unmarked and never read. History; nostalgia; summer camp; 8.42913384967 X 5.85039369482 X 0.72834645595 inches; 79 pages.
Publicado por Princeton University Press, 1995
Librería: Windows Booksellers, Eugene, OR, Estados Unidos de America
Miembro de asociación: CBA
Hardcover, no dust jacket. Very good, with previous owner name to front paste-down end page. 159 pp.
Publicado por Princeton University Library, Princeton, NJ, 2004
Librería: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Estados Unidos de America
Original o primera edición
paperback. Scheide, William H. Ilustrador. 8vo. paperback. 90, (1) pages. First edition. Top edge of front cover lightly worn. Head of spine bumped. Describes Princeton's Scheide Library, a small but extraordinary collection. It is one of only 6 libraries in the world to contain copies of the first four Bibles ever printed, and is the only such library outside of Europe.
Publicado por Princeton Theological Seminary, New Jersey, 1995
Librería: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Estados Unidos de America
Hardcover. Condición: Near Fine. First edition. Octavo. xvi, 159pp. Blue cloth, gilt-stamped. Ex-library stamp and sticker on preliminary pages, spine sticker, near fine.
Publicado por Olms Wissenschaft Sep 2022, 2022
ISBN 10: 3487162059ISBN 13: 9783487162058
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro
Buch. Condición: Neu. Neuware -William H. Scheide (1914-2014) - who was considered the dean of American Bach scholarship - was a graduate of Princeton University and later received a master's degree in musicology from Columbia University. He was also an accomplished pianist and organist. In 1946, he founded the Bach Aria Group, a New York-based performing ensemble that he directed for 35 years. Scheide was a charter member of the American Bach Society, which was founded in 1971 - initially as the American Chapter of the German Neue Bachgesellschaft; he was later made an honorary member of both societies. In 1990, he took steps to encourage the work of younger Bach scholars by establishing endowments for the William H. Scheide Prize and the Scheide Research Grant. Over several decades of his life, Scheide added to his grandfather's and father's collection of bibliophile rarities precious autographs by Bach, among other important music manuscripts and prints of works by Mozart, Beethoven, Wagner and numerous other composers. In 1953, he acquired the magnificent oil portrait of Bach by Elias Gottlob Haussmann (Leipzig, 1748), which is the best-preserved original likeness of the composer. For well over half a century, Bach himself as it were watched over him and encouraged him to search, research and communicate, to engage his scholarly intellect and to set a lofty standard for critical inquiry. For Scheide the present study became almost a lifetime companion. Inspired by Alfred Dürr's groundbreaking study on the chronology of Johann Sebastian Bach's Leipzig vocal works (1957), he recognized its enormous potential for reconstructing Bach's artistic choices, his dramatic plan and stylistic development. From week to week he followed Bach's arduous task of his first Leipzig cantata cycle (1723/24) in his own highly meticulous and empathic way, deeply immersing himself in the musical world of the composer. Scheide's opus magnum is presented here in a reduced and revised version. Although Bach scholarship has significantly progressed in the past decades, the initial idea that the author developed in his manuscript - the 'harmonization' of source scholarship and his intimate knowledge of the scores - is methodically still valid and has by no means been superseded. 432 pp. Englisch.
Publicado por Olms Wissenschaft Sep 2022, 2022
ISBN 10: 3487162059ISBN 13: 9783487162058
Librería: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Alemania
Libro
Buch. Condición: Neu. Neuware -William H. Scheide (1914-2014) - who was considered the dean of American Bach scholarship - was a graduate of Princeton University and later received a master's degree in musicology from Columbia University. He was also an accomplished pianist and organist. In 1946, he founded the Bach Aria Group, a New York-based performing ensemble that he directed for 35 years. Scheide was a charter member of the American Bach Society, which was founded in 1971 - initially as the American Chapter of the German Neue Bachgesellschaft; he was later made an honorary member of both societies. In 1990, he took steps to encourage the work of younger Bach scholars by establishing endowments for the William H. Scheide Prize and the Scheide Research Grant. Over several decades of his life, Scheide added to his grandfather's and father's collection of bibliophile rarities precious autographs by Bach, among other important music manuscripts and prints of works by Mozart, Beethoven, Wagner and numerous other composers. In 1953, he acquired the magnificent oil portrait of Bach by Elias Gottlob Haussmann (Leipzig, 1748), which is the best-preserved original likeness of the composer. For well over half a century, Bach himself as it were watched over him and encouraged him to search, research and communicate, to engage his scholarly intellect and to set a lofty standard for critical inquiry. For Scheide the present study became almost a lifetime companion. Inspired by Alfred Dürr's groundbreaking study on the chronology of Johann Sebastian Bach's Leipzig vocal works (1957), he recognized its enormous potential for reconstructing Bach's artistic choices, his dramatic plan and stylistic development. From week to week he followed Bach's arduous task of his first Leipzig cantata cycle (1723/24) in his own highly meticulous and empathic way, deeply immersing himself in the musical world of the composer. Scheide's opus magnum is presented here in a reduced and revised version. Although Bach scholarship has significantly progressed in the past decades, the initial idea that the author developed in his manuscript - the 'harmonization' of source scholarship and his intimate knowledge of the scores - is methodically still valid and has by no means been superseded. 432 pp. Englisch.