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Publicado por Wake Editions, NY, 1950
Librería: North Country Books, Milton, VT, Estados Unidos de America
Paperback. Condición: Very Good. Stapled wraps, wear/soiling to covers, none severe; no spine crease; an unmarked copy with clean pages. 124 pages Experienced full-time bookseller since 1994 (selling online since 1998). Images may be added by request. Questions welcome.
Publicado por Frances Franklin Grigson, 1934
Librería: Big Star Books, Santa Fe, NM, Estados Unidos de America
Libro
Paperback. Condición: Good. Staple bound, 22 pages. Interior clean, unmarked. Light wear. Stains from rusty staples. Pencil marks on cover. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).
Publicado por Wake Editions, New York, 1950
Librería: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Estados Unidos de America
Original o primera edición
Softcover. Condición: Very Good. Magazine. Octavo. 124pp. Toned wrappers, about near fine. Features contributions from E.E. Cummings, Marianne Moore, Wallace Stevens, William Carlos Williams, H.D., Mark Van Doren, Horace Gregory, Mary a Zaturenska, Richard Eberhart, Jean Garrigue, C.F. MacIntyre, Stephane Mallarme, Federico Garcia Lorca, Gabriela Mistral, Erich Kastner, Francois Villon, Arthur Rimbaud, Theodore Spencer, Francis Golffing, Alex Austin, Robert Creeley, Helen Coggeshall, Barnette de Jarnette, Jackson Mac Low, Eugene Walter, James Broughton, Clellon Holmes, and David Marcus.
Publicado por GUANDA, 1949
Librería: CivicoNet, Libreria Virtuale, NAPOLI, NA, Italia
Libro Original o primera edición
Brossura. Condición: buono. Estado de la sobrecubierta: molto buono. prima edizione. Tradizione e modernità, raffinatezza e violenza, culto di un passato pionieristico e proiezione verso il futuro, sono i poli opposti e irriducibilmente attivi della storia tutta contemporanea, si può dire, sin dalle sue non lontane origini della poesia statunitense. Come ricorda Carlo Izzo nell'introduzione a questa antologia, i primi lirici di lingua inglese che possano definirsi, in senso proprio, americani, scrissero le loro opere dopo i primi decenni del secolo scorso. Da allora, e nello spazio di poco più di cent'anni, personalità varie e potenti a cominciare da E.A. Poe e da Walt Whitman, per continuare con Emily Dickinson, Lee Masters, Frost, Sandburg, ecc. hanno contribuito a fare della poesia statunitense un nitido microcosmo nel quale si riflettono vitalità e lacerazioni, ricchezza e contrasti d'una realtà sociale fra le più fertili, drammatiche e inquietanti che l'umanità abbia mai conosciuto. Molteplici e discordanti, le voci dei poeti presenti in questa raccolta testimoniano, tuttavia, di una sottile, implicita coerenza: quella che nasce dalla fedeltà integrale al proprio destino di uomini e ai legami che uniscono tale destino a un tempo, a un ambiente, a un paesaggio. L'americanità è, insomma, l'humus sotterraneo che avvicina e rende paradossalmente fraterni alcuni dei più prestigiosi esponenti della poesia colta del nostro tempo da Pound a Eliot, da Cummings a William Carlos Williams, da Allen Tate a Robert Lowell e gli anonimi cantori negri degli spirituals e dei blues. Descrizione bibliografica Titolo: Poesia americana contemporanea e poesia Negra. Testo originale a fronte Autore: AAVV Autori Vari: Emily Dickinson, Bret Harte, Sidney Lanier, Edwin Markham, Lizette Woodworth Reese, Edgar Lee Masters, Edwin Arlington Robinson, T. A. Daly, James Weldon Johnson, Amy Lowell, Robert Frost, Anna Hampstead Branch, Carl Sandburg, Adelaide Crapsey, Wallace Stevens, Vachel Lindsay, James Oppenheim, William Carlos Williams, Sara Teasdale, Elinor Wylie, Louis Untermeyer, Ezra Pound, John Gould Fletcher, H.(ilda) D.(oolittle), Marianne Moore, Robinson Jeffers, John Crowe Ransom, T. S. Eliot, Conrad Aiken, Edna St Vincent Millay, Archibald MacLeish, Maxwell Bodenheim, Djuna Barnes, E. E. Cummings, Genevieve Taggard, Robert Hillyer, Louise Bogan, Joseph Auslander, David McCord, Emanuele Carnevali, Horace Gregory, Stephen Vincent Benét, Hart Crane, Frank Horne, Allen Tate, Léonie Adams, Langston Hughes, Kenneth Fearing, Countee Cullen, Ogden Nash, Merrill Moore, Robert Penn Warren, Mary Barnard, Charles Henri Ford, Kenneth Patchen, Nathalie Crane, Delmore Schwartz, Muriel Rukeyser, Karl Shapiro, John Berryman, Randall Jarrell, David Gascoyne, Philip Lamantia Curatore introduzione versione e note: Carlo Izzo Editore: Bologna: Ugo Guanda, Ottobre 1949 Lunghezza: 596 pagine; 24 cm Collana: Volume 12 di Fenice fuori serie Soggetti: Poesia americana, Letteratura contemporanea, Critica, Cultura negra popolare, 1900-1955, Antologie poetiche, Raccolte, Anni Quaranta, Anni Cinquanta, Collezionismo, Libri rari Vintage fuori catalogo, Poeti neri, Lirica, Negritudine, American poetry African American authors Translations into Italian English Poésie américaine Auteurs noirs américains, Bibliografia Riferimento Stati Uniti Arthur Compton-Rickett Poemi Poesie Edgar Allan Poe Delitti Rue Morgue Il corvo Realismo Morte Estetica Colonialismo Donne Poetesse Romanticismo Premio Pulitzer Modernismo Epica Georgiani Vittoriana Anglosassone Anni Trenta The Cantos New Criticism I Fuggiaschi Intellettuali Industrializzazione Marxismo Politica Southern Agrarians Love Songs Antologia Spoon River Epitaffio Louise Bogan Novecento Avanguardie Razzismo Influssi Verso libero Tradizione Simbolismo Musica Waste Land Linguaggio Inglese Guerra Surrealismo Miracle for Breakfast Confine Frontiera Home Burial Satira Impegno civile Ulalume Walt Whitman Pionieri Metrica Versi Europeismo Traduzioni Family Reunion Bolts melody Collezione Landscape Blues The Measure Avanguardia Ars poetica Roberto Sanesi Glauco Cambon Natura New York Mitologia Mito Liberazione Poema The Raven Memoria Morning Mother Musica Tromba Tommaso Pisanti de Andrade Amore Luna Mare Maria Grazia Leopizzi Baldini Collected works Leaves of grass The Oxford Book of American Verse Alfred Charles Ward Crossing Brooklyn Ferry Order Key West The Waste Land Self-Portrait Convex Mirror Bukowski Morte Silenzio Herman Melville Tomba Uccello Alberi Thanatopsis Marea Notti Notte Foglie Sogno Occhi American poetry Contemporary literature Criticism Popular black culture Poetry anthologies Collections 1940s 1950s Collectibles Rare books out of print Black poets Lyric Negritude Bibliography Reference United States Poems Poetics Poems The Crow Realism Death Aesthetics Colonialism Women Romanticism Prize Modernism Epic Georgians Victorian Anglo-Saxon 1930s The Fugitives Intellectuals Industrialization Politics Anthology Epitaph Twentieth Century Avant-garde Racism Influences Free verse Tradition Symbolism English Language War Surrealism Border Frontier Satire Civil commitment Pioneers Metrics Verses Europeanism Translations Collection Landscape Blues Avant-garde Poetry Nature Mythology Myth Liberation Memory Music Trumpet Love Moon Sea Death Silence Tomb Bird Trees Tide Nights Night Leaves Dream Eyes.
Publicado por The Pierpont Morgan Library, New York, 1958
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Hardcover. Gray paper boards with burgundy cloth spine, gilt spine lettering; 27 unnumbered pages, 1 wood engraving. The correspondence between American poet Marianne Moore and marketing executive David Wallace concerning an appropriate name for a new line of automobiles being designed by the Ford Motor Company. Despite the appeal of Miss Moore's final submission "Utopian Turtletop," the line was ultimately branded, as it turns out, under the unfortunate name--Edsel. "The edition of this book consists of five hundred fifty copies. Four hundred copies have been reserved for the Fellows of The Pierpont Morgan Library and one hundred fifty copies are offered for sale. They have been printed at The Spiral Press in New York. The wood engraving by Leonard Baskin has been printed from the original block"--Colophon. VG- (ex-library with labels and stamps inside front and rear covers with date stamp on foreword page. Binding is tight. Pages are otherwise clean.).
Publicado por Pierpont Morgan Library
Librería: Wonder Book, Frederick, MD, Estados Unidos de America
Original o primera edición
Condición: Very Good. NY: Pierpont Morgan Library 1958. 1st edition. Ltd. Edition of 550 copies. Hardcover 8vo unpaginated. 1 cream and green plate. Very good in a near fine slipcase. Slight waviness at bottom of pgs. Else near fine. (Ford Motor Company, Automobiles, Marketing, History) Inquire if you need further information.
Publicado por [The Spiral Press for] The Pierpont Morgan Library, New York, 1958
Librería: Riverrun Books & Manuscripts, ABAA, Ardsley, NY, Estados Unidos de America
Original o primera edición
8vo. Wood engraved plate by Leonard Baskin. Original gilt-lettered cloth-backed boards; original slipcase. FIRST EDITION, one of 550 copies. Abbott A16.
Publicado por The Pierpont Morgan Library, 1958
Librería: Armchair Motorist, ACTON, ON, Canada
Hardbound. Condición: Fine(1). The correspondence between Ms Moore and the Ford Motor Co concerning an appropriate name for new automobile. Perfect condition with slipcase. Illustrated by: .
Publicado por Pierpont Morgan Library, New York, 1958
Librería: Jeff Hirsch Books, ABAA, Wadsworth, IL, Estados Unidos de America
Original o primera edición
First edition. Hardcover. Printed in an edition of 550 copies at the Spiral Press. A collection of letters from Moore in regards to the naming of an automobile. Includes a wood engraving by Leonard Baskin. A very near fine copy in a very near fine slipcase and without dust jacket as issued. A very nice copy of this lovely book.
Publicado por Geoffrey Grigson, London, 1933
Librería: The Poetry Bookshop : Hay-on-Wye, Hay-on-Wye, POWYS, Reino Unido
Revista / Publicación Original o primera edición
Stapled Wrappers. Condición: Good. First Edition. -1935 Wesker's ownership signature is at the head of each issue's front cover. A number of covers split at spine with light edge wear & occasional foxing & soiling. Book.
Publicado por Pierpont Morgan Library, New York, 1958
Librería: Rulon-Miller Books (ABAA / ILAB), St. Paul, MN, Estados Unidos de America
Original o primera edición
First edition limited to 550 copies, slim 8vo, unpaged; wood engraving plate printed in green by Leonard Baskin; original maroon cloth-backed boards, gilt-lettered spine, matching slipcase; fine. Printed at the Spiral Press.
Publicado por The Pierpont Morgan Library, New York, 1958
Librería: The First Edition Rare Books, LLC, Cincinnati, OH, Estados Unidos de America
Original o primera edición Ejemplar firmado
Hardcover. Condición: Fine. Limited edition of Letters from and to the Ford Motor Company, with a laid-in letter from the printer, Joseph Blumenthal. Ilustrador. Limited Edition. Octavo, [unpaginated]. Red cloth spine, title in gilt on spine. Printed at The Spiral Press in New York. Solid text block, a fine example. Housed in the publisher's matching slipcase. Stated one of 550 copies on limitation page at rear. Laid-in letter states, "Dear Dr. Bornemann - Because of your affection for Marianne Moore, the exchange of letters here enclosed (which I printed) may amuse you and will warrant 3/8" of space on your precious book shelves. With all best wishes, Joseph Blumenthal 29 November '78.".