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Publicado por Ursus Rare Books, 2019, 2019
Librería: DR Fine Arts, New York, NY, Estados Unidos de America
Soft cover. Condición: Very Good. This wonderful catalogue covers mostly Avant-Garde illustrators from Germany, Japan & Italian mostly in the 1930s; 104 items; each with b&w or color illustrations; stapled; some of the illustrators: John Hearfield, Tomoyoshi Murayama, F.K. Shestakov, L. Moholy-Nagy, Masao Horino, Alexander Rodchenko and Varvara Stepanova, Fortunato Depero, Konstanty Gutschow, G.C. RIcciardi, Tadahiro Sakaguchi, Fascist Book Design, and many more; last 13 items are from the 1950s & 1960s and some of the artist: Dieter Roth, Bruno Munari, Lichtenstein, Andy Warhol, Rem Koolhaas, Ludwig Wittgenstein and more; edition size is unknown, it is not signed; wrinkles & creases to the front and back softcovers, otherwise interior pages in VERY GOOD COND.
Publicado por Not Available, 1936
Librería: Sunny Day Bookstore, SINGAPORE, Singapur
Condición: Fine. Number of books: 1 book.
Publicado por Not Available, 1940
Librería: Sunny Day Bookstore, SINGAPORE, Singapur
Condición: Fine. Number of books: 1 book.
Publicado por Arusu, 1941
Librería: Sunny Day Bookstore, SINGAPORE, Singapur
Condición: Fine. Number of books: 1 book.
Condición: Fine. Number of books: 1.
Librería: Librairie Chat, Beijing, China
Condición: Fine. The book is in fine condition.
Condición: Fine. Number of books: 1 book.
Condición: Fine. The book is in fine condition.
Condición: Fine. Number of pages: 332p Size: 21cm.
Condición: Fine. Number of books: 1.
Condición: Fine. Number of books: 1 book.
Condición: Fine. Number of books: 1.
Condición: Fine. Number of books: 1 book.
Publicado por Kokusho Kankokai, 2005
ISBN 10: 4336044864ISBN 13: 9784336044860
Librería: Revaluation Books, Exeter, Reino Unido
Libro
JP Oversized. Condición: Brand New. Japanese language. 13.23x10.16x1.26 inches. In Stock.
Librería: Librairie Chat, Beijing, China
Condición: Fine. Size: A4 size.
Publicado por Board of Tourist Industry Japan Government Railways, 1935
Librería: Sunny Day Bookstore, SINGAPORE, Singapur
Condición: Fine. Number of pages: 44p Size: 30.3 x 22.2cm Number of books: 1 book.
Librería: Librairie Chat, Beijing, China
Condición: Fine. Number of books: 1 book.
Publicado por National Book Publishing Association, 2005
Librería: Sunny Day Bookstore, SINGAPORE, Singapur
Condición: Fine. Number of books: 6.
Publicado por National Book Publishing Association, 2005
Librería: Sunny Day Bookstore, SINGAPORE, Singapur
Condición: Fine. Number of books: 6.
Publicado por National Book Publishing Association, 2005
Librería: Sunny Day Bookstore, SINGAPORE, Singapur
Condición: Fine. Number of books: 7.
Publicado por National Book Publishing Association, 2005
Librería: Sunny Day Bookstore, SINGAPORE, Singapur
Condición: Fine. Number of books: 7.
Publicado por Tokyo: Tenjinsha, Showa 5, 1930
Librería: Kagerou Bunko (ABAJ, ILAB), Tokyo, Japon
Miembro de asociación: ILAB
Libro Original o primera edición
Hardcover. Condición: Near Fine. 1st Edition. This is a clear example of Japanese avant-garde thought and design from the early Showa era. The author, Takao Itagaki (1894-1966), was a Japanese art critic influenced by the German New Objectivity movement. In this work, Itagaki conducts historical and sociological research on the giant ships of the industrial era, including the Titanic. This book is a rare find, offering unique insights into the era's intellectual and artistic currents. The text is in Japanese. 1 volume complete. 19,8x15,3cm. 7+181pp., including 39 plates with photo reproductions. Yellow cloth binding foxed. Spine soiled. Original slip case browned. Near fine condition.
Publicado por Kokusai Bunka Shinkokai, Tokyo, 1938
Librería: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Very good. First edition. Oblong quarto (27.7 by 30.7 cm), [64]pp., 32 back-to-back b/w photomontages in sheet-fed gravure, many in double-suite format. With text in English, French, and German. Photo-illustrated endleaves. Silvered rice paper, lettered in blue; accordian folded stiff paper boards. Housed in custom-made clamshell box, with gilt morocco label. Edges rubbed, with light wear at corners, covers darkened, with some small losses of the silver. Photoplates fine throughout. A beautiful selection of dynamic photographs displaying Japanese civilization on the march in all spheres - economic, religious, artistic and cultural. Notably, only two images reference the growing militarism of this era. Parr and Badger consider Nippon "arguably the high point of both the Japanese propaganda and the modernist photo book." References: M. Heiting, The Japanese Photobook, no. 80; Parr and Badger, The Photobook: A History.
Publicado por Bunka Shinkokai, 1937
Librería: AboveParBooks, Jersey City, NJ, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Good. 1st Edition. Printed as a series of double-page plates on leaves mounted back to back to form a continuous double-sided panorama of subjects relating to Japanese landscape, culture, economics, sports, and the military. Although clearly created by Japan for propoganda purposes, considered one of the best photo-books to have been produced before the war years, in terms of the photography, design, and printing quality. This copy has a repair reconnecting one page; otherwise a good quality example of this work, which is notoriously difficult to find in any condition.
Publicado por Kokusai Bunka Shinkokai (The Society for International Cultural Relations), Tokyo, 1937
Librería: White Fox Rare Books, ABAA/ILAB, New York, NY, Estados Unidos de America
Original o primera edición
Condición: Very Good. First edition. The Japanese photobook equivalent of a Leni Riefenstahl movie! Deemed "arguably the high point of both the Japanese propaganda and the modernist photo book" by Parr and Badger in "The Photobook: A History". Oblong folio, 27 by 30 cm. 64 pp., or 32 double-page back-to-back photomontages configured as an accordion fold-out, and a deliberate attempt to adapt the traditional Japanese pillow book to a more modern usage. Text (captions) in English, French and German. The photographers involved were also staff photographers of the Japanese photo magazine, "Nippon". The black and white photos have an extraordinary dynamism and three dimensionality achieved by the artful juxtapositions, and there is a cumulative power to the whole enterprise. Just as the photos themselves are able to convey movement, the message of the whole is that Japan itself was on the march forward into a new dawn! And virtually every aspect of Japanese life is presented -- economic, religious, cultural, architectural, artisanal, rural, urban, etc. Only two of the montages relate to the military -- one, the army, one the navy -- and this is in sharp contrast to similar publications emanating from Germany and Italy at the time. Japan had, by then, actually embarked on its program of foreign aggression and conquest, whereas for the other Fascist regimes that still lay in the future. The scarce book was probably never for sale, but rather was given as a gift to foreign dignitaries. Scarce, with the only known institutional copies at the British Museum, the Library of Congress. Two folds professionally and discreetly repaired, with very minor loss (a very thin sliver) along those joints. A quarter sized infill to where there was a corner chip to the silver Japanese paper pastedown on the front cover. The front blue blank or endpaper does not have a title label pastedown which has been seen in other copies, but it is obvious that there never was such a label pasted into this copy. Leporello. Hardcover boards, paper pastedown.