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Publicado por University of Queensland Press, 1978
ISBN 10: 070221065XISBN 13: 9780702210655
Librería: School Haus Books, Saginaw, MI, Estados Unidos de America
Libro
Hardcover. Condición: Good. No Jacket. 1978 hardcover/no jacket/ex-library with usual markings/clean & unmarked text.
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Usado desde EUR 19,21
Encuentre también Original o primera edición
Publicado por Cambridge University Press, 2008
ISBN 10: 0521898382ISBN 13: 9780521898386
Librería: Blacket Books, PBFA, Edinburgh, Reino Unido
Miembro de asociación: PBFA
Libro Original o primera edición
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Martens Conrad Ilustrador. First Edition. Hardback. A fine copy in a fine dustwrapper. Pp.xxx,470. Frontispiece. 19 colour plates. 35 black and white plates. Introduction by Janet Browne. Contains the complete texts of all the letters Darwin wroite and received while sailing round the world on HMS Beagle between 1831 and 1836.
Publicado por Kassel (Verlag Friedrich Lometsch) 1978., 1978
Librería: Antiquariat Kurt Lammek, Oldenburg, Alemania
Quer-8°. 13 Blatt mit 10 ganzseitigen Farbtafeln. Original-Pappband. Eines von 350 numerierten Exemplaren. Gutes Exemplar.
Publicado por Cambridge University Press, Cambridge, 2009
Librería: The Blue Penguin, FRODSHAM, Reino Unido
Libro
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Conrad Martens Ilustrador. Second Impression. Dustwrapper, tall 8vo, pp.xxx, 470. Illustrated, including some of the drawings and watercolours by the artist aboard the Beagle on the expedition led by Darwin, Conrad Martens. The letters sent and received by Charles Darwin on the Beagke expedition. Introduction by Darwin expert Janet Browne. Fine in dustwrapper, possibly unread. A heavy book weighing c1650g when suitably parcelled, thus exceeding the default weight of 1000g for the postage quotation, and invoking a request for the extra postage at cost at time of order ( or can be supplied on request ) if to be sent overseas or by UK 1st class post. Size: 8vo - over 7¾" - 9¾" tall.
Publicado por Vantage Pr, New York, 1991
ISBN 10: 0533094771ISBN 13: 9780533094776
Librería: Willis Monie-Books, ABAA, Cooperstown, NY, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Good. Estado de la sobrecubierta: Good. First Edition. DJ has some light wear, and fading.
Publicado por Cambridge University Press 2008-09-04, Cambridge, 2008
ISBN 10: 0521898382ISBN 13: 9780521898386
Librería: Blackwell's, London, Reino Unido
Libro
hardback. Condición: New. Language: ENG.
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Nuevo desde EUR 22,05
Usado desde EUR 14,39
Encuentre también Tapa dura Original o primera edición
Publicado por Vantage Pr, 1991
ISBN 10: 0533094771ISBN 13: 9780533094776
Librería: books4u31, Asheville, NC, Estados Unidos de America
Libro Ejemplar firmado
Hardcover. Condición: Very Good. PERSONALIZED INSCRIPTION BY AUTHOR on title page, no other marks noted in text, hc with djAND AS ALWAYS SHIPPED IN 24 HOURS; and emailed to you a USPS tracking number on all orders; all books are sanitized and cleaned for your protection before mailing. PLEASE NOTE OVER SEAS BUYERS if the book extra large or heavy there will be additional postage due to the new US Postage rates. Signed.
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Usado desde EUR 19,25
Encuentre también Original o primera edición Ejemplar firmado
Publicado por Texas Tech University Press, 1976
Librería: Shore Books, London, Reino Unido
Revista / Publicación
Soft cover. Condición: Very Good. 95 pages. Lawrence Thornton "'Deux Bonshommes Distincts": Conrad, Ford, and the Visual Arts" / Paul S Bruss "Lord Jim: The Maturing of Marlow" / Harry Marten "Drama and Theme in Nostromo: The Relationship of Nostromo, Dr.Monygham and Emilia Gould" / Hartley S Spatt "Nostromo's Chronology: The Shaping of History" / William T Stafford "Joseph Conrad and Modern Fiction Studies: A Specialized Mini-History of a Literary Reputation, 1955-1973" / Adam Gillon "Joseph Conrad and Shakespeare, Part Four: A Reinterpretation of Victory". (SL#82).
Publicado por Macmillan, South Melbourne, 1979., 1979
ISBN 10: 0333252411ISBN 13: 9780333252413
Librería: Sainsbury's Books Pty. Ltd., Camberwell, VIC, Australia
Libro
Square large 8vo, 96pp. Colour and black & white illustrations. A very good hardback copy in like dust jacket with faded spine. Previous owner's name.
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Usado desde EUR 12,51
Publicado por N, Sydney, 1994
Librería: Kay Craddock - Antiquarian Bookseller, Melbourne, VIC, Australia
Original o primera edición
Pp. [4](text)+20 colour plates; list of illustrations; oblong demy 4to; pictorial glazed paper wrappers, stapled, slightly marked and creased, edges a little rubbed; leaves lightly creased at centre; State Library of New South Wales Press, Sydney, 1994. First edition. *A selection of Martens' drawings from the Mitchell and Dixson Collections in the State Library of New South Wales, with brief biography of the artist by the Library's Curator of Pictures.
Publicado por Mallard Press, N.Y., 1990
ISBN 10: 0792452461ISBN 13: 9780792452461
Librería: William L. Horsnell, Aylesford, NS, Canada
Libro Original o primera edición
Pictorial Boards. Condición: Very Good +. 1st Edition. A solid spine with no edge rubbings. No store stamps This is a British edition published for Octopus Group LTD. by The Bath Press of Avon, Great Britian .Stories by :Friedrich Martens of Hamburg, George Mackay Brown, John Howison, Herman Melville, Stephen Crane, A.E.Dingle, W.W.Jacobs, Jack London, Joesph Conrad, Anatole France, Sir Ernest Shackleton, Wilbur Daniel Steele, John Masefield, Ralph Stock, Eden Philpotts, James Gould Cozzens, C.S.Forester, Nicholas Monsarrat Size: 8 Vo.
Publicado por Hamburg. Blauflug Verlag 2000. 56 Seiten., 2000
ISBN 10: 3925121153ISBN 13: 9783925121159
Librería: Antiquariat Bernd Preßler, Ahnatal Weimar, Alemania
Libro
Teils farbige Abbildungen. Tadelloser Zustand. Softcover / Original kartoniert.
Publicado por Harper and Row, New York, NY, U.S.A., 1969
Librería: A Turn of the Page Books, Fishers, IN, Estados Unidos de America
Libro Original o primera edición
Cloth. Condición: Very Good. Estado de la sobrecubierta: Very Good. Augustus Earl & Conrad Martens (Artists) Ilustrador. 1st Edition. Tan linen boards w/embossed silhouette of the Beagle. Very slight spine slant. Biography of Charles Robert Darwin's (1809 - 1882) five year adventure on the high seas with captain Robert FitzRoy at the helm of the good ship Beagle, and ports of call. Bit (1/8") of chipping to the head and foot of the spine.
Publicado por State Library of New South Wales Press, Sydney, 1994
ISBN 10: 073058920XISBN 13: 9780730589204
Librería: Lawrence Jones Books, Ashmore, QLD, Australia
Libro Original o primera edición
Soft Cover. Condición: Very Good. First Edition. 52pp. Black and white card with black cloth tape spine. A little foxing to cover, brief gift note on title page. Australian colonial artist Conrad Martens' diary of his voyage to Australia in the second quarter of the 19th century. Size: 4to.
Publicado por Pandanus Press Brisbane 1993, 1993
Librería: Andrew Barnes Books / Military Melbourne, Melbourne, VIC, Australia
Original o primera edición
1st edition softback with stiff wrappers Nice copy large octavo 208pp., colour & b/w plates, chronology., index, 'Covers Martens's early years in England, his voyage on the Beagle and his visits to Tahiti, New Zealand and Australia.'.
Cloth. Condición: Fine. Conrad Martens; Various Ilustrador. The first thus of this collection of diary entries, letters and reports to share the history of the H. M. S. Beagle. First thus of A Narrative of the Voyage of H. M. S. Beagle edited by David Stanbury in the original publisher's cloth binding and slipcase.Being passages from the 'Narrative' written by Captain Robert FitzRoy with extracts from his logs, reports and letters.Also includes material from the diary and letters of Charles Darwin, notes from Midshipman Phillip King and letters from Batholomew Sulivan.Illustrated with twelve colour plates based from drawings by Conrad Martens. Collated, complete. In the original publisher's cloth binding and slipcase. The slipcase is very good indeed with some slight wear to the extremities. Internally, firmly bound. The pages are very bright and clean. Fine. book.
Cloth. Condición: Near Fine. Conrad Martens; Various Ilustrador. The first thus of this collection of diary entries, letters and reports to share the history of the H. M. S. Beagle. First thus of A Narrative of the Voyage of H. M. S. Beagle edited by David Stanbury in the original publisher's cloth binding and slipcase.Being passages from the 'Narrative' written by Captain Robert FitzRoy with extracts from his logs, reports and letters.Also includes material from the diary and letters of Charles Darwin, notes from Midshipman Phillip King and letters from Batholomew Sulivan.Illustrated with twelve colour plates based from drawings by Conrad Martens. Collated, complete.Prior owner's small doodle to the bottom corner of the front pastedown. In the original publisher's cloth binding and slipcase. The slipcase is very good, the rear board is slightly loose and there is some slight wear to the extremities. To the binding, there is some very light bumping to the head and tail of the spine. Prior owner's small doodle to the bottom corner of the front pastedown. Internally, firmly bound. The pages are very bright and clean. Near Fine. book.
Librería: Douglas Stewart Fine Books, Armadale, VIC, Australia
Sydney : Clune Galleries, c. 1978. Quarto, illustrated wrappers (slightly rubbed), pp. [8], illustrated. Essay and catalogue of 6 works. Very scarce exhibition catalogue on the important colonial artist.
Año de publicación: 1979
Librería: Berkelouw Rare Books, Berrima, NSW, Australia
Sydney 1979. Sm. 4to. Orig. printed wrapper slightly shelf-soiled. 48pp. With both coloured and b/w illustrations.
Publicado por State Library of New South Wales Press, Sydney, 1994
Librería: Kay Craddock - Antiquarian Bookseller, Melbourne, VIC, Australia
Original o primera edición
Pp. [xii]+212, illustrated throughout in colour and black & white (several full page), pictorial endpapers, endnotes, bibliography, select catalogue of works, index; oblong 4to; dust wrapper; State Library of New South Wales Press, Sydney, 1994. First edition.
Publicado por epubli, 2020
ISBN 10: 3750273782ISBN 13: 9783750273788
Librería: moluna, Greven, Alemania
Libro Impresión bajo demanda
Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung für Sie gedruckt. Zehntausend Jahre sind seit den ersten Schritten der Menschheit ins All vergangen.In vielen aufeinanderfolgenden Expansionswellen haben die Menschen den Kosmo.
Publicado por Angus & Robertson, Sydney, 1968
Librería: Rare Illustrated Books, Surry Hills, Sydney, NSW, Australia
First published in 1920, this was the first monograph devoted to Conrad Martens. This revised and enlarged edition has been improved in numerous ways including a highly successful remaking of most of the coloured plates. Oblong quarto, brown cloth, 68 full page colour plates in colour, sepia and black & white, striking portrait frontispiece of Martens; small ink spot affects front board, a near-fine copy.
Publicado por Lometsch, Kassel, 1978
Librería: Antiquariat Günter Hochgrebe, Kassel, Alemania
Condición: Tadellos erhalten. Faksimile-Ausgabe, numerierte Auflage. Zehn Aquatinta-Blätter mit Handkolorierung: Ansichten von der Martinskirche, dem Residenzpalais, Friedrichsplatz, Theater, der Bellevue, dem Museum, der Fuldabrücke, Orangerie, Augustenruhe und einer General-Ansicht der Stadt. Nachdruck der Ausgabe Kassel, Wilhelm Appel Buch- und Kunsthändler, ca.1840. Quer-groß 8°, 14 Bll., Originalpappband mit Cellophanumschlag. Numerierte Auflage von 350 Exemplaren, hier die Nummer 186. (Siebenundsiebzigster Druck der Arche). Das zweisprachige Innen-Titelblatt mit einer Zeichnung des alten Brunnens 'Brink' ist eine Lithographie der Lithographischen Anstalt Carl Pfort's Wwe in Cassel. Alle Veduten mit Personengruppen. Lang: deutsch 1100 g.
Publicado por Angus & Robertson Ltd, Sydney, 1920
Librería: Michael Treloar Booksellers ANZAAB/ILAB, Adelaide, SA, Australia
Original o primera edición
Hardcover. Condición: Very Good. First Edition. Sydney, Angus & Robertson Ltd., 1920. Quarto, [xii], 33 pages plus 60 plates (including 32 tipped-in colour plates) and a tipped-in facsimile letter to his 'old shipmate', Charles Darwin. Quarter cloth and papered boards lightly foxed and rubbed; free endpapers a little tanned; an excellent copy.
Publicado por Angus & Robertson, Sydney, 1968
Librería: Kay Craddock - Antiquarian Bookseller, Melbourne, VIC, Australia
Pp. xvi+40(last blank), frontispiece portrait plus 36 coloured and 32 monotone plates, the title page printed in dark green & black; oblong 4to; dust wrapper, a trifle rubbed, with short closed tear from top edge of lower flap fold into back panel; Angus & Robertson, Sydney, 1968. Revised and enlarged edition. *Originally published in 1920.
Publicado por Koln: Koenig Books, 2015
ISBN 10: 3863356810ISBN 13: 9783863356811
Librería: Mast Books, New York, NY, Estados Unidos de America
Libro Original o primera edición
Soft cover. Condición: Very Good. 1st Edition. Koln: Koenig Books, 2015. Softcover. 616 pp., 8 x 11.5 inches. American avant-garde filmmaker Paul Sharits (1943-93) a protagonist of the "structural film" movement, alongside Michael Snow, Tony Conrad and others was internationally acclaimed for his installations of endless film loops, multiple projections and experimental soundtracks. This volume spans his oeuvre, from his early structural films of the 1960s and 70s, and his unique film spaces and graphic works, to the little-known paintings, through a large-format image section and essays by theorists, artists and Sharits contemporaries. Including previously unpublished works and new research, Paul Sharits: Catalogue Raisonné 1962 1992 is completed with an illustrated catalogue raisonné of Sharits' work between 1965 and 1992. Very Good in French-flaps; minor bumping to bottom right corner throughout, else Near Fine.
Año de publicación: 1830
Librería: Hordern House Rare Books, Surry Hills, NSW, Australia
Condición: Very good. Lithograph, 150 x 245 mm. Very rare indeed: an example of the work being done by Conrad Martens before he sailed on the Beagle. Any art relating to this early part of his career is most uncommon. Conrad Martens (1801-1878), perhaps the best known of all colonial artists, arrived in Sydney in 1835 after working his way around the world, including a year's appointment as artist on the hydrographical survey voyage of the Beagle, during which his shipmate was Charles Darwin. Martens had been born in London in 1801 but moved with his family to Exmouth in Devon in 1822. The view shows the temple by the shore at the Beacon, in the centre of Exmouth. This is thought to be the second earliest print after any work by Martens: the actual lithograph was drawn on stone by "F. Martens", thought to be Frederick Martens, a German-born engraver in aquatint and likely a relative of Conrad. Michael Organ, who has made a study of Martens, records in his "Conrad Martens' Prints" (online) that the Dixson library holds an impression of this view with the imprint "Printed by Engelmann, Graf, Coindet & Co." which is not present on this example. Hordern House has never before handled a copy of this lithograph by Martens, an outstanding colonial artist. .
Publicado por Kassel, Guillaume Appel, libraire, 1838
Librería: Buch- und Kunst-Antiquariat Flotow GmbH, Ottobrunn, Alemania
Engelmann 386; nicht bei Andres. - Sehr seltenes Ansichten-Werk über die Sehenswürdigkeiten von Kassel, darunter eine Gesamtansicht, aufgenommen vom Mönchberg, das Residenz-Palais, der Friedrichsplatz, das Theater, die St. Martinskirche, das Museum, die Belle-Vue, die Fuldabrücke, die Orangerie, Augustenruhe, mehrere Ansichten von Kassel-Wilhelmshöhe, Schloß Wilhelmshöhe, die Löwenburg, die Kaskaden mit dem Herkules, der Steinhöfersche Wasserfall, die Teufelsbrücke, der Aquaduct, die große Fontaine, der große Wasserfall und der Park von Wilhelmshöhe. - In bemerkenswert sauberen Zustand, beide Rückenkapitale restauriert, der reich verzierte Original-Einband jedoch gut erhalten Titel in Rot- u. Schwarzdruck, 20 Aquatinta-Kupfer-Tafeln Rotes Original-Halbleder mit reicher Deckelvergoldung, Qu.8°.
Publicado por Sydney, 1845
Librería: Hordern House Rare Books, Surry Hills, NSW, Australia
Ejemplar firmado
Original watercolour and pencil with gum arabic on paper, 310 x 500 mm; signed lower right C. Martens; in handsome nineteenth century frame; gold slip. A superb Sydney Harbour scene, sweeping from Elizabeth Bay House in the middle-ground around to the lower north shore, showcasing Martens's remarkable talent at capturing the shimmering waters and the intense light of the city. Martens has chosen his viewpoint, the ridge at Darling Point looking back across Elizabeth Bay towards the city, with great care, giving full rein to his skill as a landscape artist while also allowing him to devote his typical care to the foliage in the foreground: his informal scientific training meant that he was one of the few colonial artists to really master the distinctive look of the Australian Bush, and he took unusual care to be botanically accurate. More, in the present picture he has purposefully set out to minimise the built landscape by positioning the central tree in just such a way as to mask most of the city apart from the imposing Stables for Government House (now the Conservatorium of Music). Conrad Martens (1801-1878) was one of the greatest early Sydney artists and probably now the best known of all colonial artists, who made his name sketching on the Beagle with Fitzroy and Darwin in South America. After arriving here in April 1835, Sydney became his great subject. As the present painting fully attests, he was particularly drawn to the glittering waters east of the city through Woolloomooloo, Point Piper and Rose Bay. Soon after his arrival in Sydney Martens had made a series of forays along this southern shore of the harbour, with a number of his earliest views being made along the road which led to Macquarie's lighthouse. Martens had found his métier and some instant success, which very quickly brought him to the attention of Alexander Macleay, who was then building his famous Elizabeth Bay House, considered the "ultimate trophy home" and still one of the most beautiful colonial buildings in Sydney (MHNSW). Macleay, a prominent natural historian and friend to grand figures in Britain including Sir James Edward Smith and Robert Brown, had needed some convincing to take up the position of Colonial Secretary to NSW in 1825, but quickly became a mainstay of Sydney politics and culture. Immensely friendly with Governor Darling, he was granted an imposing acreage at Elizabeth Bay and soon appointed the architect John Verge to build a magnificent stuccoed Greek-revival building, surrounded by a garden "famous for its rare plants" (ADB). The house was of the greatest significance to Martens. The artist is known to have taken a series of pencil sketches of the house as it was being built by Verge, Macleay personally acquiring a view before the building was finished (in 1836) for three guineas, and definitely executing a small watercolour when it was finished. Most significantly, Martens then took a "stack of commissions to paint the house from suitors for Macleay's six beautiful daughters" (de Vries-Evans). Martens learnt the technique of watercolour, especially a particular knack at depicting the effects of weather, from his teacher Copley Fielding; and the skills of strict topographical accuracy, infused with a particular interest in botany and cloud formations, while on the survey vessels Hyacinth (Capt. Blackwood) and especially the Beagle (Capt. Fitzroy) in the early 1830s. Throughout his career he could effectively draw on the two techniques at will and to great effect, as the current work shows very clearly. These uncommon abilities stood him in good stead, his works greatly appreciated by any number of important critics: Darwin kept two of his old shipmate's sketches on the walls of his study and it is notable how many of the colonial scientists such as the Franklins and Sir Thomas Mitchell patronised him as well, quite apart from a rollcall of pastoralists and government officials. This painting is considered to have been done by Martens in the mid-1840s, part of the series of Elizabeth Bay House commissions he took around this time. It is a particularly good example of his more atmospheric style, well-suited to a work which so vividly evokes the beauty of the harbour shoreline. . Provenance: Private collection, Melbourne; thence by descent. Bright condition, sealed repaired tear in sky.