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Año de publicación: 2023
Librería: True World of Books, Delhi, India
Libro Impresión bajo demanda
LeatherBound. Condición: New. LeatherBound edition. Condition: New. Reprinted from 1874 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 170 Language: English.
Publicado por Singapore : Craft Print, 1992
Librería: MW Books Ltd., Galway, Irlanda
Original o primera edición
First Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. Physical description; 176p. : ill. (some col.), facsims., figs., ports. ; 23cm. Subject; military unit histories. 1 Kg.
Publicado por Great Britain : Regimental Headquarters Coldstream Guards, 1992
Librería: MW Books Ltd., Galway, Irlanda
Original o primera edición
First Edition. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 176p., ill. ; 22cm. Subjects: Coldstream Guards -- Great Britain -- Army -- Personal narratives. 1 Kg.
Publicado por Singapore : Craft Print, 1992
Librería: MW Books, New York, NY, Estados Unidos de America
Original o primera edición
First Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. Physical description; 176p. : ill. (some col.), facsims., figs., ports. ; 23cm. Subject; military unit histories. 1 Kg.
Publicado por Great Britain : Regimental Headquarters Coldstream Guards, 1992
Librería: MW Books, New York, NY, Estados Unidos de America
Original o primera edición
First Edition. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 176p., ill. ; 22cm. Subjects: Coldstream Guards -- Great Britain -- Army -- Personal narratives. 1 Kg.
Publicado por Archaeopress Publishing Ltd 2014-10-24, Oxford, 2014
ISBN 10: 1784910163ISBN 13: 9781784910167
Librería: Blackwell's, Oxford, OX, Reino Unido
Libro
paperback. Condición: New. Language: ENG.
Publicado por Fine Communications (no year listed), New York, New York, 1998
ISBN 10: 1567312578ISBN 13: 9781567312577
Librería: Andover Books and Antiquities, Andover, MA, Estados Unidos de America
Libro
Hardcover. Estado de la sobrecubierta: Very good. MJF Books. xv, 1014 pp. LCC: 97756520 Very good condition; light color toning on extreme top and bottom edges of covers; previous owner's name on inside front cover.
Publicado por The Library Of Living Philosophers, Inc., Evanston, 1946
Librería: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, Estados Unidos de America
Miembro de asociación: IOBA
Libro
Hardcover. Condición: Very Good +. No Jacket. 2nd Edition. Second Edition, With Minor Revisions. Book Very Good +, Rubbing Along Tip And Bottom Edges Of Spine, Gilt Bright, Small Former Owner's Signature On Front Pastedown. Major Compilation Of Articles About Russell, Including Godel's "Russell's Mathematical Logic", Pp 123-154, Einstein's "Remarks On Bertrand Russell's Theory Of Knowledge" Pp 277-292, Reichenbach On Russell's Logic And Nagel On Russell's Science. Revised With Corrections Of Typographical Errors, And Additions To The Bibliography Which Had Been Inadvertently Omitted.
Publicado por Whitney Museum of American Art, 1994
ISBN 10: 0874270936ISBN 13: 9780874270938
Librería: Yesterday's Muse, ABAA, ILAB, IOBA, Webster, NY, Estados Unidos de America
Libro Original o primera edición
Soft Cover. Condición: Very Good. First Edition. First edition. Sticker remains on rear cover. 1994 Soft Cover. 223 pp. On December 12, 2014, the Education department presented Looking Back at Black Male, a public program to mark the twentieth anniversary of the exhibition Black Male: Representations of Masculinity in Contemporary American Art, (November 10, 1994-March 5, 1995). Curated by Thelma Golden, now the Director and Chief Curator at the Studio Museum of Harlem, Black Male investigated the complex aesthetics and politics at work in representations of African American men in the post-Civil Rights era. Looking Back at Black Male brought together exhibition curator Golden, Hilton Als, a writer who edited the exhibition catalogue, and Huey Copeland, art historian and critic, to discuss the exhibition and its afterlives. The program considered Black Male?s significance for cultural debates twenty years ago as well as how it has inspired artists and curators working in its wake. At the beginning of the conversation, Copeland remarked, 'As the nationwide protests of the unpunished murders of two unarmed black men, Michael Brown and Eric Garner have again brought into vivid focus, the 'black male' is a perennial site of fear and projection, policing and pathology, contestation and coalition.' He also stated that the exhibition was not about offering a mirror or image of black masculinity, but providing a context to comprehend how a black male might be produced visually, and the many ways that one might work through that visual production. Referring to the Black Male catalogue as a landmark anthology that has continually sparked many conversations, and a five-part film program organized by John Hanhardt, the Whitney's former film and video curator, Copeland asked Golden and Als to talk about the ways in which they created a multi-pronged curatorial and cultural approach to the exhibition. Golden explained that in order to address the complexities of black masculinity, the exhibition demanded many voices and perspectives. There was no previous model for understanding the complicated manifestations and nuances of representations of black men, and she described her feeling that in order to make this exhibition, it was as if a new language had to be invented. Both Golden and Als underscored the importance of the multiple exhibition components to create a broader context for considering the ideas and themes in the works themselves and to engage a wide audience that Golden was hoping would visit the show. Among these components was a context room (located within the exhibition) that displayed a thematic timeline created by cultural historian Maurice Berger, and a series of public programs organized by Connie Wolf, former director of the Whitney?s Education department. The context room featured an introductory panel and ten large-scale wall texts that, in Berger?s words, were intended to 'narrate very selective moments from this complex history of oppression, struggle, survival, and triumph; it is meant as an adjunct to the Black Male exhibition, as a space of learning and contemplation, as a means of contextualizing some of the issues explored in the exhibition.' Themes included Community and Leadership, Civil Rights, Business and Employment, Television and the Media, and Gender and Sexuality. The Business and Employment text panel provided historical information such as: '1971, The U.S. Bureau of Labor statistics reports that African Americans lag far behind whites in economic prosperity, earning three-fifths of the average white income.' Public programs related to the exhibition included an extensive film program as well as discussions of the event of the show itself. One of these programs was a conversation between cultural historian and Harvard University professor Henry Louis Gates, Jr. and philosopher and activist Cornel West. At the beginning of the conversation, Gates asked if the art-viewing public can 'move beyond all the polemics about so called positive and negative imagery.' During their conversation about, West mused, 'Did [the exhibition] shake you, did it unsettle you, did it in some sense unstiffen your presuppositions as to who and what you are in relation to these black bodies'' Gates emphasized that the importance of discussing the questions posed by the artworks was not only imperative to the exhibition as a whole, but also challenged the viewer to probe his or her understanding of black masculinity. In her discussion of the exhibition Black Male, Golden emphasized that its accompanying programs were intended to frame the show in dialogue with ideas far beyond the Museum's walls. Collectively the programs encouraged broader conversations about the exhibition and related cultural issues as a whole. As the exhibition's introductory wall panel read: '. . . in the end, the images reveal how the study of art is an essential tool for interpreting difficult social issues and promoting change in our society. We also discover that through an understanding of the social context, we gain a deeper appreciation of art itself.' - Whitney Museum of American Art.
Publicado por Sykes and Sons; Jefferys and Co.; Willis & Co. ; Goulding and D'Almaine; Alexander Lee & Lee Regency Musical Warehouse; R Andrews Music Academy; George Ward; J Balls & Son; H Wray; Duncombe Book and Music Seller; J Duff & C Hodgson; Z T Purday; Andrew's Musical Repository & New Musical Circulting Library; Cramer Addison and Beale; A Lawson, London, Manchester & Leeds, 1836
Librería: Bailgate Books Ltd, Doncaster, Reino Unido
Partitura
Hardcover. Condición: Good. Estado de la sobrecubierta: No Dust Jacket. Various. Collection bound in worn decorated half-leather (upper spine panel is missing) with red spine-label, partially split hinges and worn and stained boards with cloth much lifted from back board. Missing front end-paper and front page to piano manual. Rear end-paper is missing. Inner hinges are split but text block is attached. There are some tears, some repaired tears and some staining, pages are darkened but score is clear, a few occasional light passages of pencil annotation. Instructions for the Pianoforte (59 pages) comprising Preface by J B Cramer, Index, Elementary Instructions, Fingering of Scales Exemplified, 26 Elementary Exercises, 49 Lessons, Examples of Fingering, Appendix, A Dictionary (No title-page). Piano works comprising: The Royal Galopades and Devonshire Waltz with original figures as danced at Almack's and the Nobilty's Balls arranged for the Piano-forte by Edw. Willis; Set of The Queen's Country Dances as Performed at the Court Balls arranged with the proper figures by Rd. Guinness, Principal Leader of the Quadrille Band at the Royal Palaces (vignette title-page); The Lancers' Quadrilles or Duval of Dublin's second set with proper figures in French and In English (various composers including Spagnoletti) vignette title-page; The Countess of Farnham's Waltz by Spagnolli and also the Stop Waltz; Pretty Maiden by C E Horn; Weippert's Twenty-Ninth Set of Admired Quadrilles from Scottish Melodies arranged for Harp or Pianoforte arranged by John Wieppert; The Invincible's Quadrilles by David Lee (vignette title) figures in French, tear in page 1; Three Waltzes by Mozart; The Plough Boy arranged as a Rondo by J L Dussek; Portuguese, Hespanha, Brazilian, Spanish National Airs and Waltz by G J Hatteroth; Scotch Air with Introduction and Variations by Philip Knapton; The Battle of Prague, Sonata by Kotzwara; O Dear What Can the Matter Be? with variations and Coda by J W Holder Vocal scores include: Eighty Practical Lessons for Vocalist or The Rudiments of Solfeggio by John Parry (vignette title-page, 25 pages); I'll not bequile thee from thy home, song from the Fairy Lake, poetry by Charles Selby, Music by Alexander Lee; Those Bright Blue Eyes, poetry by J C E, music by Lee (vignette title); Forget Me Not, a favourite song by Mozart; O, the Roast Beef of England, a national song of England; Saw Ye my Wee Thing or Mary of Castle Carey arranged by Alexander Lee; The Confession with pianoforte or flute by an Amateur; O, weel may the keel row by Jas. McEwen; Woodman, spare that tree! by G P Morris and Henry Russell (vignette title); The Blackbird by Mr Hook; The Fairy Tempter by Samuel Lover; Sleep on Thy Pillow by Alexander Lee (title vignette); The Maid of Athens, by Lord Byron, music composed by G Kiallmark; Like the Gloom of Night Retiring from the Heir of Vironi by Henry R Bishop; Let me Wander Not Unseen from L'Allegro by Handel, Poetry by Milton arranged by Henry Bishop 1836; The Hallelujah Chorus from Handel's Messiah; Communion Service, a Sanctus and Response by R Pearson; Lord of All Pow'r and Might by Madan, arranged as a duet for Soprano's with chorus by R Andrews; Miriam's Song "Sound the Loud Timbrel" by Thomas Moore; What is Prayer by Montgomery and H Phillips; The Church, a sacred song by Caroline Balls; Angels Ever Bright and Fair from Theodora by Handel, arranged by Henry R Bishop, 1837; New Edition with a verse on the Royal Marriage, God Save the Queen, the national Anthem [1840], newly arranged for one or four voice parts with piano forte accompaniment (all parts present) by Charles H Purday. Publishers are: Sykes and Sons, Leeds; Jefferys and Co., London; Willis & Co. London; Goulding and D'Almaine, London; Alexander Lee & Lee Regency Musical Warehouse; R Andrews Music Academy; George Ward; J Balls & Son; H Wray; Duncombe Book and Music Seller; J Duff & C Hodgson; Z T Purday; Andrew's Musical Repository & New Musical Circulting Library, Manchester; Cramer Addison and Beale; A Lawson Item Type: Sheet Music. No dust jacket, as published. Quantity Available: 1. Shipped Weight: 2-3 kg. Pictures of this item not already displayed here available upon request. Inventory No: 13219121025. For International tracked shipping please select the Priority shipping service. This book is heavier than 1kg, and may incur additional delivery charges on some delivery services to some locations.