Tipo de artículo
Condición
Encuadernación
Más atributos
Ubicación del vendedor
Valoración de los vendedores
Publicado por Hotsa'at Metsulot, Tel Aviv, 1953
Librería: Henry Hollander, Bookseller, Los Angeles, CA, Estados Unidos de America
Hardbound. Condición: Good. Small octavo, tan cloth spine with black lettering, wood-grain cloth with black lettering, 281 pp., yellowed paper Translated into Hebrew from the Russian by Abraham Salman.
Publicado por Hotsa'at Avraham Yosef Shtibel [1932], Tel Aviv, 1932
Librería: Henry Hollander, Bookseller, Los Angeles, CA, Estados Unidos de America
Hardbound. Condición: Very Good-. Small octavo, green cloth with gold lettering, 328 pp. Translated into Hebrew from the Russian by Sh. Herberg.
Publicado por Petropolis, Berlin, 1931
Librería: Sanctuary Books, A.B.A.A., New York, NY, Estados Unidos de America
Paperback. Condición: Very Good+. Original decorated wraps; pp. 243. Covers the tiniest bit wrinkled and dust-soiled; spine a little tanned. Nice, bright, unopened text block. Printed in France, and scarce -- most library holdings are electronic.
Publicado por Petropolis, Berlin, 1928
Librería: Sanctuary Books, A.B.A.A., New York, NY, Estados Unidos de America
Paperback. Condición: Very Good+. Original printed wraps, with attached glassine dust jacket. A little chipped along the edges.
Publicado por Petropolis, Berlin, 1930
Librería: Sanctuary Books, A.B.A.A., New York, NY, Estados Unidos de America
Original o primera edición
Paperback. Condición: Very Good+. First Edition. Original wraps; pp. 294, unopened. Covers foxed; light rubbing at spine tips and corners. Not in Kilgour, though another later title is described.
Publicado por Petropolis, Berlin, 1930
Librería: Sanctuary Books, A.B.A.A., New York, NY, Estados Unidos de America
Original o primera edición
Paperback. Condición: Very Good+. First Edition. Original wraps; pp. 294, unopened. Covers a bit soiled, wrinkled along the edges; light rubbing at spine tips and corners. Not in Kilgour, though another later title is described.
Publicado por Moscow: Pervina, 1923
Librería: Michael Fagan Fine Art & Rare Books, Newton, MA, Estados Unidos de America
Libro Original o primera edición
Soft cover. Condición: Near Fine. 1st Edition. Quarto 26x17.5 cm., original wrappers, 74(2) pp. 4000 copies. Erenburg examines the poets of the day who he sees as the most significant. For the most part he was spot on: Akhmatova, Baltrushaitis, Bal'mont, Briusov, Blok, Belyi, Voloshin, Esenin, Ivanov, Mandel'shtam, Pasternak, Sologub, and Tsvetaeva. Written at the time from when he was in Berlin and unconstrained by party dogma, Erenburg openly expresses admiration and encouragement in a critical context when experimentation and diversity were still tolerated. Many of these poets would find themselves ostracized, proscribed, in exile or imprisoned in the course of time. With an unattributed Constructivist cover design. Rare, OCLC locates holdings in UC Berkeley, UCLA, Stanford, Toronto. A crisp copy, near fine.
Publicado por Moscow-Leningrad: Kinopechat', 1927
Librería: Michael Fagan Fine Art & Rare Books, Newton, MA, Estados Unidos de America
Libro Original o primera edición
Soft cover. Condición: Near Fine. 1st Edition. Small octavo 17x13 cm., wrappers, 32pp. 5000 copies. Original red and black wrappers by Aleksandr Rochenko, with both front and rear covers forming a single composition. Here Rodchenko uses a photo of of his colleague Liubov' Popova in an extraordinary photomontage design. Il'ia Erenburg (1891-1967) is widely known for his essays and stories, but this is his singular foray as a critic of the cinema. He was actually quite drawn to it and had strong ideas which he wanted to put to work in screenplays which never reached daylight. As for the content of this work, it is one of the last free statements of the author without concern for censure, which soon came upon him from RAPP (Proletarian Writers Union) for his fiction, and which subsequently forced him to tailor his words to the authoritarian vise of Socialist Realism. The Rodchenko cover design is a tour de force of constructivist design. Worldcat locates this in 5 institutions (Getty, NYPL, Rochester, Harvard, Yale).
Publicado por Moscow-Berlin: Gelikon, 1922
Librería: Michael Fagan Fine Art & Rare Books, Newton, MA, Estados Unidos de America
Libro Original o primera edición
Soft cover. Condición: Very Good. 1st Edition. Quarto 22.5x16.5 cm., wrappers, 140(2) pp. Cover by Fernand Léger with three line drawings he executed with Jean Charlot, 16 plates hors-text of ½-tone photos, drawings by Tatlin and Rodchenko. "And Yet the World Turns." Il'ia Erenburg's examination of the avant-garde in visual and literary arts as they stood at that time, a celebration of the mechanical age personified in the presence of Charlie Chaplin. Erenburg understood this as a global phenomenon, noting esthetic manifestos underlying painting and architecture, and listing journals that were spearheading new ideas in Europe and the West. This was an interesting summary of these dynamics to the Russian reader, with works by Lissitzky, Rodchenko, Tatlin in Russia, van Doesberg and others in the West, and numerous photos of airplane engineering. Replete with typographical experiments, unusual juxtapositions of image, text and typeface. Twelve institutional holdings in North America recorded by OCLC. Compton 64, MOMA 401. A very nice copy of the trade edition of 500, housed in a custom 1/2-leather box.