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Año de publicación: 2023
Librería: True World of Books, Delhi, India
Libro Impresión bajo demanda
LeatherBound. Condición: New. LeatherBound edition. Condition: New. Reprinted from 1919 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 56 Llanbaddock, Eng. (Parish),Phillipps, Harriet Molyneux, lady, d. 1832,Bradney, Joseph Alfred, Sir, 1859-1933.
Publicado por 's-Gravenhage/Rotterdam, Nijgh & Van Ditmar, 1967, 1967
Librería: Antiquariaat Digitalis, Amsterdam, Holanda
Libro Original o primera edición
Hardcover. Condición: Very Good. 1st Edition. First Dutch edition. (30) pp., bound in half cloth and pictorial boards. Corners and head/tail spine bumped, age toning and shelf wear, very good copy. Ills. in colour. Winner Caldecott-Medal. First American edition 1955, Frog went a-courtin'. 28 x 21 cm.
Año de publicación: 2023
Librería: True World of Books, Delhi, India
Libro Impresión bajo demanda
LeatherBound. Condición: New. LeatherBound edition. Condition: New. Reprinted from 1799 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 445 Language: English.
Publicado por Palala Press, 2016
ISBN 10: 1357386842ISBN 13: 9781357386849
Librería: moluna, Greven, Alemania
Libro
Gebunden. Condición: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.
Publicado por Knopf, 1980
Librería: THE FINE BOOKS COMPANY / A.B.A.A / 1979, ROCHESTER, MI, Estados Unidos de America
Original o primera edición
First Edition. THE ART OF THE GREAT HOLLYWOOD PORTRAIT PHOTOGRAPHERS, Knopf, 1980, first edition, small faint moisture stain in the lower gutters of the end-papers and paste-downs, same to the last 30 leaves, else a near fine copy in like dust-wrapper save for some stains to the base of the flaps and a couple of closed tears. Contains the photographic artisty of: Ruth Harriet Louise, Ernest Bachrach, Joseph Von Sternberg, Eugene Robert Richee, Don English, William Walling, Jr., George Hurrell, Clarence Sinclair Bull & Laszlo Willinger.
Publicado por Univ of Alabama Pr, 2019
ISBN 10: 0817320555ISBN 13: 9780817320553
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Paperback. Condición: Brand New. 320 pages. 9.00x6.00x360.00 inches. In Stock.
Publicado por Published by Smith, Elder & Co., 15 Waterloo Place, London New Edition [First Edition was 1848]. 1876, 1876
Librería: Little Stour Books PBFA Member, Canterbury, Reino Unido
Miembro de asociación: PBFA
New edition hard back binding in publisher's original emerald green cloth covered boards, blocked and lettered gilt back and front, symmetrical black designs to the boards, lemon end papers. 12mo. 7'' x 5''. Contains (iv), 300 pp. Ink name to the front free end paper 'Marion Bill' and in Very Good bright condition. Member of the P.B.F.A. PHILOSOPHY.
Publicado por London. 3 February, 1795
Librería: Richard M. Ford Ltd, London, Reino Unido
Manuscrito
1p., 4to. In fair condition, lightly aged. Franked on the other side, with broken seal in red wax and postmark: 'London Feby: the 3 1795 | Miss Poole | Chichester | Egremont'. Unsigned, and in Hayley's untidy hand. Reads: 'Tuesday | 5 oclock | I have not been able to call on the Sheffield Travellers today but having caught a Frank from my noble Friend of Petworth I will dispatch my Servant without losing another post | adio'. Hayley later introduced his friend Miss Harriet Poole ( the Lady of Lavant ) to William Blake, who would join him on visits to her villa in Lavant.
Publicado por 'Dublin Saturday 18 April '. Postmarked 20 April 1829, 1829
Librería: Richard M. Ford Ltd, London, Reino Unido
Manuscrito
2pp., 4to. Bifolium. Very good, on lightly-aged paper. Addressed by Waylett on reverse of second leaf 'To/ | J. M. Donnell Esq | Theatre Royal | Cork', with oval postmark in red, in two parts: 'MIDDAY MAIL | 20 AP | 1829'. According to Waylett's entry in the Oxford DNB, 'On 12 May 1825 she made, as Zephyrina in The Lady and the Devil, her first appearance at the Haymarket, under D. E. Morris. It was a successful début, but she was not encouraged by the managers, and after playing many different parts, some original, she went to Dublin. Here she took, at the Hawkins Street Theatre, the part of Phoebe, written especially for her by John Poole in his Paul Pry. She also stood in high favour in Dublin and Cork as a singer. After her return from Dublin, Waylett went again to King's Lynn, where local families bestowed gifts upon her.' The letter begins: 'My Dear Sir | I beg to express my sincere thanks for your very kind Letter. I regret that circumstances will not admit of my visiting Cork at present. I leave Dublin to morrow or Monday for England.' She sends her regards 'to Mrs M.D. and all friends', and in a postscript tells him that he will 'write the verse for my next visit'.
Publicado por Printed for the author by Charles Clarke, London, 1799
Librería: Strand Book Store, ABAA, New York, NY, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Very Good. First Edition. Tall 8vo. 1st edition. [Gumuchian 2414] With 12 aquatint plates. Quarter leather. Rebacked. Lacking frontis. Mild toning to leaves, some offsetting, most from illustrations to adjacent pages; occasional foxing. Early gift inscription to f.f.e.p. Rubbing to spine and edges of boards. VG.
Publicado por Hatchard, London, 1799
Librería: Kubik Fine Books Ltd., ABAA, Dayton, OH, Estados Unidos de America
Original o primera edición
Leather. Condición: Very Good. First Edition, First Printing. 385p. A hardcover book bound in 3/4 brown leather with brown cloth boards. The corners are heavily scuffed, and there are lots of small rub marks on the spine, though the spine text remains legible. Pencil notation inside front cover; text otherwise unmarked by previous owners. The frontispiece is dampstained, and all pages are lightly foxed and age-toned. Some occasional light fingerprint smudges as well. The plates have faded slightly onto their facing pages. The binding is tight. Very good condition for an 18th-century book! A book of poems, fables, and fictional conversations between children and a teacher, designed to educate and promote moral virtues. The work is dedicated to Princess Amelia, daughter of King George III. Illustrated with a frontispiece, 12 engraved plates, and 2 plates of music.
Publicado por Printed for the author by Charles Clarke and published by Hatchards, London, 1799
Librería: Provan Books, Glasgow, Reino Unido
Libro
Hardcover. Condición: Good. 14 preliminary pages, 385 pages (tears at the top edge of pages 231/232 and 283/284), 2 pages of music, (6 page list of subscribers), engraved frontispiece plate, 12 oval tinted litho plates, good/very good condition in re-backed half calf, original corners and boards marked and rubbed, edges of boards worn, replacement spine slightly rubbed, decorated with gilt lines, gilt titled, some offsetting from the plates on to the text, page 367/368 spotted otherwise text in good, clean condition. Heavy book (1.4 kilos) - additional shipping will be requested for destinations out-with the United Kingdom.
Publicado por Published by E. P. Dutton & Company, New York | Letterpress by the Curwen Press | First Thus Edition . 1922., 1922
Librería: Little Stour Books PBFA Member, Canterbury, Reino Unido
Miembro de asociación: PBFA
First thus US illustrated edition by Anne Harriet Fish hard back binding in publisher's original black cloth spine over orange black and cream paper covered boards with faded gilt titles to the spine, cream and orange paisley designed end papers, plates printed by the specialist colour printers George Gibbons and Co., of Leicester. 4to. 11¾'' x 9¼''. The Rubáiyát has 108 pages comprising 75 quatrains enriched with 20 full-page single-sided colour plates, including the second half title, all with tissue-guards and elaborate initial capitals in orange and black by Anne Harriet Fish. Attractive bookplate to the front paste down is that of Francis Edward Bliss (1847-1930), businessman and art collector from Massachusetts - but perhaps most notable as the father of Arthur and Howard Bliss. Corners bumped and with rubbing along the bottom edges, light foxing to the edges of the end papers and in Very Good clean condition. Member of the P.B.F.A. Rubáiyát of Omar Khayyám.
Publicado por London: Hatchard, Printed for the author by Charles Clarke, 1799. *, 1799
Librería: Travis & Emery Music Bookshop ABA, London, Reino Unido
Full leather. xi, [3], 385, [6] pages. Frontis, 12 tinted litho plates. Lacks two sheets of engraved music. At some stage rebacked. Bands on backstrip and all cornes very worn. Hinge cracked. Remains of previous owners nameplate inside front board. Very little foxing.
Publicado por Published by John Lane The Bodley Head Ltd., London | Letterpress by the Curwen Press | First Thus Edition . 1922., 1922
Librería: Little Stour Books PBFA Member, Canterbury, Reino Unido
Miembro de asociación: PBFA
First thus UK illustrated edition by Anne Harriet Fish hard back binding in publisher's original quarter navy cloth over slate grey cloth covers, gilt title and author lettering to the spine, cream and orange paisley designed end papers, plates printed by the specialist colour printers George Gibbons and Co., of Leicester. 4to. 11¾'' x 9¼''. The Rubáiyát has 108 pages comprising 75 quatrains enriched with 20 full-page single-sided colour plates, including the second half title, all with tissue-guards and elaborate initial capitals in orange and black by Anne Harriet Fish. Just a touch of foxing to the fore edge and in Very Good clean and bright condition. Member of the P.B.F.A. Rubáiyát of Omar Khayyám.
Publicado por Printed for the Author by Charles Clarke 1799, London, 1799
Librería: Foster Books - Stephen Foster - ABA, ILAB, & PBFA, London, Reino Unido
Original o primera edición
Half Morocco. Condición: Very Good. First Edition. xi, (ii), 385, (6) pp. Later maroon half morocco over marbled boards. Raised bands to spine with gilt panels and lettering. All edges gilt. Marbled endpapers. Bound by Sizer. Slight wear to outer spine joints and extremities. Frontis engraving by Bartolozzi. With twelve small oval tinted mezzotints. List of subscribers at rear. Two leaves of engraved music 'Address to the British Fair' by Samuel Webbe bound in at rear. A series of 12 conversations discussing conduct. An interesting take on domestic education in the form of children's stories. VG copy. 4to.
Publicado por C.H. Clarke and Co, London, 1852
Librería: The First Edition Rare Books, LLC, Cincinnati, OH, Estados Unidos de America
Original o primera edición Ejemplar firmado
Full leather. Condición: Very good. Third English edition of Uncle Tom's Cabin by Harriet Beecher Stowe, published by C.H. Clarke and Co. in 1852, with forty illustrations. Ilustrador. Third Edition. Octavo, xii, 380pp. Full blue morocco, title in gilt on spine, raised bands with gilt embellishments. All edges gilt. New marbled endpapers and flyleaves. Five page preface signed "G,", as noted in Sabin. Solid text block, light wear to gilt edges, faint foxing to leaves. Complete with forty full-page illustrations, all but three with tissue guards. Illustration for page 124 bound in opposite frontispiece, and illustration for page 198 bound at 192. (Sabin 92471) (Cohn 777) (BAL 19518) An attractive copy. The publishing history of the first English edition of Uncle Tom's Cabin is problematic. According to BAL, the copy published by Clarke and Company in April of 1852 is the true first state. BAL also concedes that the earliest advertisements for the English edition noted only 300 pages, which is difficult to verify. To further complicate the situation, there were a number of pirated editions published in London in 1852. This copy from Clarke & Co. notes "forty Illustrations," which is specific to the third printing.
Publicado por London: Hatchard Printed for the Author by Charles Clarke, 1799
Librería: David Ford Books PBFA, Cley-next-the-Sea, Reino Unido
Miembro de asociación: PBFA
Original o primera edición
Hb, first edition, 19x24cms, xii, [2], 385, [6] pp. Engraved frontis by Bartolozzi, 12 tinted litho plates by William Watts, 2 sheets of engraved music at end. Bound in full leather, decorative gilt to board edges and spine, marbled endpapers. Front and rear boards detached, spine has 1cm corner loss top rear spine and slight loss to spine base. Some darkening to edges of endpapers, fep also detached. Odd fingermarks throughout. Contents tight and still VG. A rebind copy.
Publicado por Printed for the Author, by Charles Clarke,, 1799
4to. xii, [2], 385, [6] p. Engraved frontis. By Bartolozzi, 12 tinted litho plates by William Watts, 2 sheets engraved music at end. Bound with the half title. Contemporary half calf, expertly rebacked and the corners restored. Spine with a contrasting lettering piece. Original endpapers and label preserved. Internally, fingermarks to a few pages and faint spotting to the frontispiece and music sheets, but overall a very good copy. Osborne 2 884. ESTC T34058.
Publicado por London, East Burnham, Guildford, 1841-1868., 1868
Librería: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Austria
Manuscrito
67 pp., mostly small 8vo. English with occasional Greek interspersions. Professionally laid into a handsome 4to album, mid-20th-c. half morocco with double gilt cover fillets and giltstamped spine. Interesting collection of letters by one of Victorian London's most prominent married couples. George Grote, of German descent, was the leading classical historian of his age. His ten-volume "History of Greece" (1846-56, PMM 321) was translated into French and German, and established across Europe the shape of Greek history that still prevails in popular accounts of the ancient world. Grote was also a member of the Ricardo/Bentham/Mill circle, and a radical MP who helped found the University of London. His wife, Harriet Lewin, was a high-spirited, brilliant girl as well as a formidable early feminist, known as "the queen of the radicals" and "the cleverest woman in London". They married in 1820. Of her and her husband, Sydney Smith once remarked: "I like them both. I like him - he's so lady-like. And I like her - she's such a perfect gentleman." - Of the fourteen letters by George Grote, twelve are to the educational writer William E. Hickson (1803-70), editor of the "Westminster Review". They contain Grote's opinions on various political issues, and his reasons for not seeking re-election as an MP; they also refer to his ongoing research for his "History of Greece", to his letters from Switzerland published in 1847, and to other projects: "If I find in Plato + Aristotle any matters calculated to throw light on your question about the [lógos], I will make them known to you. But I doubt your supposition of the earlier existence of Neo-Platonism among Greeks. You speak of 'temples of Theos where Platonism prevailed, + where the divine Logos was worshipped under the name of [Chrestos] before our historical Christ' - If any such existed, I apprehend they must have been among Alexandrine Jews or Hellenised Jews elsewhere - not among Greeks [.] I possess a work in German of very considerable learning, which maintains the same views - Gförer's Philo Judaeus [.] The whole spirit of your book is instructive [.] It is neither pro-Christian, nor anti-Christian - which is the proper spirit for an historian [.]". There is an undated letter to the Review's subeditor, George Luxford, regarding the publication of a letter from Auguste Comte, and one dated 5 Oct. 1864 to the sculptress Susan Durant, who not only created the marble medallion of Grote that now hangs in University College, but also had been his lover. The affair had come to a head in September 1864; although he broke off the romantic attachment when Harriet threatened separation after 44 years of marriage, the Grotes obviously continued to meet Miss Durant socially and professionally: "I hope you have carried on the business of life, with your usual energy + good spirits, since I saw you last: it seems to me an age, and I am very glad to indulge the hope of seeing you again on Friday [.] we presume that [.] we can find you at your studio at two o'clock [.] Madame wishes very much to see the master's drawings for Wolsey Chapel". - Of the nine letters by Harriet Grote, six are also to Hickson: "Your requests count among those which it is next to impossible to refuse - you put, not a pistol, but a principle 'to my head' + bid me 'stand + deliver'! Well, you must have the siller - I send you a £5 note for your good purposes, but must add my settled conviction that the movement has passed away; that a period of collapse and inaction is destined to occupy the remainder of this decade, + that our sympathies with one another are all which remain [.] Literature affords a wholesome relief to minds wounded by the experience of political disappointment [.]" (10 July 1843, with mention of her father's passing at age 90). Hickson may well have found her correspondence more fun to read than that of George: "her lively, opinionated, gossipy, humorous letters, which apparently resembled her conversation, [were] filled with original and pungent expressions" (ODNB).