Tipo de artículo
Condición
Encuadernación
Más atributos
Ubicación del vendedor
Valoración de los vendedores
Año de publicación: 2000
Librería: Versandantiquariat Behnke, Stutensee, Alemania
Zustand: gut bis sehr gut Großformatiges Paperback / leichte Gebrauchsspuren / Versandkosten 5,5 Euro da über 1kg Gewicht.
Publicado por Scala Books, 2021
ISBN 10: 1785513222ISBN 13: 9781785513220
Librería: Aardvark Rare Books, Bucknell, SHROP, Reino Unido
Libro
Paperback. Condición: Very Good. **HARDBACK** **SHRINKWRAPPED**.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 29,86
Usado desde EUR 14,36
Encuentre también Tapa blanda
Publicado por Aschendorff, 2011
ISBN 10: 340214901XISBN 13: 9783402149010
Librería: Buchpark, Trebbin, Alemania
Libro
Condición: Sehr gut. 11616284/1.
Publicado por München Hirmer, 1999
ISBN 10: 3777482609ISBN 13: 9783777482606
Librería: Neusser Buch & Kunst Antiquariat, Neuss, NRW, Alemania
Libro
0. 29 cm. 381 S. überw. Ill. engl. brosch. Seiten mit leichter Bräunung, Schnitt wenig fleckig, ansonsten sauber und gut erhalten. Die großen Sammlungen, 8. Sprache: Deutschutsch 2,200 gr.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 16,00
Encuentre también Tapa dura Tapa blanda
Publicado por Bonn., Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, 1999
Librería: Rotes Antiquariat Wien, Wien, Austria
381 S. 4°, ill. Orig.-Karton. (Katalog anläßlich der Ausstellung Die Großen Sammlungen VIII. Museu Nacional de Arte Antiga, Lissabon vom 26. März bis zum 11. Juli 1999 in der Kunst- und Ausstellungshalle der Bundesrepublik Deutschland in Bonn). - Zahlr. Abb.- Sehr guter Zustand. 1800 gr.
Publicado por RMN 2008, 2008
Librería: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgica
Miembro de asociación: ILAB
Broches, 127 page, Portugais, Illustrazione. ISBN 9782711855384. 680 g.
Publicado por CHANDEIGNE, 2015
ISBN 10: 2367321175ISBN 13: 9782367321172
Librería: Gallix, Gif sur Yvette, Francia
Libro
Condición: Neuf.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 35,00
Usado desde EUR 59,89
Encuentre también Tapa dura Original o primera edición
Publicado por KUNST- UND AUSSTELLUNGSHALLE DER BUNDESREPUBLIK DEUTSCHLAND, BONN, 1999
Librería: LIBRERIA ALDROVANDI, BOLOGNA, Italia
Condición: Ottimo stato / Very good. pp.384, con oltre 200 illustrazioni 25 x 28 Catalogo della mostra di Bonn. Testo in lingua tedesca. Brossura editoriale. Copertina illustrata a colori / Paperback.
Publicado por London & Lisbon: Jorge Welsh, 2009
Librería: Bristow & Garland, Shaftesbury, Reino Unido
Original o primera edición
First edition. 122 colour illustrations and 2 black & white illustrations. 4to (12 x 9 1/2 inches), 188-pages. Original coloured pictorial boards. An excellent copy in the dust jacket which is slightly edge curled. Text in Portuguese. The Portuguese version of the English title "Art of the Expansion and Beyond". This catalogue illustrates how European, particularly Portuguese, culture and art influenced the world from the 15th century onwards. The introduction presents an historical account of the Portuguese presence in Asia.It includes a brief discussion on the complex commercial network that existed in the region, as well as in Africa, before the arrival of the Portuguese. It also gives insight into the unique empire established by the Portuguese. The catalogue examines a selection of seventeen works of art, many of them extraordinary in their rarity, exoticism and aesthetic beauty, including a brass plaque from the Kingdom of Benin; a tortoiseshell casket and two black mastic and mother-of-pearl overlaid objects from Gujarat; a group of rare Chinese export porcelains and a six-fold lacquer screen from China; and three namban objects from Japan.[In print at 80.00 GBP.].
Librería: Livraria Castro e Silva, Lisboa, Portugal
Hard Cover. Condición: Good. Coordenação Maria João Vasconcelos e Paula Carneiro. Museu Nacional de Soares dos Reis. Edição Publisher. Lisboa. 2009. De 30x24 cm. Com 100 págs. Encadernação em tela com sobrecapa de proteção e folhas de guarda em papel decorativo. Profusamente ilustrado a cores. Obra bilingue em português e inglês. Catálogo artístico sobre uma forma de arte que resultou de um harmonioso encontro de culturas, a japonesa e a portuguesa, no século XVI e XVII. Language: Bilingue / Bilingual Location/localizacao: SACO MA420-9.
Publicado por sillabe s.r.l., 2012
ISBN 10: 8883476352ISBN 13: 9788883476358
Librería: Jorge Welsh Books, Lisboa, Portugal
Libro Original o primera edición
Soft cover. Condición: New. 1st Edition. Italian and English text; Paperback; 24.4 x 28 cm, 2.580 Kg; 592 pages with colour illustrations; Small signs of shelf wear.; Catalogue from the exhibition: Japan the Land of Enchantment in 2012 held at Palazzo Pitti celebrating Japan, its art, its culture and its traditions. The fascinating culture of Japan and its mutual influence with the European were the main points of the exhibition. More than 200 pieces, dating from the mid-sixteenth to mid-nineteenth century, were displayed: masterpieces of art and Japanese crafts, from weapons to musical instruments, from armour to elegant ceremonial clothing, objects of everyday. Appropriate introductory essays, written by leading European experts in the field, illustrate with perfection the multifaceted aspects of Japanese culture and art.
Publicado por Éditions Chandeigne, Paris, 2015
ISBN 10: 2367321213ISBN 13: 9782367321219
Librería: Jorge Welsh Books, Lisboa, Portugal
Libro Original o primera edición
Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. English text; Hardcover (with dustjacket); 25.7 x 25 cm; 1.171 Kg; 175 pages with colour illustrations; Between 1543 - when Europeans arrived in Japan - and the 1640s when the country was closed to foreigners, the Japanese had regular contacts with the nanban-jin (Barbarians from the South). These merchants and missionaries, mainly from Portugal, were the source of a theme in Japonese art in the XVIth and XVIIth centuries. The paintings that decorated the nanban byobu (folding screens) depicted an extraordinary confrontation of civilizations ans its beauty is captivating. Through paintings primarily done buy the Kano school, the history of Portuguese arrival in Japan unfolds before our eyes. Sometimes critical, sometimes joyful and festival, the byobu reveal the beginning of Asia's Westernization. Nanban Folding Screen Masterpieces presents thirteen of these byobu accompanied by text about the fascinating history of the commercial, religious, and cultural encounters between Europe and Japan in this era. This book brings together folding screens from the Nanban Bunkakan Museum of Osaka, the Municipal Museum of Kobe and Museu Nacional de Arte Antiga de Lisboa - where the most important collections of nanban art are found - as well as the Victoria & Albert Museum of London, the Rijksmuseum of Amsterdam, Musée Guimet of Paris, Museu Soares dos Reis in Porto, the Museum of History and Culture of Nagazaki, and the Idemitsu Museum of Tokyo, as well as a folding screen from a private American collection. A specialist in Namban art, Alexandra Curvelo is a professor in the Department of Art History at the Universidade Nova de Lisboa. Her research focuses on the Christian missions in Japan in the early modern period.
Publicado por Éditions Chandeigne, Paris, 2015
ISBN 10: 2367321205ISBN 13: 9782367321202
Librería: Jorge Welsh Books, Lisboa, Portugal
Libro Original o primera edición
Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Portuguese text; Hardcover (with dustjacket); 25.7 x 25 cm; 1.171 Kg; 175 pages with colour illustrations; Between 1543 - when Europeans arrived in Japan - and the 1640s when the country was closed to foreigners, the Japanese had regular contacts with the nanban-jin (Barbarians from the South). These merchants and missionaries, mainly from Portugal, were the source of a theme in Japonese art in the XVIth and XVIIth centuries. The paintings that decorated the nanban byobu (folding screens) depicted an extraordinary confrontation of civilizations ans its beauty is captivating. Through paintings primarily done buy the Kano school, the history of Portuguese arrival in Japan unfolds before our eyes. Sometimes critical, sometimes joyful and festival, the byobu reveal the beginning of Asia's Westernization. Nanban Folding Screen Masterpieces presents thirteen of these byobu accompanied by text about the fascinating history of the commercial, religious, and cultural encounters between Europe and Japan in this era. This book brings together folding screens from the Nanban Bunkakan Museum of Osaka, the Municipal Museum of Kobe and Museu Nacional de Arte Antiga de Lisboa - where the most important collections of nanban art are found - as well as the Victoria & Albert Museum of London, the Rijksmuseum of Amsterdam, Musée Guimet of Paris, Museu Soares dos Reis in Porto, the Museum of History and Culture of Nagazaki, and the Idemitsu Museum of Tokyo, as well as a folding screen from a private American collection. A specialist in Namban art, Alexandra Curvelo is a professor in the Department of Art History at the Universidade Nova de Lisboa. Her research focuses on the Christian missions in Japan in the early modern period.
Publicado por Museu Nacional do Azulejo, 2013
ISBN 10: 972776455XISBN 13: 9789727764556
Librería: Jorge Welsh Books, Lisboa, Portugal
Libro Original o primera edición
Hardcover. Condición: New. No Jacket. 1st Edition. Portuguese and English text; Hardcover (without dust jacket - as issued); 25 x 31 cm, 2.185 Kg; 360 pages with colour illustrations; New book with minor signs of shelf wear.; This catalogue was published on the occasion of the exhibition The Exotic is never at home? The presence of China in the Portuguese faience and azulejo (17th-18th centuries) held at the Museu Nacional do Azulejo, Lisbon, from the 17th December 2013 to the 29th June 2014. It includes articles by Alexandra Curvelo, Rui Loureiro, Maria Antónia Pinto de Matos, Alexandre Nobre Pais, João Pedro Monteiro, Maria João Ferreira, António Filipe Pimentel, Ana Paula Correia, Maria Alexandra Trindade Gago da Câmara, Celso Mangucci and Celina Bastos.; "Through the objects displayed and the articles of the catalogue that accompanies this exhibition, we aimed to present and contextualise the impact of Luso-Chinese relations within Portuguese ceramic production of the 17th and 18th century. This historical-artistic moment is not a reflection solely of the Portuguese presence in Asia, but of other European powers in Chinese territory, as well as Portugal's position within Europe of its time." excerpt from the introduction by Maria Antónia Pinto de Matos.
Publicado por Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2022
ISBN 10: 3631667167ISBN 13: 9783631667163
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
Libro
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 86,48
Usado desde EUR 137,07
Encuentre también Tapa dura
Publicado por Rmn-grand Palais, 2008
ISBN 10: 2711854825ISBN 13: 9782711854820
Librería: RECYCLIVRE, Paris, Francia
Libro
Condición: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.
Publicado por Arquivo Nacional da Torre do Tombo
Librería: Okmhistoire, St Rémy-des-Monts, SARTH, Francia
Original o primera edición
Couverture rigide. Condición: Comme neuf. Edition originale. Barcelone 2013. 1 Porte-folio ( 53 x 41 cm ) de 18 cartes couleurs + 1 album de commentaires reliure éditeur cartonnée ( grand in-4°) sous jaquette illustrée. ********************* Au milieu du xvie siècle, tandis que Rome, Venise, Louvain et Anvers imprimaient des centaines de cartes et de planisphères Vaz Dourado employait et mettait en valeur les prémisses des techniques les plus raffinées de la peinture miniaturiste de la Renaissance : les parchemins utilisés sont d une pure blancheur, le dessin est minutieux, détaillé, la palette riche et savamment conjuguée avec l application de la dorure, transformant ces atlas en uvres uniques, raffinées et précieuses, qui se situent dans un registre très différent des travaux imprimés. Sur le cartographe Fernão Vaz Dourado (c. 1520 c. 1580), nous ne possédons que des données rares et incertaines. Bien que tous les travaux du cartographe soient d un genre impossible à confondre, il semble que Vaz Dourado avait un atlas prototype, dont la partie purement cartographique tirait partie de tous les autres, mais en les amendant et en les modifiant en fonction des nouvelles connaissances géographiques acquises ou de leur future utilisation. Toutefois, quand il s agissait de cartographie de luxe ou d apparat, tel que cet Atlas Universel, son procédé de construction semble devoir davantage aux règles de la peinture et, concrètement, de l enluminure qu à celles de la cartographie pratique. Le cartographe enlumineur aura plutôt été un enlumineur cartographe ou, ce qui est plus probable, nombreux auront été les artisans et artistes impliqués dans les phases distinctes de l élaboration de ses cartes. Seule une école avec de l expérience, des ateliers et des artistes en activité, aurait pu répondre à de telles commandes et produire de telles uvres. L Atlas Universel de Vaz Dourado contient une même structure narrative associée à l intention de concevoir, d ordonner et d expliquer le monde, en le rendant intelligible à travers un langage graphique et visuel codifié et fixe. Ce serait ainsi une erreur de réduire la beauté intrinsèque de cet ouvrage à un rôle purement décoratif : au contraire, la mise en page, le choix des couleurs et des éléments iconographiques donnent naissance à une sémiotique visuelle, qui permet au cartographe de développer avec précision et clarté le discours géographique et cosmographique. "************************ Unique édition limitée à 987 exemplaires numérotés et certifiés par notaire.