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Librería: Patrik Andersson, Antikvariat., Lund, Suecia
New York; Peter Lang, 2007. (Studies on Themes and Motifs in Literature, , Vol 83). 23,5x16 cm. (5, 1 blank), 368, (1, 1 blank) pp. Original printed boards. Very fine.
Publicado por Peter Lang Inc., International Academic Publishers, 2006
ISBN 10: 082046385XISBN 13: 9780820463858
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
Libro
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Publicado por Peter Lang Publishing Inc, 2006
ISBN 10: 082046385XISBN 13: 9780820463858
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Libro Impresión bajo demanda
Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Publicado por Peter Lang Pub Inc, 2006
ISBN 10: 082046385XISBN 13: 9780820463858
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Hardcover. Condición: Brand New. 368 pages. 9.00x6.00x1.00 inches. In Stock.
Publicado por Peter Lang Inc., International Academic Publishers, 2006
ISBN 10: 082046385XISBN 13: 9780820463858
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
Libro
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Publicado por Peter Lang Ltd. International Academic Publishers Nov 2006, 2006
ISBN 10: 082046385XISBN 13: 9780820463858
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Libro Impresión bajo demanda
Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -John Barth's eminence as a postmodernist is indisputable. However, much of the criticism dealing with his work is prompted by his own theories of 'exhaustion' and subsequent 'replenishment,' leaving his writing relatively untouched by theories of postmodernism in general. This book changes that by focusing on the relationship between Barth's aesthetic and the ideology critique of the historical avant-gardes, which were the first to mobilize art against itself and its institutional practices and demands. Examining Barth's metafictional parodies in the light of theories of space and subjectivity, Clavier engages the question of ideology critique in postmodernism by offering the montage as a possible model for understanding Barth's fiction. In such a light, postmodernism may well be perceived as a mimesis of reality, particularly a recognition of the collective nature of self and the world. 368 pp. Englisch.
Publicado por Peter Lang, 2006
ISBN 10: 082046385XISBN 13: 9780820463858
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Libro
Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - John Barth's eminence as a postmodernist is indisputable. However, much of the criticism dealing with his work is prompted by his own theories of 'exhaustion' and subsequent 'replenishment,' leaving his writing relatively untouched by theories of postmodernism in general. This book changes that by focusing on the relationship between Barth's aesthetic and the ideology critique of the historical avant-gardes, which were the first to mobilize art against itself and its institutional practices and demands. Examining Barth's metafictional parodies in the light of theories of space and subjectivity, Clavier engages the question of ideology critique in postmodernism by offering the montage as a possible model for understanding Barth's fiction. In such a light, postmodernism may well be perceived as a mimesis of reality, particularly a recognition of the collective nature of self and the world.
Publicado por Peter Lang Ltd. International Academic Publishers, 2006
ISBN 10: 082046385XISBN 13: 9780820463858
Librería: moluna, Greven, Alemania
Libro Impresión bajo demanda
Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. John Barth s eminence as a postmodernist is indisputable. However, much of the criticism dealing with his work is prompted by his own theories of exhaustion and subsequent replenishment, leaving his writing relatively untouched by theories of postmodern.