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Publicado por Zürich, Verlag: Art. Institut Orell Füssli,, 1894
Librería: Antiquariat am Ungererbad-Wilfrid Robin, München, Alemania
Libro
Condición: Gut. Erstauflage. Gelbfarbig.-Papier 1 Bll. Titel u. Inhalt + 1 Bll. Einleitung + 28 Tafeln mit s/w. Illustrationen nach G. Audran u. mit Or.-Französischen Text. Blätter sauber aber unten Links mit Stoßspuren. 3 Blättern mit jew. 1 winzige Läsur (nicht sehr störend). * oder Gérard Audran (Gebor. 2. August 1640 in Lyon, gest. 26. Juli 1703 in Paris) war ein französischer Radierer und Kupferstecher. Sprache: Deutsch Gewicht in Gramm: 505 4°, O(Blau)-LeichtKarton.-Umschlag (grössere Brief) mit Or.-Titel - Umschlag etwas unfrisch, bestossen, lädiert (siehe Foto). Akzeptabel bis gut erhalten. Selten !.
Publicado por Paris, 1767. 315 x 420mm. Late impression., 1767
Librería: R.G. Watkins Books and Prints, Ilminster, SOMER, Reino Unido
Engraving, small , small tear on right side, small blemishes filled with whitening, trimmed to image, tipped onto backing sheet,
Librería: Ludwig Rosenthal's Antiquariaat, Leidschendam, Holanda
Ejemplar firmado
Paris, 1680-1696. Beautiful circular etching: The personifications of Time and Love of Virtue pushing the clouds of Ignorance (donkey's head) away from Painting, personified by a reclining female figure with palette and paint-brushes. Etched title (see above) underneath, at bottom signed in the plate 'L. Testelin pinxit. Audran scul. cum privil. Reg.' 33,2 x 31,7 cm.* I.F.F. I, 133, No. 55. Robert-Dumesnil IX, 274 No. 47 (third state). In database British Museum (third state). Third state, intended as frontispiece for Henry Testelin's 'Sentiments des plus habiles peintres sur la pratique de la peinture et sculpture' published in Paris in 1680 (second edition in 1696). The painter and etcher Louis Testelin (Paris 1615-Paris 1655) was the brother of the author Henry Testelin (Paris 1616-Den Haag/The Hague 1695). The original painting by Louis Testelin of c. 1655 is lost. - Reinforced at blank borders. Sharp impression. Collector's stamp on verso of 'Grossh. Museum zu Schwerin' (Lugt No. 2273).[(5841)].
Publicado por A Paris, chez Chéreau, graveur, rue des Mathurins Saint-Jacques, aux deux Piliers d'or, 1785
Broché. In-folio (27,5 x 42,3 cm), broché, 30 planches anatomiques en noir gravées par Girard Audran avec indications des proportions ; manques au premier et dernier feuillets, quelques mouillure sur certaines planches dans les coins, exemplaire sans couverture, à relier. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande. Audran Girard.
Publicado por chez Girard Audran graveur du Roy, à Paris, 1683
Librería: Libreria Ex Libris ALAI-ILAB/LILA member, Roma, Italia
Original o primera edición
Legatura coeva in piena pelle con fregi e titolo in oro al ds. leggermente usurata. Tagli rossi. Carte di guardia marmorizzate. Leggero alone al margine bianco delle ultime cinque tavole ma bell esemplare. Edizione originale. Cicognara (291): Quest opera è molto raccomandabile, e potrebbe meritare un impressione nuova, poiché nulla fu fatto di meglio finora in questo genere ; Krivatsy, 478; Wellcome II, p. 69. Folio (cm. 41), 4 cc.nn. e 29 (di 30) grandi tavv. incise su rame.
Año de publicación: 1683
Librería: Patrick's Rare Books, IOBA, Hudsonville, MI, Estados Unidos de America
Miembro de asociación: IOBA
Libro
Hardcover. Condición: Very Good. Les Proportions Du Corps Humain Mesurees sur les plus belles Figures de l Antiquite. A Paris, Chez Girard Audran, Graveur du Roy, rue S. Jacques, aux deux Piliers d or. 1683. Avec Privilege Du Roy. Folio in brown half leather binding over original bare brown boards. Black author/title plate on spine. Boards scuffed and chipped. Leather with mild wear at edges. Book plate (James Tait Goodrich) adhered only by its top edge to front paste down, so that it may be lifted and not obscure an original and well-executed pencil sketch of a man (by an unknown artist) on the bottom half of the paste down. Partially scribbled-over 18th century inscription in ink on top half of front paste down. Internal hinges repaired. Original ffep laid down on new paper. Full title with marginal wear. Followed by one page of advertisement and four pages of preface. 26 line-drawing labeled plates of the human form, and 4 final plates in a very different style (much greater detail) studying facial features. A library stamp in the center of the rear pastedown partially obscures an incomplete pencil sketch of a man (by an unknown artist). A few small marginal tears, not intruding upon plates. A few small smudges involve some of the plates, but not obtrusively so. A linear brown stain passes through one corner of the final plate. Generally fresh, clean, bright, and tight. Margins large. Printed on thick paper. Text in French. Blank, title, advertisement, 4 pgs preface, 30 plates. Measures 16 ¾ x 11 ½ x 5/8 inches. Heirs of Hippocrates 415: From a noted family of French artists and engravers, Audran was one of its most distinguished members and was ultimately appointed engraver to King Louis XIV. This atlas of twenty-eight fine engravings was prepared by the author as an aid to artists and is based on classical statuary. The line drawing of such classical figures as Venus Aphrodite, Hercules, and Laocoon include detailed measurements to indicate precise proportions. Additionally, one plate is Egyptian. We note Heirs counts 28 plates, whereas ours has 30 (numbered continuously in their lower right corners). Not in Garrison-Morton.
Librería: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgica
Miembro de asociación: ILAB
Paris, Chez Girard Audran, Graveur du Roy, rue S. Jacques aux deux Piliers d'or. 1683, in-folio, 400 x 252 mm, (8) nn pp + 30 engraved plates, sewn, old marbled wrapper, uncut copy. Margins a bit dustsoiled but a fine copy printed on strong paper Girard (or Gérard) Audran ( Lyon 1640 - Paris 1703 ) resided some time in Rome. He studied classical sculpture there and published this book with engravings on the proportions of the human body. The engravings depict statues which he studied in Rome and with exact measures added to the different parts of the body.
Publicado por Chez Girard Audran, Graveur du Roy, rue S. Jacques, aux deux Piliers d'or, Paris, 1683
Librería: James Cummins Bookseller, ABAA, New York, NY, Estados Unidos de America
Original o primera edición
First edition. First edition. [4] preliminary leaves, and 30 engraved plates by Audran, each mounted to a stub. 1 vols. Folio. High Baroque Ideal Human Proportions. A detailed and elaborate study of the ideal human proportions as derived from the measurement of ancient sculpture, by one of the greatest engravers and etchers of his day, third son of the Claude Audran, close associate of Charles Le Brun himself, student of Carlo Maratta in Rome, and etcher-engraver to Louis XIV. Contemporary boards, rubbed, spine defective. Title page a little dusty, occasional light soiling and/or staining to plates (mostly marginal), which are otherwise bright and clean [4] preliminary leaves, and 30 engraved plates by Audran, each mounted to a stub. 1 vols. Folio.
Publicado por Chez Girard Audran, Graveur du Roy, Paris, France, 1683
Librería: Dorley House Books, Inc., Hagerstown, MD, Estados Unidos de America
Paperback. Condición: Collectible Very Good. Anatomical Drawings Ilustrador. A detailed and elaborate study of the ideal human proportions as derived from the measurement of ancient sculpture, by one of the grreatest engravers and etchers of his day, third son of the Claude Audran, close associate of Charles Le Brun himself, student of Carlo Maratta in Rome, and etcher-engraver to Louis XIV; 4] preliminary leaves, and 30 engraved plates by Audran; hand sewn with marbled paper wraps, some wearing of paper spine. Interior is bright and has only the faintest of foxing Size: Elephant Folio.
Publicado por chez Girard Audran,, Paris,, 1683
Librería: SCRIPTORIUM Studio Bibliografico, Mantova, MN, Italia
in folio (mm. 410), pp. (8), 30 di tavv., elegante leg. coeva m. marocchino con tit. oro al d., piatti in carta marmorizz., angoli. Con 30 belliss. tavv. inc. in rame a p. pag. Edizione orig., rara ed estremamente ricercata, di uno dei grandi classici dell'illustrazione anatomica secentesca. L'Audran (Lione 1640 - Parigi 1703), il più noto della celebre famiglia di incisori e pittori francesi, fu soprattutto disegnatore e calcografo di straordinaria perizia. Soggiornò a lungo a Roma dove fu allieve di Carlo Maratta, quindi fu nominato incisore regio per Luigi XIV. Cicognara 291: "Questa opera è molto raccomandabile. poiché nulla fu fatto meglio finora in questo genere". Krivatsy 478. Wellcome II, p. 69. Graesse I, 251. Bénézit I, 540. Olschki, Choix, 8294. Alcuni aloni marginali, più visibili su 4 tavv., ma esempl. marginoso e in pregevole legatura dell'epoca. [002].