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Publicado por Berlin Verlag Volk u Welt, 1973
Librería: Grammat Antiquariat, Oberbarnim, Alemania
kart., 1. 1. Aufl., 22 cm, 207 S., 1 Ill., kart., Buch gut erhalten, Schutzumschlag sowie Ecken u. Ränder berieben, leichte Gebrauchsspuren RW 17 R 1/B Sprache: Deutsch 0,300 gr.
Publicado por Sovetskij Pisatel', Leningrad, 1967
Librería: Antiquariat D. Gorodin, Freiburg, Alemania
Hardcover. Condición: Sehr gut erhalten. 733 S. Size: 675 g. Buch.
Publicado por Moskva, Iskusstvo, ,, 1958
Librería: Antiquariat Gothow & Motzke, Berlin, Alemania
Libro
414 S., zahlreiche Abbildungen/numerous illustrations, Originalleineneinband (publisher's cloth binding), gutes Exemplar (fine), Sprache: russisch.
Publicado por Berlin : Verlag Volk u. Welt, 1973
Librería: Antiquariat Buchhandel Daniel Viertel, Diez, Alemania
Libro Original o primera edición
kart. Condición: Sehr gut. 1. Aufl. 207 S. : 1 Ill.; ; 22 cm, in gutem Zustand, 27855 Sprache: Deutsch Gewicht in Gramm: 270.
Librería: Librairie Chat, Beijing, China
Condición: Fine. Number of pages: 200 p. Size: 22 cm.
Original o primera edición
Moscow: Gos. izd-vo, 1928. 51 pp., 6 ills. 21x14 cm. In original constructivist wrappers. Spine repaired, some stains, minor tears of edges of oversized covers, p. 3-14 detached from text block, otherwise very good. First edition. One of 5000 copies. Scarce. The book is written by futurist poet Nikolai Aseev (1889-1963), a member of the groups 'Tsentrifuga' [Centrifuge], 'Tvorchestvo' [Creativity], one of the leaders of the LEF (1923-1928). Aseev was influenced a lot by V. Mayakovsky, was close with him and other figures of Russian avant-garde. Parts of this poem or "poetic commentaries" supplement excerpts of interrogation records and memoirs of soldiers and partisans that were held in the Istprof Archive of the Central Committee of the Union of Miners. 'Istprof' was the commission studying the history of trade unions. The main character of this poem, Semen Proskakov was a miner who worked 17 years in Siberian mines. After the Revolution, he became a Red partisan and fought against general Alexander Kolchak and White units in Siberia. The edition includes a drawn portrait of general Kolchak, photographs of cruel ataman Boris Annenkov and his officers, a group photograph of Siberian partisans, a reproduction of one Kolchak's order of 1919 and a document about imprisonment of him in the Irkutsk jail in January 1920. Worldcat shows copies located in Princeton, Yale, Columbia, North Carolina Universities, Getty Institute, Amherst College and NYPL.
Moscow: Liren', 1914. [2], 16 pp.+1 p. of ad. 18x13,5 cm. In original illustrated wrappers. Covers slightly faded and restored, otherwise very good. Lithographed throughout. One of 200 copies. Extremely rare. An early book of poetry by one of the founders of the Left Front of the Arts, researcher of Russian verse and poet Nikolai Aseev (1889-1963). He studied at the historical and philological faculties of Moscow and Kharkiv universities from which he graduated in 1913. In Kharkiv, he only enjoyed visiting the Sinyakov sisters. They are called muses of Russian futurism. According to Lily Brik, "Boris Pasternak courted Nadezhda, David Burliuk was close with Maria, Grigory Petnikov courted Vera while Nikolai Aseev was romantically linked with Ksenia". At the insistence of his father, Aseev moved from Kharkiv to Moscow and enrolled in the Moscow Commercial Institute. The main event for the poet was acquaintance with V. Mayakovsky. In 1913, the poems of Nikolai Aseev were published in the almanac "Lirika" [Lyric]. In the same year, together with B. Pasternak and S. Bobrov, Aseev organized their own group of futurists "Tsentrifuga" [Centrifuge]. Soon they were joined by new members: V. Khlebnikov, M. Sinyakova, Bozhidar [B. Gordeev], G. Petnikov. Over the next four years, Aseev released five collections of poems: 'Nochnaia fleita' [Night Flute], 'Zor' [Vision], 'Letorey', 'The Fourth Book of Poems' and 'Oksana'. Cover design of 'Zor' was created by one of the sisters, graphic artist Maria Siniakova (1890-1984). She was a member of Khlebnikov's "Society of Chairmen of the Globe" and Aseev's "Centrifuge". In 1910-1940, she worked on books by Kruchenykh, Aseev, Chukovsky, Mayakovsky, et al. Aseev dedicated almost all poems of 'Zor' to another sister, Ksenia Siniakova whom he married in 1917. An exception is the poem "Tun'". This work was devoted to the designer Maria Siniakova-Urechina. After the Revolution, Aseev continued his leftist path in the Far East where he turned up during the Civil War. He was a member of the art group 'Tvorchestvo' [Creativity] headed N. Chuzhak until Lunacharsky called Aseev for return to Moscow in 1922. The last leaf advertises other books of the Liren' publishing house. Paper copies are located in Yale and Harvard Universities, Getty Institute, Amherst College, NYPL.