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Publicado por Ernest Benn Ltd, London, 1923
Librería: Frost Pocket Farm - IOBA, Fleetville, PA, Estados Unidos de America
Miembro de asociación: IOBA
Original o primera edición
Hardcover. First edition (no additional printings listed) . Original quarter blue cloth (spine) and gray paste-down paper covered boards, 28 pp of text + frontispiece and 34 black and white plates. Hardcover, good, no dustjacket. Spine moderately tanned, 1/8th inch fraying at head and foot, corners bumped with cardboard exposed there and at spots along edges of boards. Internally, paper lightly age yellowed, hinges starting to crack, MISSING plate number 13 (for good luck? ) , otherwise tight, clean, relatively crisp and unmarked. Consists of introductory essay by "S. K. N. " followed by photos of the paintings. Art; reference.
Cloth frontis + 31pp + 35pp pl.clean & bright.
Publicado por Ernest Benn Ltd, London, 1923
Librería: Leigh Gallery Books, LEIGH ON SEA, ESSEX, Reino Unido
Libro
Hardcover. Condición: Good +. Estado de la sobrecubierta: Poor. 32pp of text and 34 b/w plates. Harback covers are a little bumped on the edges. Dust jacket is ver worn with some loss.
Publicado por Ernest Benn, London, 1924
Librería: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, Reino Unido
Hardcover. Condición: Acceptable. Hardcover (no dust jacket). Worn, foxed and rather dirty boards with a few small abrasions and minor bumps. Front and lower rear leading corners of boards are split. Penned dedication on FEP. Foxing on page block and at several further points. A few small marks at front and rear. Text and illustrations remain clear. AF. Used.
Publicado por Ernest Benn Limited, London, 1923
Librería: B-Line Books, Amherst, NS, Canada
Original o primera edición
Hardcover. Condición: Good. Estado de la sobrecubierta: No Dust Jacket. First Edition. Gray paper boards with stain to front corners; blue cloth spine; "withdrawn" stamp to front endpaper as well as inscription; text bright and unmarked including the 34 plates. ; Contemporary British Artists.
Publicado por Ernest Benn, 1927
Librería: Shadow Books, Norwich, Reino Unido
Hardcover. Condición: Good. No Jacket. Inscription On Front Endpaper; Otherwise Unmarked. Binding Robust. Light Handling To Boards. Good+.
Publicado por Ernest Benn, 1924
Librería: BoundlessBookstore, Wallingford, Reino Unido
Condición: Good. VG condition book without dust jacket. Boards have little wear. Contents are clean and bright. Light cracking to front hinge.
Publicado por Benn, London 1924 (Contemporary British Artists)., 1924
Librería: Antiquariat Kaner & Kaner GbR, Staufen, Alemania
29 p. of text and 35 plates. Half cloth with dust jacket. Slight traces of use. Edges a bit tanned. Dust jacket damaged, some tears, small parts missing.
Publicado por Benn, London 1923 (Contemporary British Artists)., 1923
Librería: Antiquariat Kaner & Kaner GbR, Staufen, Alemania
40 p. of text and 35 plates. Half cloth with dust jacket. Slight traces of use. Edges a bit tanned. Dust jacket damaged, torn on spine, small parts missing.
Publicado por Benn, London 1924 (Contemporary British Artists)., 1924
Librería: Antiquariat Kaner & Kaner GbR, Staufen, Alemania
30 p. of text and 36 plates. Half cloth with dust jacket. Slight traces of use. Edges a bit tanned. Dust jacket damaged, torn on spine, small parts missing.
Publicado por Benn, London 1924 (Contemporary British Artists)., 1924
Librería: Antiquariat Kaner & Kaner GbR, Staufen, Alemania
30 p. of text and 36 plates. Half cloth with dust jacket. Slight traces of use. Edges a bit tanned. Dust jacket damaged, some tears, small parts missing.
Publicado por Benn, London 1924 (Contemporary British Artists)., 1924
Librería: Antiquariat Kaner & Kaner GbR, Staufen, Alemania
30 p. of text and 36 plates. Half cloth with dust jacket. Slight traces of use. Edges a bit tanned. Dust jacket damaged, some tears, small parts missing.
Publicado por Benn, London 1923 (Contemporary British Artists)., 1923
Librería: Antiquariat Kaner & Kaner GbR, Staufen, Alemania
32 p. of text with 35 plates. Half cloth with dust jacket. Slight traces of use. Edges a bit tanned. Dust jacket with some tears, small parts missing.
Publicado por ernest benn london 1924, 1924
Librería: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nueva Zelanda
Miembro de asociación: IOBA
Original o primera edición
first edition 30pp+35 plates [b/w] VG+ (grey paper boards w.blue cloth spine,sl.wear to extrems.,paste action to eps) in VG d/w (sl.rubbed and soiled,browned spine,chipping to extrems.) contemporary british artists.
Publicado por ernest benn london 1923, 1923
Librería: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nueva Zelanda
Miembro de asociación: IOBA
Original o primera edición
first edition 30pp+35 plates [b/w] VG+ (grey paper boards w.blue cloth spine,sl.wear to extrems.w.sl.nibbles to head of rear board,paste action to eps) in VG d/w (sl.rubbed and mod.soiled,browned spine,sl.wear to extrems.) contemporary british artists.
Publicado por London: Ernest Benn Ltd., 1924., 1924
Librería: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Original o primera edición
8vo. pp. 28, 36 (plates). 36 b/w plates. quarter cloth (previous owner s signature on front free-endpaper, wear to edges, some browning to ffep). dw. (chips to head & foot of spine, several tears along spine joints, spine browned). First Edition.
Publicado por Soncino Press, London, 1930
Librería: Bromer Booksellers, Inc., ABAA, Boston, MA, Estados Unidos de America
Ejemplar firmado
Rutherston, Albert Ilustrador. Small quarto. xl, (3), 209pp. One of nine copies printed on Roman Vellum, signed by the editor, Cecil Roth, and the illustrator, Albert Rutherston. With fourteen full-page stencilled illustrations, plus seventy small ornaments, all in color. Rutherston's bright depictions of the Passover story, including illustrations of the Jews under Pharaoh, the parting of the Red Sea, the Ten Commandments, and the prophets looking over modern children at play, bring both joy and gravity to the sacred text. Rutherston collaborated with the Curwen Press repeatedly over his career, and this is perhaps one of his most accomplished works, possibly influenced by his years in Palestine while serving in the British Army. Set in Roman and Italic English type, as well as Hebrew type purchased from Enschedé en Zonen in Holland, the edition embraces the tradition of the pictorial Haggadah while imbuing it with modernity. A Western title page appears at the front of the volume when opened left to right, followed by a publisher's note and an Introduction by Roth describing the historic and spiritual place of the Haggadah. The rest of the volume reads right to left, with Hebrew at the right hand and English translation and glosses at the left. The result is an inviting, impressive edition, beautiful to the layperson and the intitiated. Bound in full green morocco by Henry T. Wood, Ltd., a progressive London firm whose exceptional giltwork is on display here in the tooled depiction of candles and the Torah at the Western lower cover, ruling to inner and outer edges and spine bands, and spine titles in Hebrew and English. Metal clasps. Some soiling to exterior, inconsequential stain to lower corner of text block, else fine. A remarkable production. Bookplate of Anne and Robert H. Siskin, prominent members of the Jewish community of Chattanooga, Tennessee, who founded the Siskin Steel Company and whose fortunes established the Siskin Children's Institute and Siskin Hospital for Physical Rehabilitation. (A Spirit of Joy, p. 28).