An allegory of Othello

Charles, Creighton

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B005GE6568 Used good or better, we ship best copy available! Book Only. Expedited shipping is 2-6 business days after shipment, standard is 4-14 business days after shipment. Used items do not include access codes, cd's or other accessories, regardless of what is stated in item title. If you need to guarantee that these items are included, please purchase a brand new copy. N° de ref. de la librería

Detalles bibliográficos

Título: An allegory of Othello
Editorial: Book on Demand
Condición del libro: Good

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1.

Creighton, Charles, 1847-1927
Editorial: ReInk Books (2017)
Nuevos Softcover Cantidad: 10
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[?]

Descripción ReInk Books, 2017. Softcover. Estado de conservación: NEW. Reprinted from 1912 edition. Language: eng. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this reprint is from very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. This paperback book is SEWN, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of paperback binding. It can also be open wide. The pages will not fall out and will be around for a lot longer than normal paperbacks. This print on demand book is printed on high quality acid-free paper. Original Publisher: London, A.L. Humphreys 156 pages. Nº de ref. de la librería 451136422

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2.

Creighton, Charles
Editorial: Createspace Independent Pub (2013)
ISBN 10: 1493759698 ISBN 13: 9781493759699
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Descripción Createspace Independent Pub, 2013. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9781493759699

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3.

Creighton, Charles
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(Delhi, India)
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Descripción 2016. Softcover. Estado de conservación: New. 156 Lang: - eng, Pages 156, Print on Demand. Reprinted in 2016 with the help of original edition published long back[1912]. This book is Printed in black & white, sewing binding for longer life with Matt laminated multi-Colour Soft Cover {HARDCOVER EDITION IS ALSO AVAILABLE}, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Any type of Customisation is possible). Hope you will like it and give your comments and suggestions. Language: eng. Nº de ref. de la librería PB1111005388089

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4.

Creighton, Charles
Editorial: Createspace Independent Pub (2013)
ISBN 10: 1493759698 ISBN 13: 9781493759699
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Descripción Createspace Independent Pub, 2013. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9781493759699

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5.

Charles Creighton
Editorial: Createspace, United States (2013)
ISBN 10: 1493759698 ISBN 13: 9781493759699
Nuevos Paperback Cantidad: 10
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Descripción Createspace, United States, 2013. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****. An excerpt from the Introduction: The allegory of Othello is indeed the tragedy of the Sacrament. It was not the first time that the saving victim had been brought upon the stage. There was an old mystery-play, called The Play of the Blessed Sacrament of which a copy is preserved in the library of Trinity College, Dublin. Collier has given some account of it in his chapter on the History of the English Stage to the Time of Shakespeare. The host is brought into the action as a miraculous cake, which yields blood when stabbed, and turns red the water of the cauldron in which it is boiled, and when thrown into an oven bursts asunder and gives out the figure of the Saviour, who rises from the fumes and speaks to the sacrilegious company of Jews, like the artificial sprites rising and speaking from the cauldron in Macbeth. The date of this quaint play is supposed to be the reign of Henry VI. or Edward IV. It happens that the same Dublin library contains Hooker s MS. draft of a reply to his anonymous critic, of which several folios are devoted to the Sacraments. In a word, he says, Sacraments are God s secrets, discovered to none but His own people, and in support of that large meaning he cites Tertullian and St. Augustine, the former actually speaking of the sacrainentum, or secret, of an allegory, and of sacramenta contained in allegorical figures such as that of Hagar and Mount Sinai, which St. Paul borrowed from Philo. From this generic usage. Hooker passes to Sacraments as visible signs or tokens of invisible grace. One need not assume that Shakespeare had seen either the MS. play of the Blessed Sacrament, or Hooker s reply to his critic, both of which afterwards found their way to Trinity College, Dublin, or that he otherwise knew Tertullian s large meaning of sacramentum, although I can show, and have elsewhere given the proof, that he knew of the allegorisings of Philo. But we can as little set bounds to his discursive reading and thinking as to the flights of his imagination; nor can we ignore the dependence of the latter on the former. To allegorise the Sacrament was to turn the name to its original use. To bring the allegory upon the stage without its real presence being discovered was to do in a poetical way what had been done before in a gross way. At all events, the play of the divine Desdemona is the play of the Blessed Sacrament in certain circumstances of time and place. Nº de ref. de la librería APC9781493759699

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6.

Charles Creighton
Editorial: Createspace, United States (2013)
ISBN 10: 1493759698 ISBN 13: 9781493759699
Nuevos Paperback Cantidad: 10
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Descripción Createspace, United States, 2013. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****.An excerpt from the Introduction: The allegory of Othello is indeed the tragedy of the Sacrament. It was not the first time that the saving victim had been brought upon the stage. There was an old mystery-play, called The Play of the Blessed Sacrament of which a copy is preserved in the library of Trinity College, Dublin. Collier has given some account of it in his chapter on the History of the English Stage to the Time of Shakespeare. The host is brought into the action as a miraculous cake, which yields blood when stabbed, and turns red the water of the cauldron in which it is boiled, and when thrown into an oven bursts asunder and gives out the figure of the Saviour, who rises from the fumes and speaks to the sacrilegious company of Jews, like the artificial sprites rising and speaking from the cauldron in Macbeth. The date of this quaint play is supposed to be the reign of Henry VI. or Edward IV. It happens that the same Dublin library contains Hooker s MS. draft of a reply to his anonymous critic, of which several folios are devoted to the Sacraments. In a word, he says, Sacraments are God s secrets, discovered to none but His own people, and in support of that large meaning he cites Tertullian and St. Augustine, the former actually speaking of the sacrainentum, or secret, of an allegory, and of sacramenta contained in allegorical figures such as that of Hagar and Mount Sinai, which St. Paul borrowed from Philo. From this generic usage. Hooker passes to Sacraments as visible signs or tokens of invisible grace. One need not assume that Shakespeare had seen either the MS. play of the Blessed Sacrament, or Hooker s reply to his critic, both of which afterwards found their way to Trinity College, Dublin, or that he otherwise knew Tertullian s large meaning of sacramentum, although I can show, and have elsewhere given the proof, that he knew of the allegorisings of Philo. But we can as little set bounds to his discursive reading and thinking as to the flights of his imagination; nor can we ignore the dependence of the latter on the former. To allegorise the Sacrament was to turn the name to its original use. To bring the allegory upon the stage without its real presence being discovered was to do in a poetical way what had been done before in a gross way. At all events, the play of the divine Desdemona is the play of the Blessed Sacrament in certain circumstances of time and place. Nº de ref. de la librería APC9781493759699

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7.

Creighton Charles
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E-Books Delivery Service
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Descripción 2013. Estado de conservación: New. ***This is the EBook version (.pdf format) of the 1912 edition. Scanned from the original book !!** You will be receiving the text of this book via download. An email will be sent shortly to your email address containing the download instructions. Refund requests for 'Buyer does not want item' after an ebook has been received will not be accepted. Nº de ref. de la librería 631527

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8.

Creighton, Charles
Nuevos Tapa dura Cantidad: > 20
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Gyan Books Pvt. Ltd.
(Delhi, India)
Valoración
[?]

Descripción 2016. Hardcover. Estado de conservación: New. 156 Lang: - eng, Pages 156, Print on Demand. Reprinted in 2016 with the help of original edition published long back[1912]. This book is Printed in black & white, Hardcover, sewing binding for longer life with Matt laminated multi-Colour Dust Cover, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Any type of Customisation is possible). Hope you will like it and give your comments and suggestions. Language: eng. Nº de ref. de la librería 1111005388089

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9.

Creighton, Charles, 1847-1927
Editorial: ReInk Books (2017)
Nuevos Tapa dura Cantidad: 10
Impresión bajo demanda
Valoración
[?]

Descripción ReInk Books, 2017. Hardcover. Estado de conservación: NEW. Reprinted from 1912 edition. Language: eng. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this reprint is from very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. This hardcover book is SEWN, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of hardcover binding. It can also be open wide. The pages will not fall out and will be around for a lot longer than normal hardcovers. This book is printed on demand on acid-free paper. Original Publisher: London, A.L. Humphreys 156 pages. Nº de ref. de la librería HB451136422

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10.

Charles Creighton
Editorial: CreateSpace Independent Publishing Platform
ISBN 10: 1493759698 ISBN 13: 9781493759699
Nuevos Paperback Cantidad: 20
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BuySomeBooks
(Las Vegas, NV, Estados Unidos de America)
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Descripción CreateSpace Independent Publishing Platform. Paperback. Estado de conservación: New. This item is printed on demand. Paperback. 144 pages. Dimensions: 9.0in. x 6.0in. x 0.3in.An excerpt from the Introduction: The allegory of Othello is indeed the tragedy of the Sacrament. It was not the first time that the saving victim had been brought upon the stage. There was an old mystery-play, called The Play of the Blessed Sacrament of which a copy is preserved in the library of Trinity College, Dublin. Collier has given some account of it in his chapter on the History of the English Stage to the Time of Shakespeare. The host is brought into the action as a miraculous cake, which yields blood when stabbed, and turns red the water of the cauldron in which it is boiled, and when thrown into an oven bursts asunder and gives out the figure of the Saviour, who rises from the fumes and speaks to the sacrilegious company of Jews, like the artificial sprites rising and speaking from the cauldron in Macbeth. The date of this quaint play is supposed to be the reign of Henry VI. or Edward IV. It happens that the same Dublin library contains Hookers MS. draft of a reply to his anonymous critic, of which several folios are devoted to the Sacraments. In a word, he says, Sacraments are Gods secrets, discovered to none but His own people, and in support of that large meaning he cites Tertullian and St. Augustine, the former actually speaking of the sacrainentum, or secret, of an allegory, and of sacramenta contained in allegorical figures such as that of Hagar and Mount Sinai, which St. Paul borrowed from Philo. From this generic usage. Hooker passes to Sacraments as visible signs or tokens of invisible grace. One need not assume that Shakespeare had seen either the MS. play of the Blessed Sacrament, or Hookers reply to his critic, both of which afterwards found their way to Trinity College, Dublin, or that he otherwise knew Tertullians large meaning of sacramentum, although I can show, and have elsewhere given the proof, that he knew of the allegorisings of Philo. But we can as little set bounds to his discursive reading and thinking as to the flights of his imagination; nor can we ignore the dependence of the latter on the former. To allegorise the Sacrament was to turn the name to its original use. To bring the allegory upon the stage without its real presence being discovered was to do in a poetical way what had been done before in a gross way. At all events, the play of the divine Desdemona is the play of the Blessed Sacrament in certain circumstances of time and place. This item ships from La Vergne,TN. Paperback. Nº de ref. de la librería 9781493759699

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