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Editorial: Harvill, London
Año de publicación: 1999
Encuadernación: Trade Paperback
Condición del libro: Fine
Condición de la sobrecubierta: Fine
Edición: First Edition
A true UK first edition / first printing, with the words 'First Published in 1999' on the copyright page, and the full numberline 135798642. This is the Trade Paperback edition (with French flaps) published at the same time as the hardback. A lovely copy of this wonderful book about displacement and loss, by the acclaimed German author of 'Austerlitz' and 'The Emigrants'. No faults. A wonderful copy of a scarce book. We protect all our books with a removable plastic cover, and send them with care. N° de ref. de la librería 000808
Sinopsis: At moments when reality shows itself to be unstable or uncanny, we experience a form of vertigo. This experience is further complicated when we try to transform experience into writing, and fact clashes with memory. Vertigo, explores this theme through four stories and four journeys.
Críticas: It is not often that books receive the universal critical acclaim with which W.G. Sebald's work in English translation has been met. The Rings of Saturn, in particular, achieved the sort of plaudits which would enable most writers to die happy. Sebald's limpid prose is literally entrancing and has encouraged a serious, passionate and aesthetic response. His unique style was first employed in Vertigo, published in the original German in 1990 and now available in English. As in The Emigrants, Vertigo interweaves four narratives that develop an elegiac evocation of a transcendent theme--which, in this case, is that of memory. Beginning with Marie Henri Beyle (Stendhal), and his painful and unreliable recollections of the military campaign during which his rites of passage were won, the narrative elegantly traverses Sebald's own voyages through Italy. It journeys into the intersection of temporal and personal perspectives which is the stuff of all interpretations, both past and present.
As the book develops, it returns to the same locations: Milan, Verona, Venice and the Alps. In the course of this fractured meandering, the reader lives with a haunted Franz Kafka and admires the serene beauty of the stars above Lake Garda, before returning to Sebald's home in the Bavarian Alps ,where the author confronts his childhood memories.
Of all Sebald's works, his narrative style is perhaps best suited to the subject-matter of this book, for it is precisely the distorted and unfathomable essence of memory that his stumbling journey seeks to unravel. Thus in Vertigo, Sebald's integration of personal, historical and fictional perspectives, combined with the nature of his physical exploration, creates a vivid and lasting impression of the imaginative confusion that is inherent in any thought, recollection or projection. This style of writing requires deep integrity and it is impossible not to develop a picture of a deeply sensitive mind, which is aware of the very nature of its conceits and deceptions. "What is it that undoes a writer?", asks Sebald, when thinking of Stendhal. The question weighs over the rest of the book and indeed over much of Sebald's work.
In The Rings of Saturn he goes some way towards producing an answer, not just to this but indeed to the motivation of Vertigo as a whole:
"The fact is that writing is the only way in which I am able to cope with the memories which overwhelm me so frequently and unexpectedly. If they remained locked away, they would become heavier and heavier as time went on, so that in the end I would succumb under their mounting weight."-- Toby Green
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