Sinopsis:
Excerpt from Universal Historical Dictionary, or Explanation of the Names of Persons and Places in the Departments of Biblical, Political, and Ecclesiastical History, Mythology, Heraldry, Biography, Bibliography, Geography, and Numismatics, Vol. 1 of 2: Illustrated by Portraits and Medallic Cuts
Aaron, a Levite of Barcelona, who wrote 613 precepts on Moses, published at Venice in 1523. He died 1292.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reseña del editor:
Excerpt from Universal Historical Dictionary, or Explanation of the Names of Persons and Places in the Departments of Biblical, Political, and Ecclesiastical History, Mythology, Heraldry, Biography, Bibliography, Geography, and Numismatics, Vol. 1 of 2: Illustrated by Portraits and Medallic Cuts
Aaron, a Levite of Barcelona, who wrote 613 precepts on Moses, published at Venice in 1523. He died 1292.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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