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Título: Transmission (Signed copy)
Editorial: Hamish Hamilton, London
Año de publicación: 2004
Condición del libro: Very Good
Condición de la sobrecubierta: Very Good
Ejemplar firmado: Signed by The Author
Edición: First Edition.
First edition, first printing hardback in dustwrapper. 24 × 16cm. 281pp. Signed directly to the title page by Hari Kunzru. It's the twenty-first century, and everything and everyone is connected. Meet Arjun Mehta, an Indian cybergeek catapulted into California's spiralling hi-tech sector; Leela Zahir, beguiling Bollywood actress filming in the midge-infested Scottish wilds; and Guy Swift, hyped-up marketing exec lost in a blue-sky tomorrow of his own devising. Three dislocated individuals seeking nodes of connectivity—a place to fit in. Yet this is the twenty-first century, and their lives are about to become unexpectedly entangled as a virus spreads, and all their futures are rewired. But will it take them further from their dreams, or closer to their hearts? Condition: This copy is in very good condition. The dustwrapper has not been price-clipped and is now within a protective sleeve. N° de ref. de la librería 005486
Sinopsis: Fired from his IT job in Redmond, Washington State, Arjun decides to unleash the virus he's been growing on his computer. All over the world the virus has a cascading effect on peoples' lives. Everywhere new viruses are springing up to refer to the film star Leela Zahir in text, image or code!
Críticas: Transmission is Hari Kunzru's second novel and, in a similar vein to Jonathan Franzen's The Corrections, the title is instructive; it's figuratively and literally, the book's pulsing leitmotif. To transmit is, by definition, to "send across", and the migration of information and people, the destruction and the erection of borders in our hi-tech, supposedly global village, (a world where Indian graduates gain Australian accents working in local call centres) is what this novel is all about. Although to be clear, that's an "all about" in much the way that Jonathan Coe's What A Carve Up! was "all about" the Thatcherite 1980s; narrative invention, humour and satire form essential components of Kunzru's prodigious literary arsenal. (No prizes for guessing who Gavin Burger, an incomprehensively verbose US presidential spokesman who puts in a fleeting comic turn, could be modelled on.)
Leaving aside the broader forces of globalisation, Kunzru's chief dramatic agent is a computer virus that meshes together the lives of his main characters: Arjun Mehta, a sexually-naïve Indian programmer working in America who unleashes the contagion; Leela Zahir, a Bollywood actress whose image the bug zooms across the globe and Guy Swift, head of Tomorrow, a Shoreditch-based consultancy whose ongoing quest to harness the "emotional magma that wells from the core of planet brand", becomes somewhat nobbled in the immediate technological fallout. Of his cast, not unsurprisingly Guy comes closest to caricature (though his scheme to rebrand European border police as Ministry of Sound-style nightclub bouncers--"Europe: No Jeans, No Trainers"--sounds alarming believable). But then Guy's is the incarnate of the worst, Panglossian traits of the West in this callow information age. His certainty and self-absorbed fecklessness (which thankfully he does eventually suffer, horribly for) contrasts jarringly with poor, Mehta, whose American dreams tip, all too swiftly into nightmare. --Travis Elborough
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