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Thomas Tallis and his Music in Victorian England

Cole, Suzanne

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ISBN 10: 1843833808 / ISBN 13: 9781843833802
Editorial: Boydell & Brewer Ltd, 2008
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Boydell & Brewer
Martlesham, Reino Unido

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Descripción

In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Musi c', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium , re vived in the 1830s, though generally not greatly admired, and the Responses , which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the a ntiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Ang lican - and English - identity was defined and challenged. Dr SUE COLE is a research associate at the Faculty of Music, University of Melbourne. N° de ref. de la librería 6046

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Detalles bibliográficos

Título: Thomas Tallis and his Music in Victorian ...

Editorial: Boydell & Brewer Ltd

Año de publicación: 2008

Encuadernación: Hardcover

Condición del libro: Brand new

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Sinopsis:

In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged.

About the Author:

Dr SUE COLE is a research associate at the Faculty of Music, University of Melbourne.

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