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The Theatre of Antonio Buero Vallejo: Ideology, Politics and Censorship

O'Leary, Catherine

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ISBN 10: 185566111X / ISBN 13: 9781855661110
Editorial: Boydell & Brewer Ltd, 2005
Nuevos Condición: Brand new Encuadernación de tapa dura
Librería: Boydell & Brewer (Martlesham, Reino Unido)

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Descripción

This monograph examines the complex relationship between Antonio Buero Vallejo [1916 - 2000] and the ideologies of Francoist and post-Franco Spain. The central focus of the study is Buero's political theatre and his employment of myth and history to challenge the notion of an España eterna . It also considers Buero's creation of his own myths and his revision of history in order to rationalize and justify his own stance. In his determination to write and stage committed drama in a repressive society, Buero's choice, with its inherent contradictions and ambiguities, was posibilismo . This book looks at this pragmatic employment of language and silence, both in his a rt and in his dealings with the censors and with other representatives of the hegemony and analyses how posibilismo both aided and limited him. The monograph also considers Buero's neglected post-Franco theatre, exami ning the reasons for its initial negative reception and its renewed importance in today's Spain. In these days of digging up the past, Buero's post-Franco insistence on rejecting the pacto de olvido is perhaps more relevant than ever before. CATHERINE O'LEARY lectures in Spanish at the National University of Ireland, Maynooth. N° de ref. de la librería 497

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Detalles bibliográficos

Título: The Theatre of Antonio Buero Vallejo: ...

Editorial: Boydell & Brewer Ltd

Año de publicación: 2005

Encuadernación: Hardcover

Condición del libro:Brand new

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Sinopsis:

This monograph examines the complex relationship between Antonio Buero Vallejo (1916 - 2000) and the ideologies of Francoist and post-Franco Spain. The central focus of the study is Buero's political theatre and his employment of myth and history to challenge the notion of an España eterna. It also considers Buero's creation of his own myths and his revision of history in order to rationalize and justify his own stance. In his determination to write and stage committed drama in a repressive society, Buero's choice, with its inherent contradictions and ambiguities, was posibilismo. This book looks at this pragmatic employment of language and silence, both in his art and in his dealings with the censors and with other representatives of the hegemony and analyses how posibilismo both aided and limited him. The monograph also considers Buero's neglected post-Franco theatre, examining the reasons for its initial negative reception and its renewed importance in today's Spain. In these days of digging up the past, Buero's post-Franco insistence on rejecting the pacto de olvido is perhaps more relevant than ever before. CATHERINE O'LEARY lectures in Spanish at the National University of Ireland, Maynooth

Review:

A readable and thoroughly researched study that provides real insight into Antonio Buero Vallejo's intentions and dramatic output. BRITISH BULLETIN OF PUBLICATIONS ON LATIN AMERICA

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