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Stepping Left: Dance and Politics in New York City, 19281942

Ellen Graff

12 valoraciones por Goodreads
ISBN 10: 0822319489 / ISBN 13: 9780822319481
Editorial: Duke University Press
Usado Condición: Used - Like New Encuadernación de tapa blanda
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Fine. Paperback. Originally published at $22.95. N° de ref. de la librería W43547

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Título: Stepping Left: Dance and Politics in New ...

Editorial: Duke University Press

Encuadernación: Soft cover

Condición del libro:Used - Like New

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Sinopsis:

Stepping Left simultaneously unveils the radical roots of modern dance and recalls the excitement and energy of New York City in the 1930s. Ellen Graff explores the relationship between the modern dance movement and leftist political activism in this period, describing the moment in American dance history when the revolutionary fervor of "dancing modern" was joined with the revolutionary vision promised by the Soviet Union. This account reveals the major contribution of Communist and left-wing politics to modern dance during its formative years in New York City.
From Communist Party pageants to union hall performances to benefits for the Spanish Civil War, Graff documents the passionate involvement of American dancers in the political and social controversies that raged throughout the Depression era. Dancers formed collectives and experimented with collaborative methods of composition at the same time that they were marching in May Day parades, demonstrating for workers’ rights, and protesting the rise of fascism in Europe. Graff records the explosion of choreographic activity that accompanied this lively period—when modern dance was trying to establish legitimacy and its own audience. Stepping Left restores a missing legacy to the history of American dance, a vibrant moment that was supressed in the McCarthy era and almost lost to memory. Revisiting debates among writers and dancers about the place of political content and ethnicity in new dance forms, Stepping Left is a landmark work of dance history.

From the Back Cover:

""Stepping Left" offers a lively synthesis of archival evidence and oral history that vividly recreates an era when dance became 'a weapon in the revolutionary class struggle, ' to quote the slogan of the Workers Dance League. Graff gracefully integrates biographical information on the dancers involved with accounts of the organizations they founded and descriptions of specific works they created. Her study fills an important gap in the literature on American dance."--Susan Manning, author of "Ecstacy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman"

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