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A first-year rookie with the LAPD's Hollywood Division, Cynthia Decker became a cop against her father's wishes. But police work is in her blood, and she's determined to make it on her own, without Peter Decker's help. Although her time in uniform has been brief, her instincts for danger are already razor sharplike the electric tingle that is telling her something is very wrong . . . right now.
It begins with a nagging sense that she is being watched, that little things are being moved around in her apartment. The feeling of dread escalates when she finds that some personal effects have been crudely destroyed. But it's a harrowing trip down a dark canyon road that substantiates Cindy's worst fear: For some unknown reason someone fiendishly relentless-someone with decidedly evil intentions-is stalking her.
Cindy is fiercely independent, and her stubborn pride will not allow her to confide in her father-nor can she seek the guidance and advice of her stepmother, Rina. And as Decker's own investigation into a particularly heinous string of carjackings further isolates him from his daughter's troubles, Cindy covertly begins to probe her personal and professional lives for the identity of the person who wants her frightened, harmed . . . or dead. As her stalker grows bolder and more devious, Cindy finds her options limited, her friends and colleagues off-bounds-as the well-concealed rages and dark secrets of those surrounding her slowly come to light and threaten to pull a nightmare out of the shadows and in for the kill.
Review: Faye Kellerman's latest thriller features Cynthia Decker, daughter of Peter Decker, familiar to readers of the author's previous novels featuring the L.A. detective and his Orthodox Jewish wife Rina Lazarus. In Kellerman's earlier books, we've met Cynthia briefly as a difficult adolescent upset by her parents' divorce and later as an Ivy League college student with an interest in following her overly protective father into the family business: solving crimes. Now Cynthia's a young L.A. cop who's the subject of what at first seems like innocent-enough teasing from her colleagues. They think she's snooty and standoffish and riding on her father's reputation. Actually, she's all of those things, which makes for a somewhat less than sympathetic heroine:
Beaudry said, "Every time we start shooting the bull, talking about the day, you say things like, 'Yeah, my father once had a case like that.'"As the teasing escalates, Cindy's stalked, threatened, and finally frightened, although it pains her to admit it. There's a killer on the loose, and even if she's not the best cop on the force, she knows enough to turn to her father for help. But first, she has a brief affair with one of the men under his command. It seems a little too obvious a ploy for Daddy's attention and hardly adds to her character--we already know she's immature and a bit of a bitch. But at least this maneuver brings Peter back on the scene, allowing Kellerman to hit her stride as she gets back to a character who holds the reader's interest because he's more than two-dimensional. Sadly, Cindy's not quite ready for prime time; perhaps she'll grow up in her next outing. Or better yet, Kellerman will bring us more adventures by Peter and Rina. --Jane Adams
"I'm trying to relate."
"It pisses people off. It makes them think that their experiences are nothin' special. Everyone wants to feel special. You already feel special because you've got all this college. You gotta remember that the average Joe on the force is a high school graduate, maybe a couple of years at a junior college like me. If you're real smart, okay, you do a four-year state, then enter the academy with the idea of doing the gold."
"Like my dad--"
"Stop mentioning your dad. He isn't a legend, Decker, he's a pencil pusher."
Título: Stalker (Peter Decker & Rina Lazarus Novels)
Año de publicación: 2000
Condición del libro: Fine
Edición: 1st Edition
Descripción William Morrow, 2000. Estado de conservación: Good. First Edition. Ships from Reno, NV. Shows some signs of wear, and may have some markings on the inside. Nº de ref. de la librería GRP86014739
Descripción William Morrow, 2000. Estado de conservación: Good. First Edition. Former Library book. Shows some signs of wear, and may have some markings on the inside. Nº de ref. de la librería GRP2593308
Descripción William Morrow, 2000. Estado de conservación: Very Good. First Edition. Former Library book. Great condition for a used book! Minimal wear. Nº de ref. de la librería GRP95971905
Descripción William Morrow. Hardcover. Estado de conservación: VERY GOOD. Cover and pages show some wear from reading and storage. May have creases on the cover and binding caused from handling and reading. Some pages may contain writing and or highlighting. Nº de ref. de la librería 2777845038
Descripción William Morrow. Hardcover. Estado de conservación: VERY GOOD. little to no wear, pages are clean. The cover and binding are crisp with next no creases. Nº de ref. de la librería 2778538059
Descripción William Morrow. Hardcover. Estado de conservación: Very Good. Very good condition - book only shows a small amount of wear. Nº de ref. de la librería G0688156134I4N00
Descripción HarperCollins Publishers. Hardcover. Estado de conservación: Very Good. Ex-Library Book - will contain Library Markings. Very good condition book with only light signs of previous use. Nº de ref. de la librería G0688156134I4N10
Descripción William Morrow. Hardcover. Estado de conservación: Very Good. Appearance of only slight previous use. Cover and binding show a little wear. All pages are undamaged with potentially only a few, small markings. Nº de ref. de la librería G0688156134I4N00
Descripción William Morrow. Hardcover. Estado de conservación: Very Good. This copy shows very minor wear. Nº de ref. de la librería G0688156134I4N00
Descripción William Morrow. Hardcover. Estado de conservación: Very Good. Book has appearance of only minimal use. All pages are undamaged with no significant creases or tears. Nº de ref. de la librería G0688156134I4N00