1st Edition. No inscriptions and not price clipped. The DJ is near fine (only one tiny, tiny crease inside front flap - not noticeable really) and it is totally intact, bright and clean. There is no shelf wear. No nicks. Silver cloth hardcovers with "Poeme Electronique" and small design upon the cloth. The book itself is fine. All pages are bright and clean and the spine is tight. 282 pages. "A fascinating tale that bridges architecture, music and marketing". This book weighs nearly 1kg 400 without packaging . Please note that for airmail, international orders the postage will be higher due to weight. This is an excellent copy of a very scarce and fascinating book. N° de ref. de la librería
The pavilion designed by Le Corbusier for the Philips Company at the 1958 Brussels World's Fair showcased a spectacle that remains a landmark in multimedia production. The pavilion's nearly two million visitors encountered no typical display of consumer products; instead they witnessed a dazzling demonstration of cutting-edge technology in the service of the arts. This totally automated bombardment of color, voice, sound, and images was broadcast within a space of warped concrete shells, orchestrated by Le Corbusier and his colleagues into a cohesive 480-second program. The talents and efforts that went into this project, and the interaction of the personalities behind it, make for a fascinating tale that bridges architecture, music, and marketing--one that has never been told, perhaps because the building was dismantled after the fair. In this book, Marc Treib looks at both this remarkable collaboration and the significance of the Philips project, which can be viewed as a pioneering quest into the production of postmodern art or even as a prototype of virtual reality.
Achieving for the first time his goal to use electronic media for a synthesis of the arts, Le Corbusier collaborated with the composer/architect Iannis Xenakis, the filmmaker Philippe Agostini, the graphic designer and editor Jean Petit, and the composer Edgard Varèse, whose distinguished piece Poème électronique was composed for this project. Treib explains in vivid detail the idea and development of the building design--based on the geometry of the hyperbolic paraboloid--and how this ambitious vision materialized through an innovative system of precast concrete panels, engineered by H. C. Duyster. Treib also describes the working methods of the collaborators, depicting, for example, Xenakis's frustration with designing under Le Corbusier's shadow and the tensions suffered by the Philips artistic director coordinating his company's business interests with Le Corbusier's and Varèse's artistic aspirations.
This wide-ranging investigation into the Philips project also examines the role of rhythm, cinematic montage, spatialized sound, and the composition of Varèse's music. The result is an engaging exploration of artistic collaboration in the 1950s, set against the political and cultural context of a world exposition, and of the realization of ambitious architectural ideas.
From the Back Cover:
"Through this visually compelling book, a neglected building of Le Corbusier is brought to light as a stimulating, integrative interpretation."--Jean-Louis Cohen, Institute of Fine Arts
Título: Space Calculated in Seconds. The Philips ...
Editorial: Princeton University Press
Año de publicación: 1996
Encuadernación: Decorative Cloth
Condición del libro: Fine
Edición: First Edition.
Descripción Princeton University Press, 1996. Hardcover. Estado de conservación: Good. Estado de la sobrecubierta: Good. First Edition. ~~Withdrawn Ex-Library Copy, usual stamps and protective cover~~Quite Good/Good 1st edition very large, heavy 1996 Princeton hardback, unclipped DJ, many photos throughout. Some underlining to a few passages of the Preface in pen, a little underlining in pencil to the Intro, all else good and unmarked, a few page corners previously folded down, usual library marks and protective sleeve, a little mustiness from previous storage. Sent Airmail at no extra cost; Worldwide Shipping IMMEDIATE 1ST CLASS/AIRMAIL DISPATCH Quantity Available: 1. Category: Art & Design; ISBN: 0691021376. ISBN/EAN: 9780691021379. Pictures of this item not already displayed here available upon request. Inventory No: 059672. Nº de ref. de la librería 059672
Descripción Princeton University Press. Hardcover. Estado de conservación: As New. This copy appears to be in nearly new condition. Nº de ref. de la librería G0691021376I2N00
Descripción U.S.A.: Princeton University Press, 1996. Hardcover. Estado de conservación: Near Fine. 1st Edition. Nº de ref. de la librería ABE-1492382040653
Descripción Princeton University Press, 1996. Hardcover. Estado de conservación: Used: Good. Missing dustjacket; a few small scuffs to cover & dings to edges. Unmarked text. NOT an ex-library copy. Signature may be required for delivery. Ships with tracking the same or next business day from New Haven, CT. We fully guarantee to ship the exact same item as listed and work hard to maintain our excellent customer service. Nº de ref. de la librería 1E-7C5X-4VUG
Descripción Princeton University Press, 1996. Hardcover. Estado de conservación: Very Good. Great condition with minimal wear, aging, or shelf wear. Nº de ref. de la librería P020691021376
Descripción Princeton University Press, 1996. Hardcover. Estado de conservación: New. Never used!. Nº de ref. de la librería P110691021376
Descripción Princeton University Press, 1996. Hardcover. Estado de conservación: Good. First Edition. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. Buy with confidence, excellent customer service!. Nº de ref. de la librería 0691021376