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Soundscapes from the Americas; Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance

BUCHANAN, DONNA A.

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ISBN 10: 1472415833 / ISBN 13: 9781472415837
Editorial: Routledge, 2014
Nuevos Condición: NEW Encuadernación de tapa dura
Librería: Herb Tandree Philosophy Books (Stroud, GLOS, Reino Unido)

Librería en AbeBooks desde: 30 de septiembre de 1997

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9781472415837 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. N° de ref. de la librería HTANDREE01020687

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Título: Soundscapes from the Americas; ...

Editorial: Routledge

Año de publicación: 2014

Encuadernación: Hardback

Condición del libro:NEW

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Sinopsis:

Dedicated to the late Gerard Behague (1938-2005), whose pioneering work in Latin American music, popular culture, and performance studies contributed extensively to ethnomusicological discourse in the 1970s-1990s, this anthology offers comparative perspectives on the evolving legacy of performance ethnography in socio-musical analysis. President of the Society for Ethnomusicology from 1979-81, editor of its journal, Ethnomusicology, from 1974-78, and founder and editor of the trilingual Latin American Music Review from 1980 until his death, Behague also established the ethnomusicology graduate program at the University of Texas at Austin in 1974, thereby influencing the training and thinking of dozens of the field's practitioners. Among these are the volume's eight authors, whose contributions reflect the heritage but also contemporary trajectories of Behague's scholarly concerns. Prefaced by an essay outlining key developments in the ethnography of performance paradigm, the volume's seven case studies portray snapshots of musical life in representative communities of the Americas, including the southwestern and Pacific United States, Puerto Rico, Bolivia, Chile, Cuba, and Ecuador. Situated in milieus ranging from the indigenous festivals of the Andean highlands, to the competitive public gatherings of poet-singers in post-Pinochet Chile, to the Puerto Rican dance halls of the Hawaiian islands, these studies pose anthropological inquiries into the ontology of performance practice, the social power of poetic performativity, and the experience and embodiment of sound in place.

About the Author:

Donna A. Buchanan is associate professor of music and anthropology and director of the music ensemble "Balkanalia" at the University of Illinois, Urbana-Champaign, where she teaches courses in ethnomusicology and the musical cultures of the Balkans, Russia, and Eurasia. Her scholarly interests include the implication of music in cosmology, sound ecologies, and relations of social power and identity.

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