Imagen del editor
Editorial: Little, Brown, London
Año de publicación: 2004
Condición del libro: Fine
Condición de la sobrecubierta: Fine
Edición: First Edition.
Fine first printing in fine dustwrapper. An as-new and unread copy of the UK first printing. The book is square, tight and unmarked. The dustwrapper is unclipped and unmarked. A very attractive copy of the author's first book which has gone on to achieve cult status. At over 2kg this particular book will regrettably attract a postal surcharge. As a keen collector myself I make every effort to provide a high level of service. Enquiries welcomed. N° de ref. de la librería 005478
Sinopsis: In 1978, gifted student and writer Greg Roberts turned to heroin when his marriage collapsed, feeding his addiction with a string of robberies. Caught and convicted, he was given a nineteen-year sentence. After two years, he escaped from a maximum- security prison, spending the next ten years on the run as Australia's most wanted man. Hiding in Bombay, he established a medical clinic for slum- dwellers, worked in the Bollywood film industry and served time in the notorious Arthur Road prison. He was recruited by one of the most charismatic branches of the Bombay mafia for whom he worked as a forger, counterfeiter, and smuggler, and fought alongside a unit of mujaheddin guerrilla fighters in Afghanistan. His debut novel, SHANTARAM, is based on this ten-year period of his life in Bombay. The result is an epic tale of slums and five-star hotels, romantic love and prison torture, mafia gang wars and Bollywood films. A gripping adventure story, SHANTARAM is also a superbly written meditation on good and evil and an authentic evocation of Bombay life.
A novel of high adventure, great storytelling and moral purpose, based on an extraordinary true story of eight years in the Bombay underworld.
'In the early 80s, Gregory David Roberts, an armed robber and heroin addict, escaped from an Australian prison to India, where he lived in a Bombay slum. There, he established a free health clinic and also joined the mafia, working as a money launderer, forger and street soldier. He found time to learn Hindi and Marathi, fall in love, and spend time being worked over in an Indian jail. Then, in case anyone thought he was slacking, he acted in Bollywood and fought with the Mujahedeen in Afghanistan . . . Amazingly, Roberts wrote Shantaram three times after prison guards trashed the first two versions. It's a profound tribute to his willpower . . . At once a high-kicking, eye-gouging adventure, a love saga and a savage yet tenderly lyrical fugitive vision.' Time Out
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