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Searching for the Baroque Spirit

Erika Bothma

ISBN 10: 3659508438 / ISBN 13: 9783659508431
Editorial: LAP Lambert Academic Publishing
Nuevos Condición: New Encuadernación de tapa blanda
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Librería en AbeBooks desde: 21 de mayo de 2012

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Descripción

Paperback. 320 pages. Dimensions: 8.7in. x 5.9in. x 0.7in.This research forms part of a larger original contribution to the field of piano performance practice. It investigates the search for the Baroque spirit in the performance of Baroque keyboard music on the modern day piano. Firstly the researcher describes, interprets and critiques the many dimensions of the authenticity debate, with special reference to the performance of Baroque keyboard music on the piano, an instrument that did not exist at the time when the music in question was written. Secondly, the researcher investigates and reflects on the general state of Baroque piano performance practice in South Africa today. Thirdly, the researcher provides her original contribution to the field of Baroque performance practice by analyzing the piano scores of the UNISA Grade A List, pre-Grade 1 to Grade 7, highlighting salient aspects pertaining to performance practice. She presents a teaching framework for the authentic performance practice of Baroque music for the pianoforte in a contemporary context. This presents a valuable and unique guide for both pianoforte teachers and lecturers, to assist pianists to prepare, interpret and perform Baroque music on the modern pianoforte. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. N° de ref. de la librería 9783659508431

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Detalles bibliográficos

Título: Searching for the Baroque Spirit

Editorial: LAP Lambert Academic Publishing

Encuadernación: Paperback

Condición del libro:New

Tipo de libro: Paperback

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Sinopsis:

This research forms part of a larger original contribution to the field of piano performance practice.It investigates the search for the Baroque spirit in the performance of Baroque keyboard music on the modern day piano. Firstly the researcher describes, interprets and critiques the many dimensions of the authenticity debate,with special reference to the performance of Baroque keyboard music on the piano, an instrument that did not exist at the time when the music in question was written. Secondly, the researcher investigates and reflects on the general state of Baroque piano performance practice in South Africa today. Thirdly, the researcher provides her original contribution to the field of Baroque performance practice by analyzing the piano scores of the UNISA Grade A List,pre-Grade 1 to Grade 7, highlighting salient aspects pertaining to performance practice.She presents a teaching framework for the authentic performance practice of Baroque music for the pianoforte in a contemporary context. This presents a valuable and unique guide for both pianoforte teachers and lecturers, to assist pianists to prepare,interpret and perform Baroque music on the modern pianoforte.

About the Author:

Dr Erika Bothma is a senior lecturer in piano and performance practice at the Nelson Mandela Metropolitan University in Port Elizabeth, South Africa.She is a well-known chamber musician,accompanist and concerto soloist in SAand also plays the violin in the Eastern Cape Philharmonic Orchestra.She is a music examiner for UNISA.

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