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RUNNING WITH SCISSORS

Burroughs, Augusten

306.255 valoraciones por Goodreads
ISBN 10: 0312283709 / ISBN 13: 9780312283704
Editorial: St. Martin's Press, New York, 2002
Encuadernación de tapa dura
Librería: Second Story Books, ABAA (Rockville, MD, Estados Unidos de America)

Librería en AbeBooks desde: 29 de mayo de 1997

Cantidad: 1

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Descripción

Octavo in red boards with gilt spine text in DJ, VG+/VG+, DJ: minor shelfwear, minor bumping to head and tail of spine. Binding strong and text clean. DJ protected by Brodart. ISBN 0312283709. Rockville. N° de ref. de la librería 7-106-1084268

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Detalles bibliográficos

Título: RUNNING WITH SCISSORS

Editorial: St. Martin's Press, New York

Año de publicación: 2002

Encuadernación: Hardcover

Condición de la sobrecubierta: Dust Jacket Included

Edición: First Edition.

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Sinopsis:

Running with Scissors is the true story of a boy whose mother (a poet with delusions of Anne Sexton) gave him away to be raised by her psychiatrist, a dead-ringer for Santa and a lunatic in the bargain. Suddenly, at age twelve, Augusten Burroughs found himself living in a dilapidated Victorian in perfect squalor. The doctor's bizarre family, a few patients, and a pedophile living in the backyard shed completed the tableau. Here, there were no rules, there was no school. The Christmas tree stayed up until summer, and Valium was eaten like Pez. And when things got dull, there was always the vintage electroshock therapy machine under the stairs....

Running with Scissors is at turns foul and harrowing, compelling and maniacally funny. But above all, it chronicles an ordinary boy's survival under the most extraordinary circumstances. Running with Scissors Acknowledgments
Gratitude doesn’t begin to describe it: Jennifer Enderlin, Christopher Schelling, John Murphy, Gregg Sullivan, Kim Cardascia, Michael Storrings, and everyone at St. Martin’s Press. Thank you: Lawrence David, Suzanne Finnamore, Robert Rodi, Bret Easton Ellis, Jon Pepoon, Lee Lodes, Jeff Soares, Kevin Weidenbacher, Lynda Pearson, Lona Walburn, Lori Greenburg, John DePretis, and Sheila Cobb. I would also like to express my appreciation to my mother and father for, no matter how inadvertently, giving me such a memorable childhood. Additionally, I would like to thank the real-life members of the family portrayed in this book for taking me into their home and accepting me as one of their own. I recognize that their memories of the events described in this book are different than my own. They are each fine, decent, and hard-working people. The book was not intended to hurt the family. Both my publisher and I regret any unintentional harm resulting from the publishing and marketing of Running with Scissors. Most of all, I would like to thank my brother for demonstrating, by example, the importance of being wholly unique.

Review:

There is a passage early in Augusten Burroughs's harrowing and highly entertaining memoir, Running with Scissors, that speaks volumes about the author. While going to the garbage dump with his father, young Augusten spots a chipped, glass-top coffee table that he longs to bring home. "I knew I could hide the chip by fanning a display of magazines on the surface, like in a doctor's office," he writes, "And it certainly wouldn't be dirty after I polished it with Windex for three hours." There were certainly numerous chips in the childhood Burroughs describes: an alcoholic father, an unstable mother who gives him up for adoption to her therapist, and an adolescence spent as part of the therapist's eccentric extended family, gobbling prescription meds and fooling around with both an old electroshock machine and a pedophile who lives in a shed out back. But just as he dreamed of doing with that old table, Burroughs employs a vigorous program of decoration and fervent polishing to a life that many would have simply thrown in a landfill. Despite her abandonment, he never gives up on his increasingly unbalanced mother. And rather than despair about his lot, he glamorizes it: planning a "beauty empire" and performing an a capella version of "You Light Up My Life" at a local mental ward. Burroughs's perspective achieves a crucial balance for a memoir: emotional but not self-involved, observant but not clinical, funny but not deliberately comic. And it's ultimately a feel-good story: as he steers through a challenging childhood, there's always a sense that Burroughs's survivor mentality will guide him through and that the coffee table will be salvaged after all. --John Moe

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