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The Public Burning

Coover, Robert

933 valoraciones por Goodreads
ISBN 10: 067058200X / ISBN 13: 9780670582006
Editorial: New York Viking 1977., 1977
Librería: Black Dog Books (Emerson, NJ, Estados Unidos de America)

Librería en AbeBooks desde: 21 de agosto de 1997

Cantidad: 1

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Descripción

F/NrF light edge wear. Signed by Coover. 1st edition. N° de ref. de la librería 001606

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Detalles bibliográficos

Título: The Public Burning

Editorial: New York Viking 1977.

Año de publicación: 1977

Ejemplar firmado: Signed by Author(s)

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Sinopsis:

A controversial best-seller in 1977, The Public Burning has since emerged as one of the most influential novels of our time. The first major work of contemporary fiction ever to use living historical figures as characters, the novel reimagines the three fateful days in 1953 that culminated with the execution of alleged atomic spies Julius and Ethel Rosenberg. Vice-President Richard Nixon - the voraciously ambitious bad boy of the Eisenhower regime - is the dominant narrator in an enormous cast that includes Betty Crocker, Joe McCarthy, the Marx Brothers, Walter Winchell, Uncle Sam, his adversary The Phantom, and Time magazine incarnated as the National Poet Laureate. All of these and thousands more converge in Times Square for the carnivalesque auto-da-fe at which the Rosenbergs are put to death. And not a person present escapes implication in Cold War America's ruthless "public burning."

Review:

For quite some time after the 1977 publication of The Public Burning, it was almost impossible to find a copy. The book's own publisher seemed--no, was reluctant to admit it even existed. That's because this imaginative reconstruction of the 1953 execution of Julius and Ethel Rosenberg, convicted for giving atom bomb secrets to the Soviets, was the first major work of modern fiction to feature a still-living historical figure as a prominent character. The book's obscurity was the publisher's attempt to avoid legal repercussions from Richard Nixon, who over the course of the book engages in a romantic interlude with Ethel Rosenberg and graphically surrenders himself to a rapacious Uncle Sam.

Now that Nixon's dead, however, readers are free to marvel at one of the few American novels to rival Joyce's Ulysses for sustained stylistic inventiveness. Snippets of speeches and articles from Time are recast in poetic form, entire scenes are presented in dramatic verse, as events in the Rosenberg case move towards their historically destined conclusion. --Ron Hogan

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