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Psycho: Behind the Scenes of the Classic Thriller

Leigh, Janet; Nickens, Christopher

81 valoraciones por Goodreads
ISBN 10: 051770112X / ISBN 13: 9780517701126
Editorial: Harmony Books, New York, 1995
Condición: Fine Encuadernación de tapa dura
Librería: Jack Skylark's Books (West Covina, CA, Estados Unidos de America)

Librería en AbeBooks desde: 21 de mayo de 2015

Cantidad: 1

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Descripción

Book and BroDart protected jacket are fine without faults. Gift quality. Signed with a Birthday wish, on the title page, by janet Leigh. First edition / first printing. Ships in bubble wrap in box. N° de ref. de la librería PC 26-6

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Detalles bibliográficos

Título: Psycho: Behind the Scenes of the Classic ...

Editorial: Harmony Books, New York

Año de publicación: 1995

Encuadernación: Hardcover

Condición del libro:Fine

Condición de la sobrecubierta: Fine

Ejemplar firmado: Inscribed by Author(s)

Edición: 1st Edition

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Sinopsis:

The fascinating, behind-the-scenes saga of the making of Alfred Hitchcock's masterpiece. This is the richest and most revealing portrait of a movie classic in-the-making ever compiled, from casting decisions to personality clashes, from anecdotes about one of Hollywood's most celebrated--and feared--directors to the truth about why the FBI needed to protect Janet Leigh after the opening of the film.

From Booklist:

Not only is Alfred Hitchcock's Psycho hugely popular and influential 35 years after its release; it also remains the main claim to fame of Leigh, who portrayed murder victim Marion Crain. Leigh here offers her memoirs of filming Psycho, including the famous shower sequence, to which she accords an entire chapter. Although she provides some fascinating glimpses of Hitchcock's on-set technique and other behind-the-scenes details, Leigh devotes too many pages to gushing about her coworkers and other inconsequential matters, to diverting but essentially trivial passages on how Psycho changed her life, and to her rather banal thoughts on the effects of today's even more violent films. Fortunately, coauthor Nickens is on hand to supply informative "intermissions" in which he fleshes out Leigh's comments, provides technical information, and offers background on Hitchcock. Rebello's Alfred Hitchcock and the Making of Psycho (1990) is a much better all-around resource on the film, but libraries where that work has proved popular should also see demand for Leigh's more personal account. Gordon Flagg

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Antiquarian and general interest books and ephemera.

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