Popular Music and the Politics of Novelty

Dale, Pete

Editorial: Bloomsbury Academic
ISBN 10: 1501307037 / ISBN 13: 9781501307034
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Popular music, today, has supposedly collapsed into a 'retromania' which, according to leading critic Simon Reynolds, has brought a 'slow and steady fading of the artistic imperative to be original.' Meanwhile, in the estimation of philosopher Alain Badiou, a significant political event will always require 'the dictatorial power of a creation ex nihilo'. Everywhere, it seems, at least amongst commentators of a certain age and type, pessimism prevails with regards to the predominant aesthetic preferences of the twenty first century: popular music, supposedly, is in a rut.

Yet when, if ever, did the political engagement kindled by popular music amount to more than it does today? The sixties? The punk explosion of the late 1970s? Despite an on-going fixation upon these periods in much rock journalism and academic writing, this book demonstrates that the utilisation of popular music to promote political causes, on the one hand, and the expression of dissent through the medium of 'popular song', on the other hand, remain widely in practice today.

This is not to argue, however, for complacency with regards to the need for expressions of political dissent through popular culture. Rather, the book looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty?

About the Author: Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK.

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Título: Popular Music and the Politics of Novelty
Editorial: Bloomsbury Academic
Condición del libro: Like New

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Pete Dale
Editorial: Bloomsbury Academic (2016)
ISBN 10: 1501307037 ISBN 13: 9781501307034
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Descripción Bloomsbury Publishing PLC, United States, 2016. Paperback. Estado de conservación: New. Language: English . Brand New Book. Popular music, today, has supposedly collapsed into a retromania which, according to leading critic Simon Reynolds, has brought a slow and steady fading of the artistic imperative to be original. Meanwhile, in the estimation of philosopher Alain Badiou, a significant political event will always require the dictatorial power of a creation ex nihilo . Everywhere, it seems, at least amongst commentators of a certain age and type, pessimism prevails with regards to the predominant aesthetic preferences of the twenty first century: popular music, supposedly, is in a rut. Yet when, if ever, did the political engagement kindled by popular music amount to more than it does today? The sixties? The punk explosion of the late 1970s? Despite an on-going fixation upon these periods in much rock journalism and academic writing, this book demonstrates that the utilisation of popular music to promote political causes, on the one hand, and the expression of dissent through the medium of popular song , on the other hand, remain widely in practice today. This is not to argue, however, for complacency with regards to the need for expressions of political dissent through popular culture. Rather, the book looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty?. Nº de ref. de la librería AAU9781501307034

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Descripción Bloomsbury 1. Trade Paperback. Estado de conservación: New. TRADE PAPERBACK Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. General. Book: NEW, New. Bookseller Inventory # 64978150130703400. Nº de ref. de la librería 64978150130703400

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Descripción Bloomsbury Publishing PLC, United States, 2016. Paperback. Estado de conservación: New. Language: English . Brand New Book. Popular music, today, has supposedly collapsed into a retromania which, according to leading critic Simon Reynolds, has brought a slow and steady fading of the artistic imperative to be original. Meanwhile, in the estimation of philosopher Alain Badiou, a significant political event will always require the dictatorial power of a creation ex nihilo . Everywhere, it seems, at least amongst commentators of a certain age and type, pessimism prevails with regards to the predominant aesthetic preferences of the twenty first century: popular music, supposedly, is in a rut. Yet when, if ever, did the political engagement kindled by popular music amount to more than it does today? The sixties? The punk explosion of the late 1970s? Despite an on-going fixation upon these periods in much rock journalism and academic writing, this book demonstrates that the utilisation of popular music to promote political causes, on the one hand, and the expression of dissent through the medium of popular song , on the other hand, remain widely in practice today. This is not to argue, however, for complacency with regards to the need for expressions of political dissent through popular culture. Rather, the book looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty?. Nº de ref. de la librería AAU9781501307034

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Descripción Bloomsbury Publishing (UK) 2016-04-07, London, 2016. paperback. Estado de conservación: New. Nº de ref. de la librería 9781501307034

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Descripción Bloomsbury Academic. Paperback. Estado de conservación: New. New copy - Usually dispatched within 2 working days. Nº de ref. de la librería B9781501307034

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97815013070340000000

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