The Politics of Paul Robesons Othello (Margaret Walker Alexander Series in African American Studies)

ISBN 10: 1617032034 / ISBN 13: 9781617032035
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The Politics of Paul Robesons Othello (Margaret Walker Alexander Series in African American Studies). N° de ref. de la librería

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Lindsey R. Swindall examines the historical and political context of acclaimed African American actor Paul Robeson's three portrayals of Shakespeare's Othello in the United Kingdom and the United States. These performances took place in London in 1930, on Broadway in 1943, and in Stratford-upon-Avon in 1959. All three of the productions, when considered together, provide an intriguing glimpse into Robeson's artistry as well as his political activism.

The Politics of Paul Robeson's Othello maintains that Robeson's development into a politically minded artist explicates the broader issue of the role of the African American artist in times of crisis. Robeson (1898-1976) fervently believed that political engagement was an inherent component of the role of the artist in society, and his performances demonstrate this conviction.

In the 1930 production, audiences and critics alike confronted the question: Should a black actor play Othello in an otherwise all-white cast? In the 1943 production on Broadway, Robeson consciously used the role as a form for questioning theater segregation both onstage and in the seats. In 1959, after he had become well known for his leftist views and sympathies with Communism, his performance in a major Stratford-upon-Avon production called into question whether audiences could accept onstage an African American who held radical-and increasingly unpopular-political views. Swindall thoughtfully uses Robeson's Othello performances as a collective lens to analyze the actor and activist's political and intellectual development.

Nota de la solapa: A study of the famed actor's barrier-breaking Shakespearean performances

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Título: The Politics of Paul Robesons Othello (...
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Swindall, Lindsey R.
Editorial: University Press of Mississippi 2011-09-01 (2011)
ISBN 10: 1617032034 ISBN 13: 9781617032035
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Descripción University Press of Mississippi 2011-09-01, 2011. Paperback. Estado de conservación: Good. 1617032034 Good condition. Bends/dents in cover and binding; otherwise in great shape. Ships immediately. Nº de ref. de la librería Z1617032034Z3

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Lindsey R. Swindall
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Descripción University Press of Mississippi, 2011. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería LQ-9781617032035

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Lindsey R. Swindall
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Descripción University Press of Mississippi, United States, 2011. Paperback. Estado de conservación: New. 226 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****.Lindsey R. Swindall examines the historical and political context of acclaimed African American actor Paul Robeson s three portrayals of Shakespeare s Othello in the United Kingdom and the United States. These performances took place in London in 1930, on Broadway in 1943, and in Stratford-upon-Avon in 1959. All three of the productions, when considered together, provide an intriguing glimpse into Robeson s artistry as well as his political activism. The Politics of Paul Robeson s Othello maintains that Robeson s development into a politically minded artist explicates the broader issue of the role of the African American artist in times of crisis. Robeson (1898-1976) fervently believed that political engagement was an inherent component of the role of the artist in society, and his performances demonstrate this conviction. In the 1930 production, audiences and critics alike confronted the question: Should a black actor play Othello in an otherwise all-white cast? In the 1943 production on Broadway, Robeson consciously used the role as a form for questioning theater segregation both onstage and in the seats. In 1959, after he had become well known for his leftist views and sympathies with Communism, his performance in a major Stratford-upon-Avon production called into question whether audiences could accept onstage an African American who held radical-and increasingly unpopular-political views. Swindall thoughtfully uses Robeson s Othello performances as a collective lens to analyze the actor and activist s political and intellectual development. Nº de ref. de la librería AAV9781617032035

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Swindall, Lindsey R.
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Descripción University Press of Mississippi. PAPERBACK. Estado de conservación: Good. 1617032034 Clean, unread paperback with modest shelfwear including a very small bump/tear/crease to the cover and a publisher's mark to one edge - otherwise Nice!. Nº de ref. de la librería Z1617032034Z3

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Swindall, Lindsey R.
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Descripción University Press of Mississippi, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9781617032035_lsuk

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Descripción University Press of Mississippi, 2011. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9781617032035

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Lindsey R. Swindall
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Descripción University Press of Mississippi, United States, 2011. Paperback. Estado de conservación: New. 226 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****. Lindsey R. Swindall examines the historical and political context of acclaimed African American actor Paul Robeson s three portrayals of Shakespeare s Othello in the United Kingdom and the United States. These performances took place in London in 1930, on Broadway in 1943, and in Stratford-upon-Avon in 1959. All three of the productions, when considered together, provide an intriguing glimpse into Robeson s artistry as well as his political activism. The Politics of Paul Robeson s Othello maintains that Robeson s development into a politically minded artist explicates the broader issue of the role of the African American artist in times of crisis. Robeson (1898-1976) fervently believed that political engagement was an inherent component of the role of the artist in society, and his performances demonstrate this conviction. In the 1930 production, audiences and critics alike confronted the question: Should a black actor play Othello in an otherwise all-white cast? In the 1943 production on Broadway, Robeson consciously used the role as a form for questioning theater segregation both onstage and in the seats. In 1959, after he had become well known for his leftist views and sympathies with Communism, his performance in a major Stratford-upon-Avon production called into question whether audiences could accept onstage an African American who held radical-and increasingly unpopular-political views. Swindall thoughtfully uses Robeson s Othello performances as a collective lens to analyze the actor and activist s political and intellectual development. Nº de ref. de la librería AAV9781617032035

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Swindall, Lindsey R.
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Descripción University Press of Mississippi, 2011. Paperback. Estado de conservación: New. Nº de ref. de la librería INGM9781617032035

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Swindall, Lindsey R.
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Descripción University Press of Mississippi, 2011. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 1617032034

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Lindsey R. Swindall
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Descripción University Press of Mississippi. Paperback. Estado de conservación: New. Paperback. 224 pages. Dimensions: 8.9in. x 6.0in. x 0.6in.Lindsey R. Swindall examines the historical and political context of acclaimed African American actor Paul Robesons three portrayals of Shakespeares Othello in the United Kingdom and the United States. These performances took place in London in 1930, on Broadway in 1943, and in Stratford-upon-Avon in 1959. All three of the productions, when considered together, provide an intriguing glimpse into Robesons artistry as well as his political activism. The Politics of Paul Robesons Othello maintains that Robesons development into a politically minded artist explicates the broader issue of the role of the African American artist in times of crisis. Robeson (1898-1976) fervently believed that political engagement was an inherent component of the role of the artist in society, and his performances demonstrate this conviction. In the 1930 production, audiences and critics alike confronted the question: Should a black actor play Othello in an otherwise all-white cast In the 1943 production on Broadway, Robeson consciously used the role as a form for questioning theater segregation both onstage and in the seats. In 1959, after he had become well known for his leftist views and sympathies with Communism, his performance in a major Stratford-upon-Avon production called into question whether audiences could accept onstage an African American who held radical-and increasingly unpopular-political views. Swindall thoughtfully uses Robesons Othello performances as a collective lens to analyze the actor and activists political and intellectual development. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9781617032035

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