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Paul Klee, Poet/Painter

Aichele, K. Porter

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ISBN 10: 1571133437 / ISBN 13: 9781571133434
Editorial: Boydell & Brewer Ltd, 2006
Nuevos Condición: Brand new Encuadernación de tapa dura
Librería: Boydell & Brewer (Martlesham, Reino Unido)

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Descripción

It is no coincidence that most of the artists at the vanguard of early 20th-century modernist art were poets as well as painters. Paul Klee (1879-1940) was among them. Known today almost exclusively as a visual artist, he was also a poet who experimented across a range of poetic forms. In 1901, while still vacillating between a career as a painter and one as a poet, Klee predicted he would end up expressing himself through the word, "the highest form of ar t." This first scholarly monograph devoted to Klee's poetry proposes that he lived up to that prediction. It considers poems he identified as such and visual images that are poetic in their compositional techniques, metaphorical i magery, and linear structures. It provides selected examples of Klee's poetry along with English translations that capture the spirit and literal meaning of the German originals. It places the poems and related images within the s pectrum of contemporary poetic practice, revealing that Klee matched wits with Christian Morgenstern, rose to the provocations of Kurt Schwitters, and gave new form to the Surrealists' "exquisite corpses." Paul Klee, Poet/Paint er is a case study in the reciprocity of poetry and painting in early modernist practice. It introduces a little-known facet of Klee's creative activity and re-evaluates his contributions to a modernist aesthetic. K athryn Porter Aichele is Associate Professor in the Art Department at the University of North Carolina at Greensboro. N° de ref. de la librería 9036

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Detalles bibliográficos

Título: Paul Klee, Poet/Painter

Editorial: Boydell & Brewer Ltd

Año de publicación: 2006

Encuadernación: Hardcover

Condición del libro:Brand new

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Sinopsis:

It is no coincidence that most of the artists at the vanguard of early 20th-century modernist art were poets as well as painters. Paul Klee (1879-1940) was among them. Known today almost exclusively as a visual artist, he was also a poet who experimented across a range of poetic forms. In 1901, while still vacillating between a career as a painter and one as a poet, Klee predicted he would end up expressing himself through the word, "the highest form of art." This first scholarly monograph devoted to Klee's poetry proposes that he lived up to that prediction. It considers poems he identified as such and visual images that are poetic in their compositional techniques, metaphorical imagery, and linear structures. It provides selected examples of Klee's poetry along with English translations that capture the spirit and literal meaning of the German originals. It places the poems and related images within the spectrum of contemporary poetic practice, revealing that Klee matched wits with Christian Morgenstern, rose to the provocations of Kurt Schwitters, and gave new form to the Surrealists' "exquisite corpses." Paul Klee, Poet/Painter is a case study in the reciprocity of poetry and painting in early modernist practice. It introduces a little-known facet of Klee's creative activity and re-evaluates his contributions to a modernist aesthetic. Kathryn Porter Aichele is Associate Professor in the Art Department at the University of North Carolina at Greensboro.

About the Author:

Kathryn Porter Aichele is associate professor in the Art Department at the University of North Carolina at Greensboro.

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