Imagen del editor
Título: Past Perfect
Editorial: Simon & Schuster, New York
Año de publicación: 2007
Encuadernación: Hard Cover
Condición del libro: New
Condición de la sobrecubierta: New
Ejemplar firmado: Signed by Author
Edición: First Edition
"Breathlessly paced, witty, and riveting in it's portrait of a woman who can't bear to leave the past behind, Past Perfect is classic Susan Isaacs. As Maureen Corrigan said on NPR's Fresh Air, " I can think of no other novelist--popular or highbrow--who consistantly celebrates female gutsiness, brains, and sexuality." Signed at a local booksigning 3/07. N° de ref. de la librería 000253
Sinopsis: In Past Perfect, Susan Isaacs gives us one of her most glorious characters ever: bright, buoyant, and borderline luscious Katie Schottland. Katie seems to have the ideal life: a great husband, a precocious and winning ten-year-old son, and a dream job - writer for the long-running TV series Spy Guys. But all is not as splendid as it should be because writing about the espionage business isn't nearly as satisfying as working in it.
Fifteen years earlier, Katie was in the CIA. She loved her job (to say nothing of her boss, the mysterious Benton Mattingly). Yet just as she was sensing she was in line for a promotion, she was fired - escorted off the premises by two extremely hulking security types. Why? No one would tell her: when you're expelled from the Agency, warm friends immediately become icy ex-colleagues who won't risk their security clearances by talking to you.
Until that day, Katie was where she wanted to be. Coming from a family of Manhattan superachievers, she too had a job she not only adored but a job that made her, in the family tradition, a Someone. Fifteen years later, Katie is still stuck on her firing. Was she set up? Or did she make some terrible mistake that cost lives? She believes that if she could discover why they threw her out, she might be at peace.
On the day she's rushing to get her son off to summer camp, Katie gets a surprise call from former Agency colleague Lisa Golding. ?A matter of national importance,? says Lisa, who promises to reveal the truth about the firing - if Katie will help her. Lisa was never very good at truth-telling, though she swears she's changed her ways. Katie agrees to speak with her, but before she can, Lisa vanishes.
Maturity and common sense should keep Katie in the bright, normal world of her present life, away from the dark intrigues of the past. But she needs to know. As she takes just a few steps to find out, one ex-spy who might have the answers dies under suspicious circumstances. Another former agent is murdered. Could it be there's a list? If so, is Katie now on it? And who will be the next to go?
Biografía del autor: Susan Isaacs, novelist, essayist and screenwriter, was born in Brooklyn and educated at Queens College. After leaving school, she worked as an editorial assistant at Seventeen magazine. In 1968, Susan married Elkan Abramowitz, then a federal prosecutor. She became a senior editor at Seventeen but left in 1970 to stay home with her newborn son, Andrew. Three years later, she gave birth to a daughter, Elizabeth. During this time she freelanced, writing political speeches as well as magazine articles. Elkan became a criminal defense lawyer.
In the mid-seventies, Susan got the urge to write a novel. A year later she began working on what was to become Compromising Positions, a whodunit set on suburban Long Island. It was published in 1978 by Times Books and was chosen a main selection of the Book-of-the-Month Club. Her second novel, Close Relations, a love story set against a background of ethnic, sexual and New York Democratic politics (thus a comedy), was published in 1980 by Lippincott and Crowell and was a selection of the Literary Guild. Her third, Almost Paradise, was published by Harper & Row in 1984, and was a Literary Guild main selection; in this work Susan used the saga form to show how the people are molded not only by their histories, but also by family fictions that supplant truth. All of Susan's novels have been New York Times bestsellers. Her fiction has been translated into thirty languages.
In 1985, she wrote the screenplay for Paramount's Compromising Positions, which starred Susan Sarandon and Raul Julia. She also wrote and co-produced Touchstone Picture's Hello Again. The 1987 comedy starred Shelley Long and Judith Ivey.
Her fourth novel, Shining Through, set during World War II, was published by Harper & Row in 1988. Twentieth-Century Fox's film adaptation starred Michael Douglas and Melanie Griffith. Her fifth book, Magic Hour, a coming-of-middle-age novel as well as a mystery, was published in January 1991. After All These Years was published in 1993; critics lauded it for its strong and witty protagonist. Lily White came out in 1996 and Red, White and Blue in 1998. All the novels were published by HarperCollins and were main selections of the Literary Guild. In 1999, Susan's first work of nonfiction, Brave Dames and Wimpettes: What Women Are Really Doing on Page and Screen, was published by Ballantine's Library of Contemporary Thought. During 2000, she wrote a series of columns on the presidential campaign for Newsday. Long Time No See, a Book of the Month Club main selection, was published in September 2001; it was a sequel to Compromising Positions. Susan's tenth novel, Anyplace I Hang My Hat, was published in fall 2004.
Susan Isaacs is a recipient of the Writers for Writers Award and the John Steinbeck Award. She serves as chairman of the board of Poets & Writers and is a past president of Mystery Writers of America. She is also a member of the National Book Critics Circle, The Creative Coalition, PEN, the American Society of Journalists and Authors, the International Association of Crime Writers, and the Adams Round Table. She sits on the boards of the Queens College Foundation, the Walt Whitman Birthplace Association, the North Shore Child and Family Guidance Association, the Nassau County Coalition Against Domestic Violence and is an active member of her synagogue. She has worked to gather support for the National Endowment of the Arts' Literature Program and has been involved in several anti-censorship campaigns. In addition to writing books, essays and films, Susan has reviewed books for the New York Times, Los Angeles Times, Washington Post and Newsday and written about politics, film and First Amendment issues. She lives on Long Island with her husband.
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