The Paris Wife [SIGNED 1ST/1ST]
Librería en AbeBooks desde: 22 de octubre de 2010Cantidad: 1
Imagen del editor
Librería en AbeBooks desde: 22 de octubre de 2010Cantidad: 1
Título: The Paris Wife [SIGNED 1ST/1ST]
Editorial: Bond Street Books, Toronto, Ontario, Canada
Año de publicación: 2011
Condición del libro:Fine
Condición de la sobrecubierta: Fine
Ejemplar firmado: Signed by Author(s)
Edición: 1st Edition
An instant national bestseller, this stunningly evocative, beautifully rendered story told in the voice of Ernest Hemingway's first wife, Hadley, has the same power and historical richness that made Loving Frank a bestseller.
No twentieth-century American writer has captured the popular imagination as much as Ernest Hemingway. This novel tells his story from a unique point of view - that of his first wife, Hadley. Through her eyes and voice, we experience Paris of the Lost Generation and meet fascinating characters such as Scott and Zelda Fitzgerald, Gertrude Stein, Ezra Pound, and Gerald and Sara Murphy. The city and its inhabitants provide a vivid backdrop to this engrossing and wrenching story of love and betrayal that is made all the more poignant knowing that, in the end, Hemingway would write of his first wife, "I wish I had died before I loved anyone but her."
Author Paula McLain on The Paris Wife
The idea to write in Hadley’s voice came to me as I was reading Hemingway’s memoir, A Moveable Feast, about his early years in Paris. In the final pages, he writes of Hadley, “I wished I had died before I ever loved anyone but her.” That line, and his portrayal of their marriage -- so tender and poignant and steeped in regret -- inspired me to search out biographies of Hadley, and then to research their brief and intense courtship and letters -- they wrote hundreds and hundreds of pages of delicious pages to another!
I couldn’t help but fall in love with Hadley, and through her eyes, with the young Ernest Hemingway. He was just twenty when they met, handsome and magnetic, passionate and sensitive and full of dreams. I was surprised at how much I liked and admired him -- and before I knew it, I was entirely swept away by their gripping love story.
I hope you will be as captivated by this remarkable couple as I am -- and by the fascinating world of Paris in the 20’s, the fast-living, ardent and tremendously driven Lost Generation.
A Look Inside The Paris Wife
Ernest and Hadley Hemingway, Chamby, Switzerland, winter 1922
Ernest and Hadley Hemingway on their wedding day, 1921
Ernest, Hadley, and Bumby, Schruns, Austria, 1925
The Hemingways and friends at a cafe in Pamplona, Spain
Paula McLain has taken on the task of writing a story most of us probably think we already know--that of a doomed starter wife. To make life more difficult, McLain proposes to tell us about Ernest Hemingway’s first wife, Hadley Richardson, who is a twenty-eight-year-old Midwestern spinster when she marries the twenty-one-year-old unpublished, (but already cocksure) writer and runs off to Paris with him. The talent and joy of this novel is that McLain does a startling job of making us understand this as a great love story and seducing us into caring deeply, about both Ernest and Hadley, as their marriage eventually comes apart.
This novel moves beyond the dry bones of biography or skewed personal vision of memoir, and takes a leap into the emotional lives of these characters. It is a leap of faith for those readers who think they know Hemingway, but McLain’s voice sticks close enough to historical material, and to the words and tone of Hemingway’s own writing, to be convincing. She had me at the description of young Hadley’s father committing suicide.
“The carpets had been cleaned but not changed out for new, the revolver had been emptied and polished and placed back in his desk.”
Hadley is also crippled by a childhood fall and trapped into spinsterhood by her mother’s declining health and eventual death. By the time she meets Hemingway, we are rooting for her to make a break for foreign shores--even as we understand the danger of marrying a tempestuous man. Hemingway is all nervous purpose, ambition and charisma as he meets Hadley and is drawn to her quiet strength and ordinary American sweetness. In his youth and uncertainty, she is his rock and yet we already suspect that as he grows in artistic power, she will become an unwanted anchor. Through Hadley’s eyes and plain-speaking voice, we see all of twenties Paris and the larger-than-life artists who gather in the cafes. We drink tea with Gertrude Stein and champagne with Fitzgerald and Zelda. We run with the bulls in Pamplona and spend winters in alpine chalets. And we see, through her love for him, the young writer becoming the Hemingway of legend. Perhaps it is the nature of all great artists to be completely selfish and obnoxious, but Hadley’s voice is always one of compassion. Even as Hemingway leaves her completely out of The Sun also Rises, even as Hemingway publicly flirts with other women, she continues to explain and defend him. It is a testament to Paula McLain that the reader is slow to dislike Hemingway, even as he slowly and inexorably betrays Hadley’s trust.
I loved this novel for its depiction of two passionate, yet humanly-flawed people struggling against impossible odds--poverty, artistic fervor, destructive friendships--to cling on to each other. I raise a toast to Paula McLain’s sure talent.
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