Some color, mostly black and white photographs throughout. First printing. Near fine in a near fine (a bit faded along the spine) dust jacket. N° de ref. de la librería
A brilliant painter of society portraits, John Singer Sargent also devoted many years at the height of his career to a project of an entirely different order: an ambitious, multi-media decoration titled Triumph of Religion (1890-1919) for the Boston Public Library. The library cycle Sargent imagined as his most important work, however, would ultimately remain unfinished, quietly abandoned in the face of religious opposition, one critical painting short of completion. Truncation dramatically altered possible readings of Triumph, redirecting its narrative energies and generating new meanings in tension with the idea Sargent had proposed. In Painting Religion in Public, Sally Promey tells the story of an artist of international stature and the complex and consuming pictorial program he pursued in Boston. Highly celebrated in its day, with individual panels retaining immense popularity even in the years of discord, this artistic project and its constituent images tell us much about broad cultural and political exchanges concerning the public representation of religious content in the United States.
Sargent's library decoration attracted the attention of multiple audiences and engaged concurrent debates about class, race, art, and religion. Representatives of various religious and cultural backgrounds hailed portions of the cycle as indicative of the strength of their own positions, and reproductions of the images appeared in everything from books and encyclopedias to stained glass and public pageantry. Promey analyzes the conception and production of the cycle, persuasively demonstrating that Triumph of Religion, far from promoting a narrowly sectarian version of religious practice, represented instead Sargent's public recommendation of the privacy of modern belief. The artist recast contemporary religion as spirituality, she argues, linking it not with institutions and dogma but with personal subjectivity. For Sargent, this ideal was a sign of Western, especially American, progress. Carefully reconstructing patterns of reception in an increasingly diverse religious climate, and exploring the extent and character of Sargent's personal and artistic investment, Promey boldly illuminates the work Sargent hoped to make his masterpiece. At the same time, she enriches understanding of religious images in public places and popular imagination.
From the Back Cover:
"With very impressive intellectual range, Promey deftly interprets the imagery in the context of diverse social, religious, and cultural currents in nineteenth- and twentieth-century America, and Boston in particular. Painting Religion in Public will instantly become and remain the definitive study of its subject."--David Morgan, Valparaiso University
"Painting Religion in Public is a brilliant book, meticulously crafted, engaging, and challenging. It is full of marvelous insight and a deeply matured sensitivity to Sargent, his experiences, and his art. Sally Promey does a splendid job protecting the genuine ambiguities and contradictions in Sargent's views and in the realization of his plans for Triumph of Religion. Her ability to weave together historical, cultural, visual, and biographical resources without imposing a false unity gives authoritative restraint to her arguments while allowing her enthusiasm and sympathy for the project and the man to come through clearly. This is a truly wonderful work."--Ellen Smith, American Jewish Historical Society
"Painting Religion in Public is a full retelling of the story behind one of the most ambitious and, in its own era's eyes, most important public art monuments in the United States. Sally Promey establishes this importance through a thorough exploration of documentary materials, her creative use of these documents, and a wide-ranging inquiry into both the art and the religious culture of that time and place. Readers in many fields will find the text rewarding."--Marc Simpson, Bibliography of the History of Art, Getty Research Institute
"Promey's thorough study of the contexts of and reactions to this most ambitious of Sargent's projects is not only timely but most welcome . . . .[Her] analysis of the multi-layered and religious attitudes and practices, patriotism, and sociological currents during the three decades of the installation of the murals is intricate and masterful . . . will undoubtedly become the definitive scholarly study of this complex series of murals."--Marianna M. Archambault, Religion and the Arts
Título: Painting Religion in Public: John Singer ...
Editorial: Princeton University Press,
Año de publicación: 1999
Condición del libro: Near Fine
Descripción Princeton University Press, 1999. Hardcover. Estado de conservación: Good. Satisfaction 100% guaranteed. Nº de ref. de la librería mon0001798632
Descripción Princeton University Press. Hardcover. Estado de conservación: Fair. Nº de ref. de la librería G0691015651I5N00
Descripción Princeton University Press, 1999. Hardcover. Estado de conservación: Used: Very Good. Estado de la sobrecubierta: VG DJ. Picture may not match book; 4to;signed and inscribed by author to previous owner on title page;VG DJ lightly edgeworn/scuffed, some creases at top edge; light wear/scuffing to boards/spine;Text unmarked and clean. International orders may require extra shipping. Orders will be mailed either on the day ordered or the next business day. Expedited shipping available. Nº de ref. de la librería 20a2146940
Descripción Princeton University Press, 1999. HARDCOVER Art-Artists . USED, Ex-library. Nº de ref. de la librería 01978069101565104
Descripción Princeton University Press, 1999. Hardcover. Estado de conservación: Used: Good. Nº de ref. de la librería SONG0691015651
Descripción Princeton University Press 1999-07-06, 1999. Hardcover. Estado de conservación: good. 0691015651. Nº de ref. de la librería 531177
Descripción Princeton University Press, Princeton, NJ, 1999. Hardcover. Blue cloth, blue DJ. 366 pp. 13 color, 146 bw plates. From the DJ. "[This] is a full retelling of the story behind one of the most ambitious and, in its own era's eyes, most important public art monuments in the United States. Sally Promey establishes this importance through a thorough exploration of documentary materials, a creative use of these documents, and a wide-ranging inquiry into both the art and the religious culture of that time and place. Readers in many fields will find the text rewarding." VG (Label & few marks from previous gallery owner.). Nº de ref. de la librería 14310
Descripción Princeton University Press, Princeton, 1999. hardcover. Estado de conservación: fine. Estado de la sobrecubierta: fine. Some illustrations in black & white. 365 pages. 4to, blue cloth, dust wrapper. Princeton: Princeton University Press, (1999). Fine. Nº de ref. de la librería 249287
Descripción Princeton University Press. Hardcover. Estado de conservación: Fine. 0691015651 Like New Condition. Nº de ref. de la librería LN7.1203181
Descripción Princeton University Press, 1999. Hardcover. Estado de conservación: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Signed and dated by Promey on title page. Clean and tight. DJ in archival cover. Signed by Author(s). Nº de ref. de la librería 053643