Hardcover. A distinct painting development with regard to the American West's Wasatch Range emerged in the nineteenth century and continues even today. These painters of the Wasatch have.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 256 pages. 2.236. N° de ref. de la librería
Sinopsis: A distinct painting development with regard to the American West's Wasatch Range emerged in the nineteenth century and persists even today. These "painters of the Wasatch" have set many precedents through their artistic interpretations of this mountain subject matter. Painters of the Wasatch Mountains presents for the first time a survey of the gamut of painters who formed and have carried forward an expression of nature's mighty gift to both visitors and residents of Utah.
As natural successor to the Hudson River School in the East, the "Wasatch school" persists because of the values we associate with that first of America's art movements-a dedication to place, a careful study, and interpretation of the environment in a spiritual and cultural context. The Painters of the Wasatch are not defined by a particular style or medium but by a physical presence that has unlimited appeal and inspiration.
Over 300 artworks are included, from the earliest examples of painting in the nineteenth century to works by Utah's contemporary artists. Also included are brief biographies of each artist, with occasional stylistic analysis.
Artists featured in this book include:
William Warner Major
Frank Ward Kent
James T. Harwood
John W. Clawson
Lee Greene Richards
John H. Stansfield
Joseph A. F. Everett
Francis L. Horspool
Alice Merrill Horne
Gary E. Smith
From the Inside Flap:
This book presents for the first time a survey of those early painters who formed and have carried forward an expression of nature's gift to those associated with Utah. A sequence of painted scenes of ordered Wasatch environments and the artists who form this group called Painters of the Wasatch underscore a distinct painting development connected with Utah's Wasatch that is directly, and by each generation, linked to modern landscape paintings. Though the Wasatch Range forms part of the Rocky Mountains, it is quite different in the sense that the Painters of the Wasatch developed their own character and history. According to H. L. A. Culmer, the Wasatch Rocky Mountains have long foothills; the Wasatch Range does not. But what makes the Wasatch unique is not only its geology but also its cultural roots: The Mormon pioneers set down roots in Utah in 1847.
Throughout time, a variety of immigrant artists settled along the Wasatch Front and in the mountain valleys, carrying forward a careful scrutiny of the Wasatch not unlike that received by the Hudson River country. In this way the Wasatch is the setting for a school of painting in the West that is quite like a Hudson River School in the East, and the Painters of the Wasatch persist to this day because of the values associated with that first of America's art movements--a dedication to place and a careful study and interpretation of the environment in a spiritual and cultural context. The Painters of the Wasatch are not defined by a particular style or medium but by a physical presence that has unlimited appeal and inspiration.
Ann Orton provides a carefully researched reference to the Wasatch, titled "The Wasatch Mountains," that documents the various peaks and valleys. Robert Olpin and Thomas Rugh's essay titled "Painters of the Wasatch" establishes the foundation of a perspective on nineteenth-century Utah Wasatch art that will encourage further study and visual investigation.
A portfolio of about 275 artworks ranges from the earliest examples of paingin in the nineteenth century to paintings by Utah's contemporary artists. Biographies of the artists include occasional stylistic analysis of each artist. It is then left to the reader to discover the richness of the Wasatch and its painters in many of these little-seen and newly discovered images.
Robert S. Olpin, Ph.D. (Boston University), has served on the University of Utah's Art and Art History faculty for almost forty years. He has been (for a decade each) art history program director, department chair, and College of Fine Arts dean. Today he is a founding co-director (along with Clayton Williams) of the Utah Fine Arts Institute, a scholarship-granting research agency of the University of Utah. Since 1967 Professor Olpin has been author and/or editor of fifty-five publications and television programs on American and Utah art. He has authored publications regarding the American landscape painter Alexander H. Wyant (1836-1892), the influence of Dutch art on American artistic development, as well as the Dictionary of Utah Art, and co-authored several books on Utah art, including Artists of Utah and Utah Painting and Sculpture. He lives in Murray, Utah, with his wife, Mary Florence Olpin, a noted public school teacher, and they have four daughters.
Ann W. Orton earned Bachelor and Master of Science degrees from Brigham Young University and worked as the food editor and restaurant critic for the Deseret News, as the Rocky Mountain editor for Zagat Survey, as an editorial assistant at Bookcraft Publishing and as a public affairs representative for The Church of Jesus Christ of Latter-day Saints. She is the mother of five living children, the grandmother of seven and thrives on adventurous travel, testing new recipes and spending precious time with her grandbabies.
Thomas F. Rugh is the Sid and Mary Foulger Executive Director of the Museum of Utah Art & History. He has studied humanities at Brigham Young University and art History at the University of Chicago where he received a dissertation fellowship to stud
Título: Painters of the Wasatch Mountains (Hardcover...
Año de publicación: 2006
Condición del libro: New
Descripción Gibbs Smith, 2005. Estado de conservación: Good. 1st Edition. Former Library book. Shows some signs of wear, and may have some markings on the inside. Nº de ref. de la librería GRP67541136
Descripción Gibbs Smith, 2005. Hardcover. Estado de conservación: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. [Art-Gen]. Hardcover, bound in boards with dust jacket. Moderate edge-wear, short tear to the jacket. Nº de ref. de la librería 067997
Descripción Gibbs Smith 2005-11-29, 2005. Hardcover. Estado de conservación: Fair. 1. 1586858505 No dust jacket. Tracking is not available for orders shipped outside of the United States. **Heavier books will require additional postage for International** PA Sales Tax is included in purchase price. Nº de ref. de la librería GS-HC-NDJ-K-1586858505
Descripción Estado de conservación: like_new. Book and Cover in Excellent Condition. Nº de ref. de la librería V 419895
Descripción Gibbs Smith. Hardcover. Estado de conservación: Good. 1586858505 good condition, pages are clean and free of markings, light wear to corners and edges, ships same day or next. Nº de ref. de la librería 423000013
Descripción Salt Lake City, UT: Gibbs Smith, Publisher, ., 2008. Second printing (first published 2005). x, 258 pages. Hardcover: H 31.25cm x L 28cm. Dust jacket rubbed, short rippled tear above front panel center, top corner of front flap is price-clipped. Gray boards. Non-authorial Christmas gift inscription in ink at top of half-title page; interior pages are otherwise clean. Binding retains some crispness. A very good copy in a very good- dust jacket. Color illustrations throughout. Contents: "Introduction, "The Wasatch mountains," "Painters of the Wasatch," "Portfolio of images," "Biographies of artists." Please note that this large book has an approximate shipping weight of 5.75 pounds (2.6 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 9781586858506. Nº de ref. de la librería JUN17-08147
Descripción Gibbs Smith, 2005. Hardcover. Estado de conservación: Very Good. VERY GOOD IN A VERY GOOD DUST JACKET. LENGTHY GIFT INSCRIPTION ON THE TITLE PAGE OTHERWISE THE TEXT IS CLEAN AND TIGHT. Nº de ref. de la librería BOOK3-071014031
Descripción Gibbs Smith, 2005. Hardcover. Estado de conservación: Very Good. Estado de la sobrecubierta: Good. Very Good. In Good unclipped dust jacket; dust jacket is sunned and faded. Gently used. Full page gift inscription on ffep from previous owner. NO markings in text. Binding is tight. Pasadena's finest independent new and used bookstore. Nº de ref. de la librería mon0000342817
Descripción Gibbs Smith. Estado de conservación: Used - Like New. 2005. Hardcover. Cloth. Folio. 258 pp. Profusely illustrated. Fine. Dust Jacket is Fine. Nº de ref. de la librería C37470
Descripción Gibbs Smith. Estado de conservación: Used - Very Good. 2005. Hardcover. Very Good. Nº de ref. de la librería Z0205028