Imagen del editor

Opera and Ideology in Prague : Polemics and Practice at the National Theater, 1900-1938

Locke, Brian S.

2 valoraciones por Goodreads
ISBN 10: 1580462286 / ISBN 13: 9781580462280
Editorial: Boydell & Brewer Ltd, 2006
Nuevos Condición: Brand new Encuadernación de tapa dura
Librería: Boydell & Brewer (Martlesham, Reino Unido)

Librería en AbeBooks desde: 3 de julio de 2001

Cantidad: 1

Comprar nuevo
Precio: EUR 86,07 Convertir moneda
Gastos de envío: EUR 8,37 De Reino Unido a España Destinos, gastos y plazos de envío
Añadir al carrito

Descripción

This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. Opera and Ideology in Prague not only narrates the fascinating history of a local musical community bu t also reveals much about music and culture in Europe. The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing "legacies" of Smetana and Dvorák and the merits of modernism. After Czech independence in 1918, a new generation of musicians accepted modernist foreign influences only with extreme hesitation. The 1926 Prague premiere of Berg's opera Wozzeck and the ascendancy of a young group of avant-garde composers changed the cultural climate entirely, providing new ground for the exploration of jazz, neo-classicism, quarter tones, and socialist music. As the Czechoslovak Republic drew to a close, a resurgence of na tionalism appeared in the musical expressions of both Czechs and German-Bohemians. The analyses of operas and tone poems by Novák, Ostrcil, Zich, Jeremiás, Hába, Kricka, and Suk provide a cross-section of musical life in earl y twentieth-century Prague, as well as a series of interpretations of Czech cultural identity. Populist endeavors such as jazz and neo-classicism represented some of the ways in which composers of the 1930s attempted to regain an audience alienated by modernism: in this respect, the trends in Prague mirrored those of the rest of Europe. Brian Locke is Assistant Professor of Music History at Western Illinois University, Macomb. He has written ext ensively on twentieth-century music, including Czech operatic and symphonic works and Alban Berg's Wozzeck . N° de ref. de la librería 8390

Hacer una pregunta a la librería

Detalles bibliográficos

Título: Opera and Ideology in Prague : Polemics and ...

Editorial: Boydell & Brewer Ltd

Año de publicación: 2006

Encuadernación: Hardcover

Condición del libro:Brand new

Acerca de

Sinopsis:

This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. Opera and Ideology in Prague not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing "legacies" of Smetana and Dvorák and the merits of modernism. After Czech independence in 1918, a new generation of musicians accepted modernist foreign influences only with extreme hesitation. The 1926 Prague premiere of Berg's opera Wozzeck and the ascendancy of a young group of avant-garde composers changed the cultural climate entirely, providing new ground for the exploration of jazz, neo-classicism, quarter tones, and socialist music. As the Czechoslovak Republic drew to a close, a resurgence of nationalism appeared in the musical expressions of both Czechs and German-Bohemians. The analyses of operas and tone poems by Novák, Ostrcil, Zich, Jeremiás, Hába, Kricka, and Suk provide a cross-section of musical life in early twentieth-century Prague, as well as a series of interpretations of Czech cultural identity. Populist endeavors such as jazz and neo-classicism represented some of the ways in which composers of the 1930s attempted to regain an audience alienated by modernism: in this respect, the trends in Prague mirrored those of the rest of Europe. Brian Locke is Assistant Professor of Music History at Western Illinois University, Macomb. He has written extensively on twentieth-century music, including Czech operatic and symphonic works and Alban Berg's Wozzeck.

About the Author:

Brian Locke is assistant professor of music history at Western Illinois University (in Macomb).

"Sobre este título" puede pertenecer a otra edición de este libro.

Descripción de la librería

Ver la página web de la librería

Condiciones de venta:

Terms of Sale:
We can accept Mastercard, Visa, and Switch credit cards. We can only accept cheques from customers within the UK.

Returns. If you are not happy with the goods you receive from us, you are entitled to return them, provided you notify us within seven days of receipt. We will normally allow you to return them after this period, but this is at our discretion.

Condiciones de envío:

Orders usually ship within 2 business days. Shipping costs are based on books weighing 2.2 LB, or 1 KG. If your book order is heavy or oversized, we may contact you to let you know extra shipping is required.

Please note that print on demand titles (POD) will take up to four weeks to print and deliver.

Todos los libros de esta librería

Métodos de pago
aceptados por la librería

Visa Mastercard American Express Carte Bleue