Omerta (1st edition/1st printing)
Librería en AbeBooks desde: 7 de agosto de 2012Cantidad: 1
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Librería en AbeBooks desde: 7 de agosto de 2012Cantidad: 1
Título: Omerta (1st edition/1st printing)
Editorial: Random House, New York
Año de publicación: 2000
Condición del libro:As New
Condición de la sobrecubierta: As New
Edición: 1st Edition
THE FINAL CHAPTER IN MARIO PUZO'S LANDMARK MAFIA TRILOGY
Mario Puzo spent the last three years of his life writing Omerta, the concluding installment in his saga about power and morality in America. In The Godfather, he introduced us to the Corleones. In The Last Don, he told the wicked tale of the Clericuzios. In Omerta, Puzo chronicles the affairs of the Apriles, a family on the brink of legitimacy in a world of criminals.
Don Raymonde Aprile is an old man wily enough to retire gracefully from organized crime after a lifetime of ruthless conquest. Having kept his three children at a distance, he's ensured that they are now respectable members of the establishment: Valerius is an army colonel who teaches at West Point, Marcantonio is an influential TV network executive, and Nicole is a corporate litigator with a weakness for pro bono cases to fight the death penalty. To protect them from harm, and to maintain his entrée into the legitimate world of international banking, Don Aprile has adopted a "nephew" from Sicily, Astorre Viola, whose legal guardian made the unfortunate decision to commit suicide in the trunk of a car. Astorre is an unlikely enforcer—a macaroni importer with a fondness for riding stallions and recording Italian ballads with his band.
Though Don Aprile's retirement is seen as a business opportunity by his last Mafia rival, Timmona Portella, it is viewed with suspicion by Kurt Cilke, the FBI's special agent in charge of investigating organized crime. Cilke has achieved remarkable success in breaking down the bonds between families, cultivating high-ranking sources who in return for federal protection have violated omerta—Sicilian for "code of silence," the vow among men of honor that, until recently, kept them from betraying their secrets to the authorities.
As Cilke and the FBI mount their campaign to wipe out the Mafia once and for all, Astorre Viola and the Apriles find themselves in the midst of one last war, a conflict in which it is hard to distinguish who, if anyone, is on the right side of the law, and whether mercy or vengeance is the best course of action.
Rich with suspense, dark humor, and the larger-than-life characters who have turned Mario Puzo's novels into modern myths, Omerta is a powerful epitaph for the Mafia at the turn of a new century, and a final triumph for a great American storyteller.
Omerta, the third novel in Mario Puzo's Mafia trilogy, is infinitely better than the third Godfather film, and most movies in fact. Besides colorful characters and snappy dialogue, it's got a knotty, gratifying, just-complex-enough plot and plenty of movie-like scenes. The newly retired Mafioso Don Raymonde Aprile attends his grandson's confirmation at St. Patrick's in New York, handing each kid a gold coin. Long shot: "Brilliant sunshine etched the image of that great cathedral into the streets around it." Medium shot: "The girls in frail cobwebby white lace dresses, the boys [with] traditional red neckties knitted at their throats to ward off the Devil." Close-up: "The first bullet hit the Don square in the forehead. The second bullet tore out his throat."
More crucial than the tersely described violence is the emotional setting: a traditional, loving clan menaced by traditional vendettas. With Don Aprile hit, the family's fate lies in the strong hands of his adopted nephew from Sicily, Astorre. The Don kept his own kids sheltered from the Mafia: one son is an army officer; another is a TV exec; his daughter Nicole (the most developed character of the three) is an ace lawyer who liked to debate the Don on the death penalty. "Mercy is a vice, a pretension to powers we do not have ... an unpardonable offense to the victim," the Don maintained. Astorre, a macaroni importer and affable amateur singer, was secretly trained to carry on the Don's work. Now his job is to show no mercy.
But who did the hit? Was it Kurt Cilke, the morally tormented FBI man who recently jailed most of the Mafia bosses? Or Timmona Portella, the Mob boss Cilke still wants to collar? How about Marriano Rubio, the womanizing, epicurean Peruvian diplomat who wants Nicole in bed--did he also want her papa's head?
If you didn't know Puzo wrote Omerta, it would be no mystery. His marks are all over it: lean prose, a romance with the Old Country, a taste for olives in barrels, a jaunty cynicism ("You cannot send six billionaires to prison," says Cilke's boss. "Not in a democracy"), an affection for characters with flawed hearts, like Rudolfo the $1,500-an-hour sexual massage therapist, or his short-tempered client Aspinella, the one-eyed NYPD detective. The simultaneous courtship of cheery Mafia tramp Rosie by identical hit-man twins Frankie and Stace Sturzo makes you fall in love with them all--and feel a genuine pang when blood proves thicker than eros.
This fitting capstone to Puzo's career is optioned for a film, and Michael Imperioli of TV's The Sopranos narrates the audiocassette version of the novel. But why wait for the movie? Omerta is a big, old-fashioned movie in its own right. --Tim Appelo
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