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Normal: Transexual CEOs, Crossdressing Cops, and Hermaphrodites with Attitude

Bloom, Amy

422 valoraciones por Goodreads
ISBN 10: 067945652X / ISBN 13: 9780679456520
Editorial: Random House, Inc., New York, New York, 2002
Usado Condición: Very Good Encuadernación de tapa dura
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Detalles bibliográficos

Título: Normal: Transexual CEOs, Crossdressing Cops,...

Editorial: Random House, Inc., New York, New York

Año de publicación: 2002

Encuadernación: Hard Cover

Condición del libro: Very Good

Condición de la sobrecubierta: Very Good

Edición: Later Printing.

Tipo de libro: Used Book

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Amy Bloom has won a devoted readership and wide critical acclaim for fiction of rare humor, insight, grace, and eloquence, and the same qualities distinguish Normal, her first full-length work of nonfiction. In Normal, the National Book Critics Circle Award and National Book Award finalist explores sex and gender through portraits of people who are widely considered not normal.

“A great many people, sick of news from the margins, worn out by the sand shifting beneath their assumptions, like to imagine Nature as a sweet, simple voice: tulips in spring, Vermont’s leaves falling in autumn,” Bloom writes. “Nature is more like Aretha Franklin: vast, magnificent, capricious, occasionally hilarious, and infinitely varied.”

Bloom takes us on a provocative, intimate journey into the lives of “people who reveal, or announce, that their gender is variegated rather than monochromatic”—female-to-male transsexuals, heterosexual crossdressers, and the intersexed. We meet Lyle Monelle and his mother, Jessie, who recognized early on that her little girl was in fact a boy and used her life savings to help Lyle make the transgender transition. On a Carnival cruise with a group of crossdressers and their spouses, we meet Peggy Rudd and her husband, “Melanie,” who devote themselves to the cause of “ordinary heterosexual men with an additional feminine dimension.” And we meet Hale Hawbecker, “a regular, middle-of-the-road, white-bread guy” with a wife, kids, and a medical condition, the standard treatment for which would have changed his life and his gender.

Bloom shows the essential humanity in this infinite variety, allowing us to appreciate these people as they really are—both like and unlike everyone else—and inviting us “to see into these particular worlds and back out to the larger one we all share.” Casting light into the dusty corners of our assumptions about sex, gender, and identity, about what it means to be male or female, Bloom reveals new facets to ideas about happiness, personality, and character, even as she brilliantly illumines the very concept of “normal.”

From the Back Cover:

Advance Praise for Normal

“Amy Bloom’s wonderful eye and ear are evident as she encounters people for whom gender is a complex issue. Bloom cares for her subjects but retains her objectivity; her great skill is in extracting and weaving from the specific stories her own original thesis about sexuality and gender. This is an important work.”
—Abraham Verghese, author of My Own Country and The Tennis Partner

“Wonderfully written, thoughtfully and compassionately told, this book stretches the concept of ‘normal’ to show how elastic, how all-embracing, nature’s view of gender really is. It’s a mind-opening, spirit-enlarging book.”
—Deborah Tannen, author of You Just Don’t Understand and I Only Say This Because I Love You

Praise for Amy Bloom

“Amy Bloom is possessed of great subtlety and rock-solid integrity. Her stories crackle with subvert revelation. She is a compassionate writer who, more important, loves the world too much to sentimentalize it.”
—Michael Cunningham, about A Blind Man Can See How Much I Love You

“Amy Bloom gets more meaning into individual sentences than most authors manage in whole books.”
The New Yorker, about A Blind Man Can See How Much I Love You

“The highest compliment I can pay a writer is to say that her work is Chekhovian—which is to say that its fine, fierce intelligence is matched by its compassion....This is a rare book.”
—Rosellen Brown, about Love Invents Us

“Amy Bloom has many voices and lives many lives....Come to Me is charged from the first line....Then, step by step, it gathers weight, texture and power, and suddenly it ends with what is really another beginning....We know we are in the hands of a real writer.”
—Margo Jefferson, The New York Times, about Come to Me

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