Music and Culture in the Age of Mechanical Reproduction (Hardcover)

Bhesham R. Sharma

ISBN 10: 0820445169 / ISBN 13: 9780820445168
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Hardcover. One of T. W. Adorno's greatest philosophical achievements, The Philosophy of Modern Music, continues to be one of his most misunderstood. Many scholars take Adorno's book lite.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 215 pages. 0.440. N° de ref. de la librería

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Sinopsis: One of T. W. Adorno’s greatest philosophical achievements, The Philosophy of Modern Music, continues to be one of his most misunderstood. Many scholars take Adorno’s book literally although he never meant it to be perceived solely in that way. This study focuses on the literal, symbolic, and metaphorical dimensions of The Philosophy of Modern Music. It explains Adorno’s cryptical style of writing and reveals how he uses the works of Schoenberg and Stravinsky to discuss kitsch and avant-garde art during the rise of fascism in Germany. It also highlights Adorno’s subtle critique of the aesthetic ideas of Benjamin, Hegel, Freud, Jung, and others. Adorno intended The Philosophy of Modern Music to be a Flaschenpost, a message in a bottle, able to maintain its analytical rigor through time. This study shows that when one applies his insights from The Philosophy of Modern Music to present-day cultural practices, they seem more relevant than ever.

About the Author: The Author: Bhesham R. Sharma received his Ph.D. from the University of Edinburgh and has taught music at universities and colleges in North America, Europe, and Asia. He has published articles in professional music and anthropological journals. Dr. Sharma is also a composer and a performer. As a guitarist, he has played prestigious classical and jazz engagements on four continents and his compositions have been performed extensively.

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Detalles bibliográficos

Título: Music and Culture in the Age of Mechanical ...
Año de publicación: 2000
Encuadernación: Hardcover
Condición del libro: New

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1.

Bresham R. Sharma
Editorial: Peter Lang (2000)
ISBN 10: 0820445169 ISBN 13: 9780820445168
Usado Tapa dura Primera edición Cantidad: 1
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Hugh Hardinge Books
(Cambridge, Reino Unido)
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Descripción Peter Lang, 2000. Hard Cover. Estado de conservación: Very Good. No Jacket. First Edition. Blue and white laminated boards lettered in black and white. One insignificant bump 3mm x 2mm to lower front edge. Name and date to ffep. No other faults. 8vo - over 7¾" - 9¾" tall. Nº de ref. de la librería 001230

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Sharma, Bhesham R.
ISBN 10: 0820445169 ISBN 13: 9780820445168
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Descripción Estado de conservación: New. Nº de ref. de la librería 24807538-n

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Bhesham R. Sharma
Editorial: Peter Lang Publishing Inc 2000-04-01 (2000)
ISBN 10: 0820445169 ISBN 13: 9780820445168
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Descripción Peter Lang Publishing Inc 2000-04-01, 2000. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-LBR-01849066

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Bhesham R. Sharma
Editorial: Peter Lang Publishing Inc, United States (2000)
ISBN 10: 0820445169 ISBN 13: 9780820445168
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Descripción Peter Lang Publishing Inc, United States, 2000. Hardback. Estado de conservación: New. Language: English . Brand New Book. One of T. W. Adorno s greatest philosophical achievements, The Philosophy of Modern Music, continues to be one of his most misunderstood. Many scholars take Adorno s book literally although he never meant it to be perceived solely in that way. This study focuses on the literal, symbolic, and metaphorical dimensions of The Philosophy of Modern Music. It explains Adorno s cryptical style of writing and reveals how he uses the works of Schoenberg and Stravinsky to discuss kitsch and avant-garde art during the rise of fascism in Germany. It also highlights Adorno s subtle critique of the aesthetic ideas of Benjamin, Hegel, Freud, Jung, and others. Adorno intended The Philosophy of Modern Music to be a Flaschenpost, a message in a bottle, able to maintain its analytical rigor through time. This study shows that when one applies his insights from The Philosophy of Modern Music to present-day cultural practices, they seem more relevant than ever. Nº de ref. de la librería LIB9780820445168

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5.

Bhesham R. Sharma
Editorial: Peter Lang Publishing Inc, United States (2000)
ISBN 10: 0820445169 ISBN 13: 9780820445168
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Descripción Peter Lang Publishing Inc, United States, 2000. Hardback. Estado de conservación: New. Language: English . Brand New Book. One of T. W. Adorno s greatest philosophical achievements, The Philosophy of Modern Music, continues to be one of his most misunderstood. Many scholars take Adorno s book literally although he never meant it to be perceived solely in that way. This study focuses on the literal, symbolic, and metaphorical dimensions of The Philosophy of Modern Music. It explains Adorno s cryptical style of writing and reveals how he uses the works of Schoenberg and Stravinsky to discuss kitsch and avant-garde art during the rise of fascism in Germany. It also highlights Adorno s subtle critique of the aesthetic ideas of Benjamin, Hegel, Freud, Jung, and others. Adorno intended The Philosophy of Modern Music to be a Flaschenpost, a message in a bottle, able to maintain its analytical rigor through time. This study shows that when one applies his insights from The Philosophy of Modern Music to present-day cultural practices, they seem more relevant than ever. Nº de ref. de la librería LIB9780820445168

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6.

Bhesham R Sharma
Editorial: Lang, Peter, Publishing Inc. 2000-04-20, New York (2000)
ISBN 10: 0820445169 ISBN 13: 9780820445168
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Descripción Lang, Peter, Publishing Inc. 2000-04-20, New York, 2000. hardback. Estado de conservación: New. Nº de ref. de la librería 9780820445168

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7.

Bhesham R. Sharma
Editorial: Peter Lang Apr 2000 (2000)
ISBN 10: 0820445169 ISBN 13: 9780820445168
Nuevos Cantidad: 1
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AHA-BUCH GmbH
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Descripción Peter Lang Apr 2000, 2000. Buch. Estado de conservación: Neu. Neuware - One of T. W. Adorno's greatest philosophical achievements, The Philosophy of Modern Music, continues to be one of his most misunderstood. Many scholars take Adorno's book literally although he never meant it to be perceived solely in that way. This study focuses on the literal, symbolic, and metaphorical dimensions of The Philosophy of Modern Music. It explains Adorno's cryptical style of writing and reveals how he uses the works of Schoenberg and Stravinsky to discuss kitsch and avant-garde art during the rise of fascism in Germany. It also highlights Adorno's subtle critique of the aesthetic ideas of Benjamin, Hegel, Freud, Jung, and others. Adorno intended The Philosophy of Modern Music to be a Flaschenpost, a message in a bottle, able to maintain its analytical rigor through time. This study shows that when one applies his insights from The Philosophy of Modern Music to present-day cultural practices, they seem more relevant than ever. 215 pp. Englisch. Nº de ref. de la librería 9780820445168

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8.

Bhesham R. Sharma
Editorial: Peter Lang Apr 2000 (2000)
ISBN 10: 0820445169 ISBN 13: 9780820445168
Nuevos Cantidad: 1
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Valoración
[?]

Descripción Peter Lang Apr 2000, 2000. Buch. Estado de conservación: Neu. Neuware - One of T. W. Adorno's greatest philosophical achievements, The Philosophy of Modern Music, continues to be one of his most misunderstood. Many scholars take Adorno's book literally although he never meant it to be perceived solely in that way. This study focuses on the literal, symbolic, and metaphorical dimensions of The Philosophy of Modern Music. It explains Adorno's cryptical style of writing and reveals how he uses the works of Schoenberg and Stravinsky to discuss kitsch and avant-garde art during the rise of fascism in Germany. It also highlights Adorno's subtle critique of the aesthetic ideas of Benjamin, Hegel, Freud, Jung, and others. Adorno intended The Philosophy of Modern Music to be a Flaschenpost, a message in a bottle, able to maintain its analytical rigor through time. This study shows that when one applies his insights from The Philosophy of Modern Music to present-day cultural practices, they seem more relevant than ever. 215 pp. Englisch. Nº de ref. de la librería 9780820445168

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9.

Bhesham R. Sharma
Editorial: Peter Lang Apr 2000 (2000)
ISBN 10: 0820445169 ISBN 13: 9780820445168
Nuevos Cantidad: 1
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Rheinberg-Buch
(Bergisch Gladbach, Alemania)
Valoración
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Descripción Peter Lang Apr 2000, 2000. Buch. Estado de conservación: Neu. Neuware - One of T. W. Adorno's greatest philosophical achievements, The Philosophy of Modern Music, continues to be one of his most misunderstood. Many scholars take Adorno's book literally although he never meant it to be perceived solely in that way. This study focuses on the literal, symbolic, and metaphorical dimensions of The Philosophy of Modern Music. It explains Adorno's cryptical style of writing and reveals how he uses the works of Schoenberg and Stravinsky to discuss kitsch and avant-garde art during the rise of fascism in Germany. It also highlights Adorno's subtle critique of the aesthetic ideas of Benjamin, Hegel, Freud, Jung, and others. Adorno intended The Philosophy of Modern Music to be a Flaschenpost, a message in a bottle, able to maintain its analytical rigor through time. This study shows that when one applies his insights from The Philosophy of Modern Music to present-day cultural practices, they seem more relevant than ever. 215 pp. Englisch. Nº de ref. de la librería 9780820445168

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10.

Bhesham R. Sharma
Editorial: Peter Lang Apr 2000 (2000)
ISBN 10: 0820445169 ISBN 13: 9780820445168
Nuevos Cantidad: 1
Librería
BuchWeltWeit Inh. Ludwig Meier e.K.
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Descripción Peter Lang Apr 2000, 2000. Buch. Estado de conservación: Neu. Neuware - One of T. W. Adorno's greatest philosophical achievements, The Philosophy of Modern Music, continues to be one of his most misunderstood. Many scholars take Adorno's book literally although he never meant it to be perceived solely in that way. This study focuses on the literal, symbolic, and metaphorical dimensions of The Philosophy of Modern Music. It explains Adorno's cryptical style of writing and reveals how he uses the works of Schoenberg and Stravinsky to discuss kitsch and avant-garde art during the rise of fascism in Germany. It also highlights Adorno's subtle critique of the aesthetic ideas of Benjamin, Hegel, Freud, Jung, and others. Adorno intended The Philosophy of Modern Music to be a Flaschenpost, a message in a bottle, able to maintain its analytical rigor through time. This study shows that when one applies his insights from The Philosophy of Modern Music to present-day cultural practices, they seem more relevant than ever. 215 pp. Englisch. Nº de ref. de la librería 9780820445168

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