The Monthly Musical Record, Volume 11

ISBN 10: 1286532159 / ISBN 13: 9781286532157
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Sinopsis: This is a reproduction of a book published before 1923. This book may have occasional imperfections
such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,
or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections,
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The Monthly Musical Record, Volume 11

Augener, 1881

Music; Instruction & Study; Theory; Music; Music / History & Criticism; Music / Instruction & Study / Theory

"Sobre este título" puede pertenecer a otra edición de este libro.

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Título: The Monthly Musical Record, Volume 11



Condición del libro: Good

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Descripción Rarebooksclub.com, United States, 2012. Paperback. Estado de conservación: New. 246 x 189 mm. Language: English . Brand New Book ***** Print on Demand *****. This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1881 Excerpt: . its power to inspire, or that the soil is exhausted. Some blighting influence must be at work. The theatres are infested by a rowdy and blackguard gang, who frequently muster only to out-howl any performance that is not down to their own level. The better classes, when speaking to a foreigner, lament this--call it vergogna, ittfamia --though knowing that they could easily put a stop to itHalf a dozen men of position and spirit rising from their seats and exclaiming Alia porta! would expel the whole crew. The thing has been done, and might be done again, and always. Why not? Because the better classes don t care. People here no longer live musical lives; they have a master instead. They sing very little, but they talk about singing ad nauseam. And the chief praise bestowed on a singer is not on account of taste, purity, dramatic truth, style, or that untranslatable thing called impaslo; but vibrazione, which means--not tremolo, but resonance--noise--making the walls rattle. Hitherto, in the common canzonettes of the people, and in their delivery, there has survived something of that wonderful grace that can redeem the most trivial work. But even this seems to be in danger. And at the same time one cannot but notice the decay of that good-humour, that bonhommie, gaiety, and lightheartedness which have become a proverb. Forsyth, writing near a century ago, speaks in terms which might have been used yesterday, with one exception. If Naples, says he, be a Paradise inhabited by devils, I am sure it is by merry devils. He would hardly say so now. Anxiety, weariness, care--that bustle which comes not of exuberance, but of toil, are everywhere apparent. There are . Nº de ref. de la librería APC9781236340634

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Descripción Rarebooksclub.com, United States, 2012. Paperback. Estado de conservación: New. 246 x 189 mm. Language: English . Brand New Book ***** Print on Demand *****.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1881 Excerpt: . its power to inspire, or that the soil is exhausted. Some blighting influence must be at work. The theatres are infested by a rowdy and blackguard gang, who frequently muster only to out-howl any performance that is not down to their own level. The better classes, when speaking to a foreigner, lament this--call it vergogna, ittfamia --though knowing that they could easily put a stop to itHalf a dozen men of position and spirit rising from their seats and exclaiming Alia porta! would expel the whole crew. The thing has been done, and might be done again, and always. Why not? Because the better classes don t care. People here no longer live musical lives; they have a master instead. They sing very little, but they talk about singing ad nauseam. And the chief praise bestowed on a singer is not on account of taste, purity, dramatic truth, style, or that untranslatable thing called impaslo; but vibrazione, which means--not tremolo, but resonance--noise--making the walls rattle. Hitherto, in the common canzonettes of the people, and in their delivery, there has survived something of that wonderful grace that can redeem the most trivial work. But even this seems to be in danger. And at the same time one cannot but notice the decay of that good-humour, that bonhommie, gaiety, and lightheartedness which have become a proverb. Forsyth, writing near a century ago, speaks in terms which might have been used yesterday, with one exception. If Naples, says he, be a Paradise inhabited by devils, I am sure it is by merry devils. He would hardly say so now. Anxiety, weariness, care--that bustle which comes not of exuberance, but of toil, are everywhere apparent. There are . Nº de ref. de la librería APC9781236340634

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