Título: Modernism: An Anthology of Sources and ...
Editorial: University Of Chicago Press 1999-02-01
Año de publicación: 1999
Condición del libro: Fair
0226450732 Hardcover book that is a former library item with typical library markings. There is a slight split to the binding. The book is intact with clean text. Fast shipping!. N° de ref. de la librería JF667088
Sinopsis: From Bauhaus to Dada, from Virginia Woolf to John Dos Passos, the Modernist movement revolutionized the way we perceive, portray, and participate in the world. This landmark anthology is a comprehensive documentary resource for the study of Modernism, bringing together more than 150 key essays, articles, manifestos, and other writings of the political and aesthetic avant-garde between 1840 and 1950.
By favoring short extracts over lengthier originals, the editors cover a remarkable range and variety of modernist thinking. Included are not just the familiar high modernist landmarks such as Gustave Flaubert, Ezra Pound, and James Joyce, but also a diverse representation from the sciences, politics, philosophy, and the arts, including Charles Darwin, Thorstein Veblen, W. E. B. Du Bois, Isadora Duncan, John Reed, Adolf Hitler, and Sergei Eisenstein. Another welcome feature is a substantial selection of hard-to-find manifestos from the many modernist movements, among them futurism, cubism, Dada, surrealism, and anarchism.
Biografía del autor: Jane A. Goldman is Reader in English Literature at the University of Glasgow. She is a General Editor of the Cambridge University Press Edition of the Writings of Virginia Woolf, author of The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism and the Politics of the Visual (Cambridge University Press, 1998) and co-editor of Modernism: An Anthology of Sources and Documents (Edinburgh University Press, 1998) . Her recent publications include Modernism, 1910-1945: Image to Apocalypse (Palgrave, 2004) and The Cambridge Introduction to Virginia Woolf (Cambridge UP, 2006). Olga Taxidou is Reader in English Literature and Drama at the University of Edinburgh. She is author of The Mask: A Periodical Performance by Edward Gordon Craig (Routledge, 1998) and of Tragedy, Modernity and Mourning (Edinburgh University Press, 2004) and co-editor of Modernism: An Anthology of Sources and Documents (Edinburgh University Press, 1998) and of Post-War Cinema and Modernism: A Film Reader (Edinburgh University Press, 2000).
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