MUSICA POETICA, MUSICAL-RHETORICAL FIGURES IN GERMAN BAROQUE MUSIC

Dietrich Bartel

Editorial: University of Nebraska Press, 1997
ISBN 10: 0803212763 / ISBN 13: 9780803212763
Usado / Hardcover / Cantidad: 0
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6 x 9 in. xv, 471 pp. Blue cloth boards with gilt spine titles. Condition is FINE ; like new on all points, no wear or markings. DJ is NEAR FINE ; like new with just a hint of edge wear. Music. Stax. 0.0. N° de ref. de la librería

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Sinopsis: Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther’s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music’s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists’ interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist’s definitions are presented in the original language and in parallel English translations. Bartel’s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music.

About the Author: Dietrich Bartel is an associate professor in the Department of Music at Canadian Mennonite Bible College (affiliated with University of Manitoba).

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Título: MUSICA POETICA, MUSICAL-RHETORICAL FIGURES ...
Editorial: University of Nebraska Press
Año de publicación: 1997
Encuadernación: Hardcover
Condición del libro: Fine

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Bartel, Dietrich
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Descripción University of Nebraska Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0803212763

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Descripción University of Nebraska Press. Hardcover. Estado de conservación: Very Good. 0803212763 Crisp, clean, unread book with some shelfwear and a remainder mark to one edge - NICE. Nº de ref. de la librería Z0803212763Z2

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Descripción University of Nebraska Press, 1997. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CA-9780803212763

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Descripción University of Nebraska Press, United States, 2002. Hardback. Estado de conservación: New. New.. Language: English . Brand New Book. Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist s definitions are presented in the original language and in parallel English translations. Bartel s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music. Nº de ref. de la librería AAJ9780803212763

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Dietrich Bartel
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ISBN 10: 0803212763 ISBN 13: 9780803212763
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Descripción University of Nebraska Press, United States, 2002. Hardback. Estado de conservación: New. New.. Language: English . Brand New Book. Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist s definitions are presented in the original language and in parallel English translations. Bartel s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music. Nº de ref. de la librería AAJ9780803212763

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Descripción 2002. HRD. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería KS-9780803212763

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Descripción University of Nebraska Press. Hardback. Estado de conservación: new. BRAND NEW, Musica Poetica: Musical Rhetorical Figures in German Baroque Music, Dietrich Bartel, Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther's theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music's use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists' interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist's definitions are presented in the original language and in parallel English translations. Bartel's clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music. Nº de ref. de la librería B9780803212763

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Descripción University of Nebraska Press, 1997. HRD. Estado de conservación: New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. Nº de ref. de la librería IP-9780803212763

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